| 释义 |
- Structure Gradual: {{Lang|la|Haec dies}}
- References
- Further reading
{{confusing|date=November 2016}}{{Orphan|date=September 2014}}Mass in mode 2 is a mass proper for Easter Sunday,{{Citation needed|date=November 2014}} the most significant feast day in the Christian church calendar. Structure {{Ordered list|type=upper-roman|
|Gradual: Haec dies
}} Gradual: {{Lang|la|Haec dies}} The text is drawn from Psalms 118:1/24, Old Testament. It employs responsorial singing, which the soloist alternates with the choir, and long melismas. | Latin | | {{Lang>la|Haec dies quam fecit Dominus; exsultemus et laetemur in ea. Confitemini Dominor, quoniam bonus: quoniam in saeculum misericordia eius.}} | This is the day which the Lord hath made; we will rejoice and be glad in it. O give thanks to the Lord, for he is good: for his mercy endureth forever. |
References {{Unreferenced|date=August 2014}}Further reading- Atkinson, Charles. M. 2008. The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music. AMS Studies in Music. Oxford and New York: Oxford University Press. {{ISBN|978-0-19-988204-5}}.
- Bower, Calvin. M. 2002. "The Transmission of Ancient Music Theory into the Middle Ages". In The Cambridge History of Western Music Theory, edited by Thomas Christensen, {{Page needed|date=November 2014}}. The Cambridge History of Music. Cambridge and New York: Cambridge University Press. {{ISBN|978-1-31602548-2}}.
- Crocker, Richard L. 2000. An Introduction to Gregorian Chant. New Haven and London: Yale University Press. {{ISBN|978-0-300-08310-1}}.
- Cullin, Olivier. 1991. "De la psalmodie sans refrain à la psalmodie responsoriale: Transformation et conservation dans les répertoires liturgiques latins". Revue de musicologie 77, no. 1 (January): 5–24.
- Kojima, Shin (Augustinus). 1967. "Die Ostergradualien Haec dies und ihr Verhältnis zu den Tractus des II. Und VIII. Tons". In Colloquium amicorum: Joseph Schmidt-Görg zum 70. Geburtstag, edited by Siegfried Kross and Hans Schmidt, 146–78. Bonn: Beethoven-Haus.
- McAlpine, Fiona. 2008. Tonal Consciousness and the Medieval West. Bern: Peter Lang, AG. {{ISBN|978-3-03911-506-8}}.
- Romano, John F. 2014. Liturgy and Society in Early Medieval Rome. Ashgate Publishing. {{ISBN|978-1-4094-4393-3}}.
- Rothenberg, David J. 2011. The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music. Oxford and New York: Oxford University Press. {{ISBN|978-0-19-987557-3}}.
- Schaefer, Edward E. 2008. Catholic Music Through the Ages: Balancing the Needs of a Worshipping Church. Hillenbrand Books Textbook Series. Chicago: Hillenbrand Books. {{ISBN|978-1-59525-020-9}}.
- Taruskin, Richard. 2005. Music from the Earliest Notations to the Sixteenth Century. The Oxford History of Western Music 1. Oxford and New York: Oxford University Press. {{ISBN|978-0-19-538630-1}}.
2 : Masses (music)|Anonymous musical compositions |