1. Synopsis

2. Historical casting

3. Production history

4. Background

5. Film adaptation

6. Awards and nominations
    Original Broadway production  Original London production  2017 Broadway revival 

7. See also

8. References

9. Further reading

10. External links

The play explores the existential premise that everyone in the world is connected to everyone else in the world by a chain of no more than six acquaintances, thus, "six degrees of separation".

Synopsis

A young black man named Paul shows up at the home of art dealer Flan Kittredge and his wife Louisa, known simply as "Ouisa", who live overlooking Central Park in New York City. Paul has a minor stab wound from an attempted mugging, and says he's a friend of their children at Harvard University. The Kittredges are trying to get the money to buy a painting by Paul Cézanne^[2][3] and now have this wounded stranger in their home. Paul claims he is in New York to meet his father, who is directing a film version of the Broadway musical Cats. Paul continues to charm them with his story, though, in reality, it is all a lie: Paul is not a Harvard student but obtained details on the Kittredges from another male student he had seduced. Eventually Paul uses their home for an encounter with a hustler, but is caught red-handed. The police are called, but Paul escapes.

Soon after, Paul starts up another con against a sensitive young man named Rick and his live-in girlfriend, Elizabeth. The naive young couple are new to the big city having just moved to New York from Utah and, based on Paul's con, invite him to live with them until he gets everything sorted out with his wealthy father—who Paul tells them is Flan Kittredge. The trio become good friends, with Paul spinning a tale of being estranged from his racist father; the girlfriend tells Rick not to lend Paul any money. One night Paul takes Rick out on the town, and seduces him in order to get the money. Later that night, Rick tells Elizabeth that Paul is gone, that he has all their money, and that he and Paul had sex. In a fit of fury, she cruelly suggests that Rick's father had always questioned his son's sexuality. Soon afterwards Rick commits suicide.

In desperation, Paul calls the Kittredges for assistance. Partly due to strained relations with her children, Ouisa finds herself feeling emotionally attached to Paul, hoping to be able to help him in some way despite the fact that he has victimized them. Over a protracted and laborious phone call, he agrees to give himself up to the police; however, during the arrest, he and the couple are separated. Despite their efforts—Ouisa's more than Flan's—his fate is unresolved, except for a possibly tragic end. Towards the end of the play, in a climactic moment of reflection, she delivers the play's most famous monologue:

Historical casting

Production history

The play premiered Off-Broadway at the Mitzi E. Newhouse Theater, Lincoln Center, on May 16, 1990. Stockard Channing won an Obie Award for Best Actress for her performance. Guare won an Obie Award for his script.

The production transferred to the Vivian Beaumont Theater for its Broadway debut on November 8, 1990. The production closed on January 5, 1992 after 485 performances, directed by Jerry Zaks.^[6]Kelly Bishop played the role of Ouisa as a replacement on Broadway, and Laura Linney made her Broadway debut as a replacement for the role of Tess. The original Broadway production was nominated for four Tony Awards, winning for Best Direction for Zaks. A US. National tour was launched in 1992.^[7]Veronica Hamel also played Ouisa in the first production in Chicago.^[8]

The play made its UK debut in 1992 at the Royal Court Theatre and then transferred to the West End's Comedy Theatre. In 2010, the play was revived at the Old Vic theatre in London starring Lesley Manville as Ouisa.^[9]

A 1995 production at Canadian Stage in Toronto, Ontario starred Fiona Reid as Ouisa, Jim Mezon as Flan and Nigel Shawn Williams as Paul.^[10] Both Williams and Reid won Dora Mavor Moore Awards for their performances, Williams as Outstanding Performance by a Male in a Principal Role – Play and Reid as Outstanding Performance by a Female in a Principal Role – Play.^[11]

In May 2004 Michael Buffong directed a production at the Royal Exchange, Manchester with Lisa Eichhorn as Ouissa Kittredge, Phillip Bretherton as Flanders Kittredge and O-T Fagbenle as Paul. O-T Fabenle won a MEN Award for his performance.

The play was revived on Broadway at the Ethel Barrymore Theatre in a limited engagement opening on April 5, 2017, starring Allison Janney, John Benjamin Hickey and Corey Hawkins, with direction by Trip Cullman.^[12][13]

Background

The play was inspired by the real-life story of David Hampton, a con man and robber who managed to convince a number of people in the 1980s that he was the son of actor Sidney Poitier. The writer John Guare was a friend of Inger McCabe Elliott and her husband Osborn Elliott. In October 1983 Hampton came to the Elliott's New York apartment and they allowed him to spend the night. The next morning Inger Elliott found Hampton in bed with another man and later called the police. The Elliotts told Guare about the story and it inspired him to write the play years later.^[14]

After the play became a dramatic and financial success, Hampton was tried and acquitted for harassment of Guare; he felt he was due a share of the profits that he ultimately never received.^[15]

A strong influence on the play is the novel The Catcher in the Rye by J. D. Salinger. There are some very overt references to it, as when the protagonist explains the thesis paper he has just written on The Catcher in The Rye^[16] to the family who takes him in for the night.^[17] There are also more subtle allusions made both in the script and in the cinematography of the film version, such as when various characters begin to take on Holden Caulfield-esque characteristics and attitudes.

Film adaptation

Guare adapted the play for a film released in 1993 directed by Fred Schepisi. Channing was nominated for the Academy Award for Best Actress for her performance in the film.

Awards and nominations

Original Broadway production

Original London production

2017 Broadway revival

See also

• Small world phenomenon
• Six Degrees of Kevin Bacon (game)
• Erdős number

References

Further reading

• {{cite book | last=Guare | first=John | title=Six Degrees of Separation: A Play | edition=First | location=New York | publisher=Random House | year=1990 | isbn=0-679-40161-X}}
• {{cite book | last=Salinger | first=J. D. | title=The Catcher in the Rye | edition=First | location=Boston | publisher=Little, Brown | year=1951 | isbn=0-316-76953-3}}
• Wolfe, Graham. (2012). “Doorways and Blank Spaces: Intertextual Connection in John Guare’s Six Degrees of Separation.” Intertextual Exchanges in American Drama. Eds. Drew Eisenhauer and Brenda Murphy. Jefferson: McFarland. 217–231.

External links

• {{IBDB show}}
• {{IBDB title|4622|Six Degrees of Separation}}
• {{iobdb title| 1080}}
• Article on Six Degrees of Separation[https://www.academia.edu/2040178/_Doorways_and_Blank_Spaces_Intertextual_Connection_in_John_Guares_Six_Degrees_of_Separation._]

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