1. ^Howard E. Smither A history of the oratorio p218 - 1977 "The performance of such music during Mass is by no means out of the question, for as early as 1618 Lorenzo Ratti, Carissimi's predecessor at the German College, had indicated that some of his dialogues were intended to be substitutes ..."
2. ^Studien zur italienisch-deutschen Musikgeschichte: Friedrich Lippmann SIX GOSPEL DIALOGUES FOR THE OFFERTORY BY LORENZO RATTI ed. by Regina Chauvin (New Orleans) Few details are known about Lorenzo Ratti's1 life and ... 2) For more biographical information see: Paul K ast , Lorenzo Ratti, in: MGG, XI, col. ...
3. ^Jesuits and music ...: A study of the musicians connected with the ...Thomas D. Culley - 1970 - After Costa's departure, Lorenzo Ratti returned for another term as maestro di cappella. ... There it was noted: "To Signor Lorenzo Ratti, maestro di cappella, [for] his provision . . . fifty- seven [scudi]" (Doc. 209). ...
4. ^Musical humanism and its legacy: essays in honor of Claude V. Palisca p290 Claude V. Palisca, Nancy Kovaleff Baker, Barbara Russano Hanning - 1992 until he succeeded in appointing Lorenzo Ratti (c. 1590-1630) in 1620. Ratti, though absent for one interval of nearly two years, remained in office until 1628. Rector Castorio must have encouraged him to carry on and extend the use of ...
5. ^The new Grove dictionary of music and musicians: Stanley Sadie, John Tyrrell - 2001
6. ^Listening as Spiritual Practice in Early Modern Italy p23 Andrew Dell'Antonio - 2011 The most substantial collection of concerted music for the Mass Proper— the Sacrae modulationes published by Lorenzo Ratti, chapel master at the Jesuit Collegio Germanico, in 1628, probably under Barberini sponsorship— contains a full