| 词条 | Mohamed Iguerbouchène |
| 释义 |
}}{{Infobox writer | name = Mohamed Iguerbouchène | image = | image_size = | alt = | caption = | pseudonym = | birth_name = | birth_date = {{birth date|df=yes|1907|11|13}} | birth_place = Aït-Ouchen, Algeria | death_date = {{death date and age|df=yes|1966|8|23|1907|11|13}} | death_place = Hydra, Algeria | resting_place = | occupation = Composer, musician, musicologist | language = Kabyle, English, French | nationality = Algerian | ethnicity = | citizenship = | education = | alma_mater = | period = | genre = | subject = | movement = | notable works = | spouse = | partner = | children = | relatives = | influences = | influenced = | awards = | signature = | signature_alt = | website = | portaldisp = }} Mohamed Iguerbouchène; also Georges M. Iguerbouchen (Francophile name), Mohamed Ygerbuchen (as screen credited), Mohamed Ben Saïd Iquerbouchen, {{Lang-ber|Muḥand Igerbucen}}; (13 November 1907 – 23 August 1966) was an Algerian composer. Early lifeMohamed Iguerbouchène was the oldest of 14 children{{Citation needed|date=August 2018}} born to Saïd ben Ali and Sik Fatma bent Areski. He attended a primary school in Algiers. For his secondary education, he claimed to have studied music theory at a Norton College, in London.{{citation needed|date=August 2018}} When he was 15, he crossed paths with Earl Fraser Roth, who found himself inspired by the obvious talent of the young Mohamed and decided to help him in his further studies. In 1922, with the generosity of Fraser Ross, Mohamed traveled to Manchester, where he enrolled in the Royal Manchester College of Music.{{Citation needed|date=August 2018}} TrainingIguerbouchène attended the prestigious Imperial Academy of Music in 1924 in Vienna for one year.{{Citation needed|date=August 2018}} In 1925, at the age of 18, he performed his first concert in Bregenz, Lake Constance.{{Citation needed|date=August 2018}} He exhibited his talent chaining works of his own directory like Kabylia Rapsodie n. 9 and Arabic rapsodie n. 7. The culmination of his early years of work resulted in his winning his first prize of harmony, counterpoint, and piano instrumentation. In 1934, after several successful symphonies, Mohamed was introduced to the Société des auteurs, compositeurs et éditeurs de musique (SACEM) as a songwriter, and in that same year he was also introduced as a member of the Société des Auteurs et Compositeurs Dramatiques (SACD). Iguerbouchène was fluent in 18 languages including Russian and Japanese.{{Citation needed|date=August 2018}} In France, at the école normale des langues orientales de Paris, he was a student of Professor Destaing, where he studied Tamahaq, Tachawit and Tashelhit.{{Citation needed|date=August 2018}} CareerAfter some time, Iguerbouchène shifted his focus to compose for the cinema as opposed to symphonic music. After a few documentaries (Aziza) and a short film (Dzair), Julien Duvivier asked him to collaborate for the soundtrack of Pépé le Moko, a film whose main role was played by Jean Gabin. This film was the catalyst behind Mohamed's career as a film composer. The two artists shared the composition of the soundtrack in association with Vincent Scotto. (On the film's credits his name appeared as "Mohamed Ygerbuchen".) In 1938, he met the singer Salim Halali in Paris (who was originally from Annaba), who helped Mohamed to compose fifty songs,{{Citation needed|date=August 2018}} mainly in an Arabic Flamenco style. The collaboration was successful in Parisian clubs and they also toured the rest of Europe.{{Citation needed|date=August 2018}} They were in particular very popular in North Africa. Following his approach to the BBC, in 1939 it broadcast one of his orchestral works, a 'Moorish Rhapsody', which was conducted by Charles Brill.[1] Some listeners thought that he was a Russian composer, which earned him the nickname Igor Bouchen.{{Citation needed|date=August 2018}} In 1938, he composed songs with Vincent Scotto for the film Algiers. Because of Iguerbouchène's success in music direction, he was hired in 1940 by Paris Mondial to compose music for 20 short films for Mercier Film Inc. film studios. In early 1945, he composed about 100 songs based on poems in Thousands Nights by Rabindranath Tagore. In 1946, he composed music for, Les plongeurs du désert by Tahar Hannache. Later yearsIguerbouchène composed for the 1962 French short Le songe de chevaux sauvages, directed by Albert Lamorisse about wild horses in France. Bibliography
References1. ^[https://genome.ch.bbc.co.uk/page/ece3531331f346819daca810261459dc Friday National,Radio Times, 2 June 1939] External links
11 : 1907 births|1966 deaths|Algerian composers|Berber people|Alumni of the Royal Academy of Music|Alumni of the Royal Northern College of Music|University of Music and Performing Arts, Vienna alumni|Deaths from diabetes|Kabyle people|People from Aghrib|20th-century composers |
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