词条 | Mario Sanchez (artist) |
释义 |
Described as a "memory artist" like Grandma Moses or Clementine Hunter,[2] after earning a business degree in stenography in 1925, Sanchez went to Ybor City in Tampa to work as a clerk. In 1930, he was hired at the Monroe County Courthouse as a translator and stenographer, and so returned home to Key West. He explored his creative streak by writing comedic Spanish-language skits for the San Carlos playhouse and by whittling small fish native to the Florida Keys. This carving would carry over into his more lasting works of art, where he would carve scenes into wooden panels, then illustrate them with highly detailed paint work. He has been called the most important Cuban-American folk artist of the 20th century.[3] References1. ^Key West Folk Art website. {{authority control}}{{DEFAULTSORT:Sanchez, Mario (artist)}}{{US-artist-stub}}2. ^[https://books.google.com/books?id=UxIDyRGcMjsC&pg=PA286&dq=mario+sanchez+%22memory+artists%22&hl=en&sa=X&ei=_qD1UvKrLMbgyQH09YHgBA&ved=0CCsQ6AEwAA#v=onepage&q=mario%20sanchez%20%22memory%20artists%22&f=false American Folk Art], Kristin G. Congdon and Kara Kelley Hallmark, ABC-CLIO, 2012, {{ISBN|9780313349379}}, pg. 286. 3. ^South Street Seaport Museum in NYC will Exhibit Mario Sanchez Art, ArtID.com. 7 : Cuban-American culture in Florida|1908 births|2005 deaths|20th-century American painters|American male painters|Artists from Florida|People from Key West, Florida |
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