| 词条 | Love and the Maiden |
| 释义 |
| image_file=John Roddam Spencer Stanhope - Love and the Maiden.jpg | title=Love and the Maiden | artist=John Roddam Spencer Stanhope | year=1877 | type=Tempera, gold paint and gold leaf on canvas | height_metric=86.4 | width_metric=50.8 | metric_unit=cm | imperial_unit=in | city=San Francisco, CA | museum=Fine Arts Museums of San Francisco }}Love and the Maiden is a tempera on canvas by English Pre-Raphaelite artist John Roddam Spencer Stanhope, executed in 1877 and currently housed at the Fine Arts Museums of San Francisco.[1] HistoryKnown as one of the "second-generation" of Pre-Raphaelites, Stanhope was among Dante Gabriel Rossetti's mural-painting party at the Oxford Union in 1857, together with Arthur Hughes, John Hungerford Pollen, Valentine Prinsep, Ned Burne-Jones and William Morris (nicknamed Topsy). He was a founder member of the Hogarth Club, a direct descendant of the Pre-Raphaelite Brotherhood.[2] This painting is considered one of Stanhope's best, and represents two radically different artistic phases of his life. Although he began as fervently Pre-Raphaelite in outlook, Stanhope was deeply attracted by the Aesthetic movement during the 1860s. Love and the Maiden is a succinct mingling of these two equally formative phases in his career. Its presence in the 1877 exhibition at the Grosvenor Gallery — Aestheticism's most famous exposé — demonstrates his adherence to the latter movement, whereas the painting's similarity to the work of Edward Burne-Jones and Dante Gabriel Rossetti - the group of dancing women in the background are similar to those portrayed by Rossetti in The Bower Meadow (1871–72) - betray Stanhope's Pre-Raphaelite background. During his time in Oxford in 1857, Stanhope wrote that he spent most days painting with Burne-Jones;[3] possibly as a result of this, a great deal of Burne-Jones' influence can be seen in his work - although it could be argued that Burne-Jones also drew ideas from Stanhope's work. The androgynous physiques, Grecian-style draperies and facial expressions depicted in Love and the Maiden are classic Burne-Jones hallmarks, even though the facial similarities probably also arose from use of the same models.[4] See also
References1. ^See [https://www.telegraph.co.uk/culture/art/3589072/Art-sales-Stanhopes-maiden-tells-a-tale.html Art sales: Stanhope's maiden tells a tale, article on The Telegraph], 27 January 2003. 2. ^A.M.W. Stirling, "The Life of Roddam Spencer Stanhope, Pre-Raphaelite, a Painter of Dreams," in A Painter of Dreams and Other Biographical Studies (London: Lane, 1916). 3. ^Jane A. Munro, "'This Hateful Letter-Writing': Selected Correspondence of Sir Edward Burne-Jones in the Huntington Library", Huntington Library Quarterly 55 (1992). Cf. also V. Schuster, "The Pre-Raphaelites in Oxford," Oxford Art Journal 1 (1978). 4. ^T. Hilto, The Pre-Raphelites, Thames and Hudson (1970). Further reading
External links{{Commons category|John Roddam Spencer Stanhope}}
4 : Pre-Raphaelite paintings|1877 paintings|Collections of the Fine Arts Museums of San Francisco|Dance in art |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。