词条 | Margaret Boozer |
释义 |
| name = Margaret Boozer | image = 'Eight Red Bowls', Maryland terra cotta and pine, Margaret Boozer, 1966, Smithsonian American Art Museum.jpg | imagesize = 250px | alt = | caption = Eight Red Bowls, Maryland terra cotta and pine, Margaret Boozer, 1966, Smithsonian American Art Museum | birth_name = | birth_date = {{Birth year and age|1966}} | birth_place = Anniston, Alabama, United States | death_date = | death_place = | nationality = American | spouse = | field = Ceramic sculpture | training = {{Plainlist|
}} | movement = Folk art | works = {{Plainlist|
}} | patrons = | influenced by = | influenced = | awards = | website = {{URL|http://margaretboozer.com/}} }}Margaret A Boozer (born 1966) is an American ceramist and sculpture artist, best known for her clay and ceramic compositions, or landscapes, that focus on the individuality, history, and geology of the clay used as subject matters.[1][2] EducationBoozer received her training and education at Auburn University, where she graduated with a BFA in 1989, and later earned a MFA from New York State College of Ceramics in 1992.[3][4][5] CareerBoozer is the founder and director of the Red Dirt Studio, a group art studio in Mount Rainier, Maryland,[6] where she teaches advanced workshops in ceramics and sculpture that help students transition toward becoming professionals with their own studios.[5][6] Prior to founding the Red Dirt Studio, she taught for ten years at the Corcoran College of Art and Design.[9] She also is a visiting artist and lecturer at the Freer Gallery of Art, Auburn University, Renwick Gallery, Gallaudet University, George Washington University, and the Virginia Commonwealth University.[9] Boozer was a member of the Washington Sculptors Group Board of Directors Membership Committee.[7][8] Work & CollectionsBoozer's work is included in the collection of the Renwick Gallery of the Smithsonian American Art Museum,[9] New York's South Street Seaport Museum,[10] the US Department of State,[11] the Washington DC City Hall Art Collection at the John A. Wilson Building, and in other various private collections. Boozer also creates work that is more readily consumable for commercial art galleries, often consisting of highly decorative abstract wall-mounted pieces in the form of cracked, heat-blasted rectangular slabs. In 2009, her work was on view at the American University Museum at the Katzen Arts Center and may have qualified as the biggest mud pie in the world to be found in a museum. The work, Dirt Drawings, was to provide an opportunity for visitors to have the same experience she does every morning at her studio, and consisted of a floor installation that included crumbling clay that formed crater-like platters of ringed clay.[12] In 2011, her work From This Distance, a clay and steel sculpture that results in a galactic array of clusters of speckled and distressed porcelain disks, was commissioned for installation as part of a permanent exhibition at the Djibouti US Embassy for the US State Department.[11][13][14] Also in 2011, her work Line Drawing, a site-specific installation, was temporarily exhibited at the Flashpoint Gallery in Washington, DC. For this exhibit, Boozer used samples of excavated sedimentary rock and soil found at the nearby construction site of CityCenterDC, to recreate a geologically accurate linear progression of the earth below the gallery and city, by laying stratum after stratum in a narrow lengthwise band down the centre of the gallery floor.[15][16] The history and geology of the earth is often a theme in some of Boozer's work, drawing inspiration from the raw soil and clay materials to present an abstract vision of an often overlooked story. In this approach, her 2012 work Correlation Drawing / Drawing Correlations: A Five Borough Reconnaissance Soil Survey showcases the aesthetics of urban soil while presenting a mapped history of the soil beneath New York City. The piece, the result of a cooperation with Dr. Richard K. Shaw, soil scientist for the Natural Resources Conservation Service who led the New York City Reconnaissance Soil Survey, was originally exhibited at the Museum of Art and Design; the piece was afterwards acquired by the Museum of the City of New York for permanent exhibition as the South Street Seaport Museum, and it consists of a grid of translucent plexiglas boxes that contain soil samples from all five New York boroughs surveyed over a span of 15 years.[10][17][18] References1. ^{{cite book|editor1-first=Edward R|editor1-last=Landa|editor2-first=Christian|editor2-last=Feller|title=Soil and Culture|url=https://books.google.com/books?id=JSG84ikYN-wC|accessdate=19 July 2013|year=2010|publisher=Springer|location=Dordrecht, ZH|isbn=9789048129591|oclc=489191532|pages=109–120|chapter=Dig Deeper|chapterurl=https://books.google.com/books?id=JSG84ikYN-wC&lpg=PR4&pg=PA109#v=onepage&q&f=false}} 2. ^{{cite news | url=https://www.washingtonpost.com/gog/exhibits/site-aperture,1213178/critic-review.html | title=Artists you want to look up, or down | work=The Washington Post | date=Oct 14, 2011 | accessdate=19 July 2013 | author=O'Sullivan, Mark}} 3. ^{{cite web|title=Margaret Boozer|url=http://americanart.si.edu/collections/search/artist/?id=27563|publisher=Smithsonian American Art Museum|accessdate=19 July 2013}} 4. ^{{cite web|title=Margaret Boozer: CV|url=http://project4gallery.com/margaret-boozer-cv/|publisher=Project 4 Gallery|accessdate=19 July 2013}} 5. ^1 {{cite journal|last=Terhune|first=Virginia|title=New annual awards ceremony celebrates arts-related work in Prince George's County|journal=The Gazette|date=3 January 2013|url=http://www.gazette.net/article/20130103/ENTERTAINMENT/701039955/1148/new-annual-awards-ceremony-celebrates-arts-related-work-in-prince&template=gazette|accessdate=19 July 2013|location=Gaithersburg, MD|issn=1077-5641|oclc=19547614}} 6. ^1 {{cite web|title=Red Dirt Studio|url=http://www.margaretboozer.com/reddirt5.html|publisher=Margaret Boozer|accessdate=19 July 2013}} 7. ^1 2 {{cite web|url=http://mygatewayarts.org/directory/artists/margaret-boozer |title=Margaret Boozer | publisher=Gateway Arts District|work=Directory of Artists | accessdate=19 July 2013}} 8. ^{{cite web|url=http://www.washingtonsculptors.org/newsletters/spring2006.pdf |title=Washington Sculptors Group Newsletter|publisher=Washington Sculptors Group|date=Spring 2006|accessdate=19 July 2013|pages=2}} 9. ^{{cite web|title=Eight Red Bowls|url=http://americanart.si.edu/collections/search/artwork/?id=58176|work=Collections|publisher=Smithsonian American Art Museum|accessdate=19 July 2013}} 10. ^1 {{cite web|title=Correlation Drawing / Drawing Correlations: A Five Borough Reconnaissance Soil Survey|url=http://collections.madmuseum.org/code/emuseum.asp?emu_action=searchrequest&moduleid=1&profile=objects¤trecord=1&style=single&rawsearch=id/,/is/,/10698/,/false/,/true|work=Collection|publisher=Museum of Art and Design|accessdate=20 July 2013}} 11. ^1 {{cite web|url=http://art.state.gov/artistdetail.aspx?id=139888 | title=Margaret Boozer Bio | publisher=Department of State|work=Cultural Exchange Through Visual Arts|accessdate=19 July 2013}} 12. ^{{cite news | url=https://articles.washingtonpost.com/2009-07-24/news/36797531_1_polished-concrete-clay-floors|title=For Margaret Boozer, Dirt Becomes Art|work=The Washington Post|date=24 July 2009|accessdate=19 July 2013|author=O'Sullivan, Michael}} 13. ^{{cite web|url=http://art.state.gov/exhibitiondetail.aspx?id=101556®ion=AF&pid=70|title=Djibouti Embassy 2011|publisher=The U.S. State Department|work=Cultural Exchange Through The Visual Arts | accessdate=19 July 2013}} 14. ^{{cite web | url=http://glassandclay.org/profile/margaret-boozer/ | title=Margaret Boozer | publisher=International Glass and Clay | accessdate=19 July 2013}} 15. ^{{cite journal|last=O'Sullivan|first=Michael|title=Site Aperture|journal=The Washington Post|date=14 October 2011|url=https://www.washingtonpost.com/gog/exhibits/site-aperture,1213178/critic-review.html|accessdate=27 July 2013|location=Washington, D.C.|issn=0190-8286|oclc=2269358}} 16. ^{{cite journal|last=Jacobson|first=Louis|title=Reviewed: 'Site Aperture' at Flashpoint|journal=Washington City Paper|date=13 October 2011|url=http://www.washingtoncitypaper.com/blogs/artsdesk/visual-arts/2011/10/13/reviewed-%E2%80%9Csite-aperture%E2%80%9D-at-flashpoint/|accessdate=27 July 2013|location=Washington, D.C.|oclc=50269224}} 17. ^{{cite journal|last=VanZanten|first=Virginia|title=The Museum of Art and Design explores Dust, Ashes, and Dirt|journal=W|date=8 February 2012|url=http://www.wmagazine.com/culture/art-and-design/2012/02/the-museum-of-art-and-design-exhibition-dust-ashes-and-dirt/|accessdate=27 July 2013|publisher=Condé Nast Publications|location=New York, NY|issn=0162-9115|oclc=1781845}} 18. ^{{cite web|title=With Dust and Dirt ‘Swept Away’ Showcases Beauty and Explores Profound Issues|url=http://www.artsobserver.com/2012/02/14/with-dust-and-dirt-swept-away-showcases-beauty-and-explores-profound-issues/|publisher=Arts Observer|accessdate=27 July 2013|date=14 February 2012}} Further reading
External links
15 : 1966 births|Date of birth missing (living people)|Living people|People from Anniston, Alabama|Auburn University alumni|Alfred University alumni|Corcoran College of Art and Design faculty|American ceramists|Artists from Alabama|Sculptors from Maryland|American women sculptors|American women ceramists|People from Mount Rainier, Maryland|21st-century American women artists|21st-century ceramists |
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