| 词条 | Masaru Aoki |
| 释义 |
| name = Masaru Aoki | image = | image_size = | caption = | birth_date = {{birth date|1887|2|14}} | birth_place ={{JPN}} Yamaguchi, Shimonoseki | death_date = {{death date and age|1964|12|2|1887|2|14}} | death_place = Kyoto | restingplace = Kyoto | othername = 青木 正児 | occupation = Sinologist | yearsactive = | spouse = | relatives = }}{{for|the fictional character|Hajime no Ippo#Characters}}{{nihongo|Masaru Aoki|青木 正児|Aoki Masaru|or Seiji,[1] 1887–1964}} was a Japanese Sinologist. WorksAoki wrote an article named "Hu Shi and the Chinese Literary Revolution" which was published in Chinese Study (T: 支那學, S: 支那学, P: Zhīnà Xué) in 1920. During the 1930s and 1940s, Aoki's work was considered an important contribution to translating and studying Chinese literature.[2] Patricia Sieber wrote that "Aoki, an internationally influential Sinologist, presented his love affair with Chinese dramas as an intimate and aesthetic affair of the heart."[3] When I was a child, I was already extremely enamored of [Japanese] puppet theatre (jōruri). Around 1907,... I came across Sasagawa Rinpu's History of Chinese Literature [1898]. The book quoted the "Startling Dream" scene from [Jin Shengtan's version of the] Xixiang ji (Story of the Western wing) [in which Student Zhang dreams that his beloved Cui Yingying, from whom he is temporarily separated, follows him while she is simultaneously being pursued by a bandit]. I did not yet fully comprehend what I read, but I was already thoroughly entranced. Later on, when I obtained a book that contained several annotated scenes of the Xinxiang ji, I was even happier. This was not only the beginning of my knowledge of, but also of my love for Chinese drama.[3] Some of his books include:
The Shina bungei shichō (支那文芸論藪) by Aoki was published in the Iwanami Koza series Sekai shichō in 1928. Wang Chün-yüh (C: 王俊瑜, P: Wáng Jùnyú) published a Chinese version in 1933, titled Chung-kuo ku-tai wen-i ssu-ch'ao lun (T: 中國古代文藝思潮論, S:中国古代文艺思潮论, P: Zhōngguó Gǔdài Wényì Sīcháo Lún).[1] References
Notes1. ^1 Hightower, p. 313. "5 In Sekai shichō, Iwanami Koza series (Tokyo, 1928). Translated into Chinese by Wang Wang Chün-yüh as Chung-kuo ku-tai wen-i ssu-ch'ao lun (Peiping: Jen-wen Shu-tien, 1933. 160 p.)." 2. ^{{cite book|title=Essays on Chinese Literature: A Comparative Approach|first=Yoon-wah|last=Wong|year=1988|publisher=NUS Press, National University of Singapore|page=[https://books.google.com/books?id=HIyq267ObY0C&pg=PA113 113]}} "Japanese Sinologist Aoki Masaru 青木正児 (1887- 1964) wrote an article entitled "Hu Shi and the Chinese Literary Revolution" published in Chinese Study (支那學) in 1920. In this article, Aoki Masaru predicted that "Lu Xun would become a great writer".6" 3. ^1 {{cite book|title=Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300-2000|page=[https://books.google.com/books?id=cU_HAAAAQBAJ&pg=PA1 1]|year=2003|publisher=Palgrave Macmillan|first=Patricia|last=Sieber}} Further reading
4 : 1887 births|1964 deaths|Japanese sinologists|Japanese writers |
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