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词条 Snuff (film)
释义

  1. Plot summary

  2. Cast

  3. Production

  4. Controversy

  5. Release

     Home media 

  6. Critical reception

  7. Notes

  8. References

     Further reading 

  9. External links

{{About|the 1976 film|the purported genre|snuff film|the 2005 film|Snuff-Movie}}{{missing information|the film's plot, and theatrical/home media releases|date=July 2018}}{{refimprove|date=July 2018}}{{Infobox film
| name = Snuff
| image = Poster of the movie Snuff.jpg
| image_size =
| caption = Original theatrical release poster
| director = Michael Findlay
Horacio Fredriksson
| producer = Jack Bravman
Allan Shackleton
| writer = Michael Findlay

| narrator =
| starring = Margarita Amuchástegui
Ana Carro
Liliana Fernández Blanco
Alfredo Iglesias
Enrique Larratelli
Mirta Massa
Aldo Mayo
Clao Villanueva
| music = Rick Howard
| cinematography = Roberta Findlay
| editing =
| distributor = Monarch Releasing Corporation
Blue Underground (DVD)
| released = {{Film date|df=yes/no|1976|01|16|Indianapolis, Indiana}}{{fact|date=September 2018}}
| runtime = 80 minutes
| country = United States / Argentina
| language = English
| budget = $30,000
| preceded_by =
| followed_by =
}}

Snuff is a 1976 American splatter film directed by Michael Findlay and Horacio Fredriksson.[1] It is most notorious for being marketed as if it were an actual snuff film.[2][3] This picture contributed to the urban legend of snuff films, although the concept did not originate with it.

Plot summary

Actress Terry London and her producer, Max Marsh, visit an unnamed country in South America. A female biker cult led by a man named Satán ({{IPAc-en|s|ə|'|t|ɑː|n}}) stalks and eventually murders the pregnant London and her circle of friends.

Cast

  • Margarita Amuchástegui as Angelica
  • Ana Carro as Ana
  • Liliana Fernández Blanco as Susanna
  • Roberta Findlay as Carmela (voice)
  • {{Interlanguage link multi|Alfredo Iglesias|es}} as Horst's father
  • Enrique Larratelli as Satán
  • Mirta Massa as Terry London
  • {{Interlanguage link multi|Aldo Mayo|es}} as Max Marsh
  • Clao Villanueva as Horst Frank
  • Michael Findlay as Detective (uncredited)

Production

The film started out as a low-budget exploitation film titled Slaughter{{hsp}}{{efn|Some sources give the film's title as The Slaughter.[4]}} made by the husband-and-wife grindhouse filmmaking team of Michael and Roberta Findlay. Filmed in Argentina in 1971 on a budget of $30,000,[4] it depicted the actions of a Manson-esque murder cult, and was shot mainly without sound due to the actors understanding very little English. The film's financier, Jack Bravman, took an out-of-court settlement from American International Pictures to allow it to use the title Slaughter for its Blaxploitation film starring Jim Brown. Some sources state that the Findlays' film received an extremely limited theatrical release,[5] while others indicate it was never screened theatrically at all under its original title.[6] In any event, independent low-budget distributor and sometime producer Allan Shackleton took the film and shelved it for four years—but was inspired to release it with a new ending, unbeknownst to the original filmmakers, after reading a newspaper article in 1975 on the rumor of snuff films produced in South America, and deciding to cash in on the urban legend. He added a new ending, directed in a vérité style by Simon Nuchtern,[7][8] in which a woman is brutally murdered and dismembered by a film crew, supposedly the crew of Slaughter.[9] The new footage purportedly showed an actual murder, and was spliced onto the end of Slaughter with an abrupt cut suggesting that the footage was unplanned and the murder authentic. This new version of the film was released under the title Snuff, with the tagline "The film that could only be made in South America... where Life is CHEAP!"[10] Shackleton also removed all other credits from the film to increase the air of mystery surrounding its production.[12]

Controversy

Distributor Shackleton reportedly hired fake protesters to picket movie theaters showing the film.[5]

Although the film was exposed as a hoax in Variety in 1976, it became popular in New York, Philadelphia, Los Angeles and Boston.[11] Twenty female protesters protested the film's return engagement in Rochester, New York at the Holiday Ciné.{{citation needed|date=July 2018}} Four of those protesters were arrested after they broke the poster frame to destroy the film's poster.{{citation needed|date=July 2018}}

The rumours persisted that the film showed a real-life murder.[12][13] "[P]rompted by complaints and petitions from well-known writers, including Eric Bentley and Susan Brownmiller, and legislators", an investigation began into the circumstances surrounding the film's production[14] conducted by New York District Attorney Robert M. Morgenthau, who dismissed the supposedly "real" murder as "nothing more than conventional trick photography—as is evident to anyone who sees the movie".[15][16] Morgenthau reassured the public that the actress apparently dismembered and killed in the ending of the film "is alive and well", having urged the police to trace her.[17]

Release

{{expand section|date=July 2018}}

Home media

The film was released on DVD by Blue Underground on July 29, 2003. Blue Underground later released the film on DVD Special edition and for the first time on Blu-ray on October 22, 2013. It was last released by Cheezy Flicks on March 13, 2018.[18]

Critical reception

Richard Eder of the New York Times described it as "a horrendously written, photographed, acted, directed and dubbed bit of verdigris showing a group of devil-girls massacring people."[19] Joel Harley from HorrorNews.net wrote in his review of the film, "Were it not for that ending and the furore surrounding it, Snuff would surely have been forgotten a long time ago. Beyond the infamy, it’s a stultifyingly average film."[20] Bill Gibron from PopMatters gave the film 3/10 stars, writing, "Unlike modern gorefests which strive for autopsy like realism in all facets of the F/X, Snuff is cheap and cheesy. While it legend lives on, its realities end any speculation or scandal for that matter. No one really dies onscreen during the last few minutes of this movie. Your sense of gullibility, on the other hand..."[21] Adam Tyner from DVD Talk called the film 'basically unwatchable in its original form'. Tyner criticized the film's unnecessarily dragged out scenes, lack of tension, and dubbed dialogue, which he called "sleepy, flat, lifeless, and howlingly inept all around, never even making an attempt to match any frantically flapping lips".[22]

Notes

{{notelist}}

References

1. ^{{cite book |last1=Manrupe |first1=Raúl |last2=Portela |first2=María Alejandra |title=Un diccionario de films argentinos |date=1995 |publisher=Corregidor |location=Buenos Aires |isbn=9500508966 |page=28}}
2. ^"Cashing in on rumors that a 'snuff' film had been smuggled into the United States from South America, Schackleton retitled his movie Snuff and released it in late 1975, advertising its faked evisceration as the real thing", David A. Cook, Lost Illusions: American Cinema in The Shadow of Watergate and Vietnam, page 233 (University of California Press, Ltd., 2000). {{ISBN|0-520-23265-8}}
3. ^"A Minneapolis police officer, Richard Morrill, wrote in his official report: 'Everything depicted in the final scene appeared to be in fact to be actually happening to the girl. The dismemberment of her body was so real that it made me physically sick'." Article, "Snuff: 'Real murder' brings tape censorship nearer", page 56, in Video Viewer (June–July 1982, Video International Publications Ltd. General Editor Elkan Allan).
4. ^Joan Hawkins, Cutting Edge: Art-Horror and the Horrific Avant-Garde, p. 136 (University of Minnesota Press, 2000). {{ISBN|0-8166-3413-0}}
5. ^{{cite journal |last1=Stine |first1=Scott Aaron |title=The Snuff Film: The Making of an Urban Legend |journal=Skeptical Inquirer |date=May-June 1999 |volume=23 |issue=3 |url=https://www.csicop.org/si/show/snuff_film_the_making_of_an_urban_legend}}
6. ^{{cite book |last1=Kerekes |first1=David |title=Killing for Culture: From Edison to Isis: A New History of Death on Film |date=2016 |publisher=Headpress |isbn=9781909394353 |url=https://books.google.co.nz/books?id=MI5XDwAAQBAJ&lpg=PT19&vq=%22never%20theatrically%20released%22&pg=PT19#v=snippet&q=%22never%20theatrically%20released%22&f=false|quote=The Findlays' movie was never theatrically released in its original form.}}
7. ^{{cite book |last1=Rockoff |first1=Adam |title=The Horror of It All: One Moviegoer's Love Affair with Masked Maniacs, Frightened Virgins, and the Living Dead |date=2015 |publisher=Simon and Schuster |isbn=9781476761831 |url=https://books.google.com/?id=0hFDCQAAQBAJ&pg=PA155&dq=%22simon+nuchtern%22#v=onepage&q=nuchtern&f=false}}
8. ^{{cite book |last1=Thrower |first1=Stephen |title=Nightmare USA: The Untold Story of the Exploitation Independents |authorlink=Stephen Thrower|date=2014 |publisher=Fab Press |location=Surrey, England |isbn=9781903254462 |edition=3rd}}
9. ^"The Curse of her filmography: Roberta Findlay's grindhouse legacy", New York Press, July 27, 2005
10. ^Horrorwatch : Snuff
11. ^David A. Cook, Lost Illusions: American Cinema in The Shadow of Watergate and Vietnam, page 233 (University of California Press, Ltd., 2000). {{ISBN|0-520-23265-8}}
12. ^{{cite news|title=50 Picket Movie House To Protest Violent Film|url=https://www.nytimes.com/1976/02/16/archives/50-picket-movie-house-to-protest-violent-film.html|work=The New York Times|date=February 16, 1976|page=22}}
13. ^{{cite news|last1=Leonard|first1=John|authorlink1=John Leonard (critic)|title=Commentary: Cretin's Delight on Film|url=https://www.nytimes.com/1976/02/27/archives/commentary-cretins-delight-on-film.html|work=The New York Times|date=February 27, 1976|page=21}}
14. ^Joan Hawkins, Cutting Edge: Art-Horror and the Horrific Avant-Garde, p. 137 (University of Minnesota Press, 2000). {{ISBN|0-8166-3413-0}}
15. ^{{cite news|title=Morgenthau Finds Film Dismembering Was Indeed a Hoax|url=https://www.nytimes.com/1976/03/10/archives/morgenthau-finds-film-dismembering-was-indeed-a-hoax.html|work=The New York Times|date=10 March 1976|page=41}}
16. ^Liam T. Sanford, "Nasties News", p. 49 (Video Viewer magazine, July 1983)
17. ^Whitney Strub, Perversion For Profit: The Politics of Pornography and The Rise of The New Right, p. 232 (Columbia University Press, 2010). {{ISBN|978-0-231-14886-3}}
18. ^{{cite web |title=Snuff (1974) - Michael Findlay, Roberta Findlay |url=https://www.allmovie.com/movie/snuff-v133184/releases |website=Allmovie.com |publisher=AllMovie |accessdate=6 July 2018}}
19. ^{{cite news|last1=Eder|first1=Richard|authorlink1=Richard Eder|title='Snuff' Is Pure Poison|url=https://www.nytimes.com/1976/03/07/archives/snuff-is-pure-poison-poison-snuff.html|work=The New York Times|date=March 7, 1976|page=13}}
20. ^{{cite web |last1=Harley |first1=Joel |title=Film Review: Snuff (1975) |url=http://horrornews.net/70261/film-review-snuff-1975/ |website=HorrorNews.net |publisher=Joel Harley |accessdate=6 July 2018}}
21. ^{{cite web |last1=Gibron |first1=Bill |title='Snuff' and the Film that Started a Scandal - PopMatters |url=https://www.popmatters.com/176419-snuff-and-the-film-that-started-a-scandal-2495709050.html |website=PopMatters.com |publisher=Bill Gibron |accessdate=6 July 2018}}
22. ^{{cite web |last1=Tyner |first1=Adam |title=Snuff (Blu-ray) : DVD Talk Review of the Blu-ray |url=https://www.dvdtalk.com/reviews/61752/snuff/ |website=DVD Talk.com |publisher=Adam Tyner |accessdate=6 July 2018}}

Further reading

  • Kerekes, David & Slater, David (1994). Killing For Culture. Creation Books. {{ISBN|1-871592-20-8}}
  • Johnson, Eithne & Schaefer, Eric. "[https://www.jstor.org/stable/20688005 Soft Core/Hard Gore: Snuff as a Crisis in Meaning]," in Journal of Film and Video, University of Illinois Press, (Volume 45, Numbers 2-3, Summer-Fall, 1993): pages 40–59.

External links

  • {{Allmovie|386944|Snuff}}
  • {{IMDb title|id=0072184|title=Snuff}}
  • {{Rotten tomatoes|snuff_1976|Snuff}}
  • Snuff Boxing: Revisiting the Snuff Coda (The University of British Columbia's Film Journal) - showing the mutilation scene at the end of the film
{{DEFAULTSORT:Snuff (Film)}}

8 : 1976 films|American films|English-language films|Exploitation films|Films shot in Argentina|Obscenity controversies in film|Snuff films in fiction|American splatter films

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