词条 | Stephen Foster |
释义 |
| honorific_prefix = | honorific_suffix = | image = Stephen Foster.jpg | image_size = | alt = | caption = | native_name = | native_name_lang = | birth_name = Stephen Collins Foster | birth_date = {{birth date|1826|7|4}} | birth_place = {{nowrap|Lawrenceville, Pennsylvania}} | baptised = | death_date = {{death date and age|1864|1|13|1826|7|4}} | death_place = New York City | resting_place = Allegheny Cemetery Pittsburgh, Pennsylvania | resting_place_coordinates = | monuments = Stephen Foster Memorial Pittsburgh, Pennsylvania | residence = Lawrenceville, PA; New York City[1] | nationality = | other_names = | citizenship = | education = Athens Academy, Towanda, Pennsylvania Athens Academy| alma_mater = | occupation = Composer, lyricist, poet[1] | years_active = 1844–1864 | employer = | organization = | agent = Various sheet music publishers and brother, Morrison Foster | known_for = America's first fully professional songwriter.[2][3]| notable_works = "Angelina Baker", "Beautiful Dreamer", "Camptown Races", "Gentle Annie", "The Glendy Burk", "Hard Times Come Again No More", "Jeanie with the Light Brown Hair", "My Old Kentucky Home", "Oh! Susanna", "Old Black Joe", "Old Folks at Home" ("Swanee River"), "Open Thy Lattice Love" | works = | style = Period music, minstrel | home_town = Pittsburgh, Pennsylvania | net_worth = | television = | title = | movement = | religion = | denomination = | spouse = Jane McDowell Foster Wiley (1829–1903) (other sources use Jane Denny Foster Wiley)[1] | partner = | children = Marion Foster Welch (1851–1935) | parents = William Barclay Foster (1779–1855), Eliza Clayland Tomlinson Foster (1788–1855) | relatives = Evelyn Foster Morneweck (niece and biographer), James Foster (grandfather) Siblings:Charlotte Susanna Foster (1809–1829), Anne Eliza Foster Buchanan (1812–1891), Henry Baldwin Foster (1816–1870), Henrietta Angelica Foster Thornton (1819–1879), Dunning McNair Foster (1821–1856), Morrison Foster (1823–1904) | awards = | website = | module = | module2 = | module3 = | module4 = | module5 = | module6 = | signature = | signature_alt = | signature_size = | footnotes = }}Stephen Collins Foster (July 4, 1826{{spaced ndash}}January 13, 1864), known as "the father of American music", was an American songwriter known primarily for his parlor and minstrel music. He wrote more than 200 songs, including "Oh! Susanna", "Hard Times Come Again No More", "Camptown Races", "Old Folks at Home" ("Swanee River"), "My Old Kentucky Home", "Jeanie with the Light Brown Hair", "Old Black Joe", and "Beautiful Dreamer", and many of his compositions remain popular today. He has been identified as "the most famous songwriter of the nineteenth century" and may be the most recognizable American composer in other countries. His compositions are sometimes referred to as "childhood songs" because they have been included in the music curriculum of early education. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day can be found in various collections.[4] BiographyThere are many biographies on Foster, but details can differ widely. In addition, Foster wrote very little biographical information himself, and his brother Morrison Foster destroyed much of the information which he judged to reflect negatively upon the family.[5][6] Foster was born on July 4, 1826,[9] to William Barclay Foster and Eliza Clayland Tomlinson Foster, with three older sisters and six older brothers. His father was of Ulster Scots descent. He attended private academies in Allegheny, Athens, and Towanda, Pennsylvania and received an education in English grammar, diction, the classics, penmanship, Latin, Greek, and mathematics. The family lived in a northern city but they did not support the abolition of slavery.[7] Foster taught himself to play the clarinet, violin, guitar, flute, and piano. He did not have formal instruction in composition but he was helped by Henry Kleber (1816–97), a German-born music dealer in Pittsburgh.[11] In 1839, his brother William was serving his apprenticeship as an engineer at Towanda and thought that Stephen would benefit from being under his supervision. The site of the Camptown Races is {{convert|30|mi}} from Athens and 15 miles from Towanda. His education included a brief period at Jefferson College in Washington, Pennsylvania, now Washington & Jefferson College.[12]{{#tag:ref | His grandfather James Foster was an associate of John McMillan and a founding trustee of Canonsburg Academy, a predecessor institution to Jefferson College; his father William Barclay Foster attended Canonsburg Academy until age 16.[8] | group="nb" }} His tuition was paid, but he had little spending money.[12] He left Canonsburg to visit Pittsburgh with another student and did not return.[9] CareerIn 1846, Foster moved to Cincinnati, Ohio, and became a bookkeeper with his brother Dunning's steamship company. He wrote his first successful songs in 1848–1849, among them "Oh! Susanna",[10] which became an anthem of the California Gold Rush. In 1849, he published Foster's Ethiopian Melodies, which included the successful song "Nelly Was a Lady" as made famous by the Christy Minstrels. A plaque marks the site of his residence in Cincinnati, where the Guilford School building is now located. Then he returned to Pennsylvania and signed a contract with the Christy Minstrels. It was during this period that he wrote most of his best-known songs: "Camptown Races" (1850), "Nelly Bly" (1850), "Ring de Banjo" (1851), "Old Folks at Home" (known also as "Swanee River", 1851), "My Old Kentucky Home" (1853), "Old Dog Tray" (1853), and "Jeanie with the Light Brown Hair" (1854), written for his wife Jane Denny McDowell. Many of Foster's songs were of the blackface minstrel show tradition popular at the time. He sought to "build up taste… among refined people by making words suitable to their taste, instead of the trashy and really offensive words which belong to some songs of that order". Many of his songs had Southern themes, yet Foster never lived in the South and visited it only once during his 1852 honeymoon. Foster's last four years were spent in New York City. There is little information on this period of his life, although family correspondence has been preserved.[4] Illness and deathFoster became ill with a fever in January 1864. Weakened, he fell in his hotel in the Bowery, cutting his neck. His writing partner George Cooper found him still alive but lying in a pool of blood. Foster died in Bellevue Hospital three days later at the age of 37.[12] Other biographers describe different accounts of his death.[13] When Foster died, his leather wallet contained a scrap of paper that simply said, "Dear friends and gentle hearts", along with 38 cents in Civil War scrip and three pennies. The note is said to have inspired Bob Hilliard's lyric for "Dear Hearts and Gentle People" (1949). Foster was buried in the Allegheny Cemetery in Pittsburgh. After his death, Morrison Foster became his "literary executor". As such, he answered requests for copies of manuscripts, autographs, and biographical information.[4] One of the best-loved of his works was "Beautiful Dreamer", published shortly after his death.[14] Music{{see also|List of songs by Stephen Foster}}{{listen|filename=Oh Susanna.ogg|title="Oh! Susanna" (1848)|description=Stephen Foster's "Oh! Susanna" performed by the United States Navy Concert Band|filename2=Foster - Schumann-Heink - Old Folks at Home (rec. 1918).ogg |title2="Old Folks at Home" |description2= "Old Folks at Home" performed by Ernestine Schumann-Heink (1918)}} Foster grew up in a section of the city where many European immigrants had settled and was accustomed to hearing the music of the Italian, Scots-Irish, and German residents. He composed his first song when he was 14 and entitled it the "Tioga Waltz". The first song that he had published was "Open thy Lattice Love" (1844).[15][16] He wrote songs in support of drinking, such as "My Wife Is a Most Knowing Woman", "Mr. and Mrs. Brown", and "When the Bowl Goes Round", while also composing temperance songs such as "Comrades Fill No Glass for Me" or "The Wife".[7] Foster also authored many church hymns, although the inclusion of his hymns in hymnals ended by 1910. Some of the hymns are "Seek and ye shall find",[17] "All around is bright and fair, While we work for Jesus",[18] and "Blame not those who weep and sigh".[19] Several rare Civil War-era hymns by Foster were performed by The Old Stoughton Musical Society Chorus, including "The Pure, The Bright, The Beautiful", "Over The River", "Give Us This Day", and "What Shall The Harvest Be?". Foster usually sent his handwritten scores directly to his publishers. The publishers kept the sheet music manuscripts and did not give them to libraries nor return them to his heirs. Some of his original, hand-written scores were bought and put into private collections and the Library of Congress.[4] Popular songsFoster's songs lyrics and melodies have often been altered by publishers and performers.[21] Ray Charles released a version of "Old Folks at Home" entitled "Swanee River Rock (Talkin' 'Bout That River)" which became his first pop hit in November 1957.[22] "My Old Kentucky Home" is the official state song of Kentucky, adopted by the General Assembly on March 19, 1928. "Old Folks at Home" became the official state song of Florida, designated in 1935.[23] The lyrics are widely regarded as derogatory today, however, so "Old Folks at Home" was modified with approval from the Stephen Foster Memorial. The modified song was kept as the official state song, while "Florida (Where the Sawgrass Meets the Sky)" was added as the state anthem. Critics and controversiesHistorians speculate that Foster may have been "a drunkard"; one reporter described him as paying "the penalty of an irregular life", being "weak-willed", and writing songs about people of "a pathetic character".[24] Some modern interpretations of Foster's compositions consider them to be disparaging to African Americans. However, Foster unveiled the realities of slavery in his work while also imparting dignity to African Americans in his compositions, especially as he grew as an artist.[25] Foster composed many songs that were used in minstrel shows. This form of public entertainment lampooned African Americans as buffoonish, superstitious, without a care, musical, lazy, and dim-witted.[26][27] In the early 1830s, these minstrel shows gained popularity, and blackface minstrel shows were a separate musical art form by 1848, more readily accessible to the general public than opera.[28] Greenfield Village and the Henry Ford MuseumIn 1935, Henry Ford ceremonially presented a new addition to his historical collection of early American memorabilia in the "Home of Stephen Foster". The structure was identified by notable historians of the time as being authentic and was then deconstructed and moved "piece by piece" from Lawrenceville, Pennsylvania (now part of Pittsburgh), to Greenfield Village, attached to the Henry Ford Museum, in Dearborn, Michigan. Foster's niece insisted that it was not his birthplace, and the claim was withdrawn in 1953. Greenfield Village still displays a structure that is identified as the birthplace of Stephen Foster.[30] The Foster family stated that the original Foster birthplace structure was torn down in 1865.[31][32] LegacyMusical influence
Television
Film
Other events
Art
Accolades and honorsFoster is honored on the University of Pittsburgh campus with the Stephen Foster Memorial, a landmark building that houses the Stephen Foster Memorial Museum, the Center for American Music, as well as two theaters: the Charity Randall Theatre and Henry Heymann Theatre, both performance spaces for Pitt's Department of Theater Arts. It is the largest repository for original Stephen Foster compositions, recordings, and other memorabilia his songs have inspired worldwide. Two state parks are named in Foster's honor: the Stephen Foster Folk Culture Center State Park in White Springs, Florida and Stephen C. Foster State Park in Georgia. Both parks are on the Suwannee River. Stephen Foster Lake at Mount Pisgah State Park in Pennsylvania is also named in his honor. One state park is named in honor of Foster's songs, My Old Kentucky Home, an historic mansion formerly named Federal Hill, located in Bardstown, Kentucky where Stephen is said to have been an occasional visitor according to his brother, Morrison Foster. The park dedicated a bronze statue in honor of Stephen's work. The Lawrenceville (Pittsburgh) Historical Society, together with the Allegheny Cemetery Historical Association, hosts the annual Stephen Foster Music and Heritage Festival (Doo Dah Days!). Held the first weekend of July, Doo Dah Days! celebrates the life and music of one of the most influential songwriters in America's history. His home in the Lawrenceville Section of Pittsburgh, Pennsylvania, still remains on Penn Avenue nearby the Stephen Foster Community Center. A 1900 statue of Foster by Giuseppe Moretti was located in Schenley Plaza, in Pittsburgh, from 1940 until 2018. On the unanimous recommendation of the Pittsburgh Art Commission, the statue was removed on April 26, 2018.[41] Its new home has not yet been determined. It has a long reputation as the most controversial public art in Pittsburgh "for its depiction of an African-American banjo player at the feet of the seated composer. Critics say the statue glorifies white appropriation of black culture, and depicts the vacantly smiling musician in a way that is at best condescending and at worst racist."[42] A city-appointed Task Force on Women in Public Art called for the statue to be replaced with one honoring an African American woman with ties to the Pittsburgh community. The Task Force held a series of community forums in Pittsburgh to collect public feedback on the statue replacement and circulated an online form which allowed the public to vote for one of seven previously selected candidates or write in an alternate suggestion.[43] However, the Task Force on Women in Public Art and the Pittsburgh Art Commission have not reached an agreement as to who will be commemorated or if the statue will stay in the Schenley Plaza location.[44] See also
NotesOne of Stephen Foster's best-known songs, "Camptown Races", is actually titled "Gwine to Run All Night", though "Camptown Races" is the name that gained popularity. 1. ^1 2 {{cite news|title= Stephen C. Foster As Man and Musician, The Life Story of the Sweet Singer of Pittsburg Told by His Contemporaries and Comrades |newspaper = The Pittsburg Press |date= September 12, 1900 |url= https://www.newspapers.com/clip/9992200/profile_of_songwriter_stephen_c_foster/ |via=Newspapers.com}} {{Open access}} 2. ^{{citation |last=Marks |first=Rusty |title=ON TELEVISION: Stephen Foster: Quintessential songwriter lived in music, died in ruin |work=Sunday Gazette-Mail |publisher=Gazette Daily Inc. via HighBeam Research |accessdate=April 25, 2012 |date=April 22, 2001 |url=http://www.highbeam.com/doc/1P2-18995067.html |archive-url=https://web.archive.org/web/20131011162941/http://www.highbeam.com/doc/1P2-18995067.html |dead-url=yes |archive-date=October 11, 2013 |quote=The song, written in 1847, soon spread throughout the country. Foster decided to become a full-time songwriter, a vocation no one had bothered to pursue until then.}}{{Subscription required}} 3. ^{{citation |date=October 16, 2010 |accessdate=April 25, 2012 |url=http://www.highbeam.com/doc/1P3-2164359961.html |archive-url=https://web.archive.org/web/20131011162711/http://www.highbeam.com/doc/1P3-2164359961.html |dead-url=yes |archive-date=October 11, 2013 |title=Pittsburgh Native Son and Songwriter Stephen Foster to be Inducted into Nashville Songwriters Hall of Fame Oct. 17. |publisher=US Fed News Service, Including US State News. The Associated Newspapers of Ceylon Ltd. via HighBeam Research}}{{Subscription required}} 4. ^1 2 3 {{cite journal |last1=Root |first1=Deane L. |title= The "Mythtory" of Stephen C. Foster or Why His True Story Remains Untold |journal= American Music Research Center Journal |date= March 12, 1990 |pages= 20–36 |url= http://www.colorado.edu/amrc/sites/default/files/attached-files/0506-1991-001-00-000002.pdf |accessdate= October 4, 2015 |format= lecture transcript at the American Music Center Research Conference |postscript=: Access provided by the University of Pittsburgh Library System }} 5. ^{{cite journal |last1= Howard |first1= John Tasker |title= The Literature on Stephen Foster |journal= Notes – Quarterly Journal of the Music Library Association |volume=1 |issue=2 |date=March 1944 |pages= 10 |issn= 0027-4380 |doi= 10.2307/891301 }} 6. ^{{cite web |last1=Root |first1=Deane L. |title=The "Mythtory" of Stephen C. Foster or Why His True Story Remains Untold |url=https://www.colorado.edu/amrc/sites/default/files/attached-files/0506-1991-001-00-000002.pdf |website=American Music Research Center |publisher=U. Colorado, Boulder |accessdate=25 September 2018 |date=March 1990}} 7. ^1 2 {{cite journal |last1=Sanders |first1=Paul |title= Comrades, Fill No Glass For Me: Stephen Foster's Medlodies As Borrowed by the American Temperance Movement |journal= Social History of Alcohol and Drugs |date=Fall 2008 |volume=23 |issue=1 |pages=24–40 |url= https://alcoholanddrugshistorysociety.files.wordpress.com/2010/11/shad-23-1-sanders1.pdf |accessdate= October 13, 2015}} 8. ^{{Cite book |last= Vincent Milligan |first= Harold |title= Stephen Collins Foster: a biography of America's folk-song composer |publisher= G. Schirmer |year= 1920 |pages= 3–4 |url= https://books.google.com/books?id=NvIHAQAAMAAJ&pg=PA4}} 9. ^1 2 {{cite book |last= Emerson |first= Ken |title= Doo-dah! Steven Foster and the Rise of American Popular Culture |publisher= Da Capo Press |year= 1998 |location = |page = 79 |url= https://books.google.com/books?id=Ousn0lWqeisC&printsec=frontcover#PPA78,M1 |isbn= 978-0-306-80852-4}} 10. ^{{cite web |title=Biography |url=https://www.pitt.edu/~amerimus/Fosterbiography.html |website=The Center for American Music |publisher=Univ. of Pittsburg |accessdate=25 September 2018}} 11. ^{{cite news |last1= Sisario |first1=Ben |title= ON THE MAP; Stephen Foster's Old Hoboken Home |url= https://www.nytimes.com/1998/09/20/nyregion/on-the-map-stephen-foster-s-old-hoboken-home.html |accessdate= July 4, 2016 |work= The New York Times |date= September 20, 1998}} 12. ^{{cite web |work= American Experience |title= More about the film Stephen Foster |url= https://www.pbs.org/wgbh/amex/foster/filmmore/pt.html |publisher=PBS |accessdate=October 2, 2015}} 13. ^{{cite thesis |last= O'Conell |first= Joanne H. |date=2007 |title= Understanding Stephen Collins Foster, His World and Music |type= |chapter= |publisher= University of Pittsburgh |docket= |oclc= |url= http://d-scholarship.pitt.edu/7365/1/OConnell_ETD2007.pdf |accessdate= June 25, 2016}} 14. ^{{cite web |title= The Last Chapter |url= http://www.stephen-foster-songs.de/end.htm |work= Stephen Collins Foster |publisher= W. Tomaschewski |accessdate= August 4, 2012 |author=W. Tomaschewski}} 15. ^1 {{cite web | title= Foster Hall Collection, Collection Number: CAM.FHC.2011.01, Guide to Archives and Manuscript Collections at the University of Pittsburgh Library System |publisher= University of Pittsburgh, Center for American Music| url = http://digital.library.pitt.edu/cgi-bin/f/findaid/findaid-idx?type=simple;c=ascead;view=text;subview=outline;didno=US-PPiU-camfhc201101 |accessdate= October 13, 2015 |postscript=; Access provided by the University of Pittsburgh }} 16. ^{{cite news |last= Barcousky |first=Len |title= Eyewitness 1916: Living link to Foster passes on |url= http://www.post-gazette.com/news/portfolio/2016/02/14/Eyewitness-1916-Living-link-to-Foster-passes-on/stories/201602140140 |accessdate= April 27, 2016 |work= Pittsburgh Post Gazette |date= February 14, 2016}} 17. ^{{cite web |url= http://www.hymnary.org/hymn/WCH1863/106|title=Waters' Choral Harp: a new and superior collection of choice hymns and tunes, mostly new, written and composed for Sunday schools, missionary, revival, and social meetings, and for church worship 106. Who has our Redeemer heard |work= Hymnary.org |accessdate= August 23, 2016}} 18. ^{{cite web |url= http://www.hymnary.org/text/all_around_is_bright_and_fair_while_we_w |title= All around is bright and fair, While we work for Jesus |work= Hymnary.org |accessdate= August 23, 2016}} 19. ^{{cite web |url= http://www.hymnary.org/text/blame_not_those_who_weep_and_sigh |title=Blame not those who weep and sigh |work=Hymnary.org |accessdate= August 23, 2016}} 20. ^{{cite web |title= The Lyrics And Legacy Of Stephen Foster | url= https://www.npr.org/templates/story/story.php?storyId=126035325 |work=Fresh Air | publisher= NPR |accessdate= June 29, 2010}} 21. ^{{cite book |last1=Steel |first1=David Warren |title= The New Encyclopedia of Southern Culture; Volume 12: Music; Foster, Stephen (1826–1864) COMPOSER AND SONGWRITER. |date=2008 |publisher= University of North Carolina Press |jstor= 10.5149/9781469616667_malone.86 |postscript=: Access provided by the University of Pittsburgh}} 22. ^Whitburn, Joel, Top R&B Singles, 1942–1999, p. 74. 23. ^{{cite web |url=http://www.flheritage.com/facts/symbols/symbol.cfm?id=22 |title=The State Anthem: "Florida (Where the Sawgrass Meets the Sky)" |publisher=State of Florida |accessdate=April 29, 2011}} 24. ^"Stephen G. Foster." The Musical Visitor, a Magazine of Musical Literature and Music (1883–1897) 12 1888: 319. Accessed October 10, 2015. 25. ^{{cite web |last1= Burns |first1=Ken |title= Stephen Foster |website= American Experience |publisher= PBS |url= https://www.pbs.org/wgbh/amex/foster/filmmore/pt.html |accessdate= August 23, 2016}} 26. ^"The Coon Character". Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved November 9, 2011. 27. ^John Kenrick. "A History of the Musical: Minstrel Shows". musicals101.com. 1996, revised 2003. Retrieved October 2, 2015. 28. ^Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture by William J. Mahar. University of Illinois Press (1998). p. 9. {{ISBN|0-252-06696-0}}. 29. ^{{cite |title= Stephen Foster House In Museum Wrong One |newspaper= The Detroit Free Press |date= January 30, 1953 |last= Wilkinson |first=Clint |url= http://collections.thehenryford.org/Collection.aspx?keywords=Foster |accessdate= October 2, 2015}} 30. ^{{cite web |title= Greenfield Village Memories – Stephen Foster Home |url= http://www.wrenscottage.com/gvm/homes/foster.php |accessdate= October 3, 2015 |first= Karen |last= Schwallie }} 31. ^Wilkinson, Clint. " Stephen Foster House in Museum Wrong One". The Detroit Free Press. January 30, 1953. Access date October 2, 2015| Access provided by the University of Pittsburgh Library System 32. ^{{cite web |title= Theater: A dramatic makeover for the Stephen Foster Memorial |url= http://old.post-gazette.com/ae/20030330randall3.asp |first= Patricia |last=Lowry |date= March 30, 2003|accessdate= October 25, 2015 }} 33. ^{{cite journal |last=Lerner |first=Neil |date=September 2006 |title=Review: Tunes for 'Toons': Music and the Hollywood Cartoon by Daniel Goldmark |work=Notes – Quarterly Journal of the Music Library Association |volume=63 |number=1 |pages=121–124 |jstor=4487739}} 34. ^{{cite web |url=https://myspace.com/thepossumtrotorchestra/music/song/stephen-c.-foster-s-blues-74384088-82081738 |title=Stephen C. Foster's Blues |publisher=The Possum Trot Orchestra |accessdate=May 10, 2015}} 35. ^{{cite web |title=E.M.A. – California Lyrics|url=http://www.songlyrics.com/e-m-a/california-lyrics/ |publisher=SongLyrics |accessdate=August 4, 2012}} 36. ^{{Cite book|url=https://www.worldcat.org/oclc/24019532|title=A Source guide to the music of Percy Grainger|date=1991|publisher=Pro/Am Music Resources|others=Lewis, Thomas P.,|isbn=9780912483566|edition= 1st |location=White Plains, N.Y.|oclc=24019532}} 37. ^[https://www.penguinrandomhouse.com/books/236102/what-is-it-all-but-luminous-by-art-garfunkel/ What Is It All but Luminous: Notes from an Underground Man by Art Garfunkel (c) 2017] 38. ^{{cite web |url= http://arago.si.edu/index.asp?con=1&cmd=1&tid=2028628 |title=1-cent Foster |publisher= Arago: people, postage & the post, Smithsonian National Postal Museum |accessdate= May 10, 2015}} 39. ^York, Steven (2006). Book reviews: Biography: Composers in the Movies: Studies in Musical Biography, by John C. Tibbetts. Notes – Quarterly Journal of the Music Library Association, 62(4), 979–981. Retrieved from http://search.proquest.com/docview/1109557 40. ^https://www.nbcnews.com/news/us-news/oh-susanna-songwriter-s-statue-removed-amid-criticism-n869321 41. ^{{cite news |title= 'Oh Susanna' songwriter's statue removed amid criticism |url= https://www.yahoo.com/entertainment/oh-susanna-songwriters-statue-removed-amid-criticism-145527999.html |accessdate= April 26, 2018 |author= Associated Press |date= April 26, 2018 }} 42. ^{{cite news|title=City's art commission unanimous: Statue of Stephen Foster needs to go|first=Dan|last=Majors|newspaper=Pittsburgh Post-Gazette|date=October 25, 2017|accessdate=May 5, 2018|url=http://www.post-gazette.com/local/city/2017/10/25/Pittsburgh-art-commission-recommends-removal-controversial-Stephen-Foster-statue/stories/201710250193}} 43. ^{{cite news |title=City wants statue of African-American woman to replace Stephen Foster monument |url=http://www.post-gazette.com/local/city/2018/03/14/Pittsburgh-statue-African-American-woman-replace-controversy-racist-Stephen-Foster/stories/201803140159 |accessdate=16 September 2018 |publisher=Pittsburgh Post-Gazette |date=14 March 2018}} 44. ^{{cite news |last1=O'Driscoll |first1=Bill |title=Initiative To Honor Women Of Color With Public Art Sparks Debate |url=http://www.wesa.fm/post/initiative-honor-women-color-public-art-sparks-debate#stream/0 |accessdate=16 September 2018 |agency=WESA |publisher=WESA |date=2 July 2018}} ReferencesFurther reading
External links{{sisterlinks|s=Author:Stephen Foster|commons=Category:Stephen Foster|wikt=no|b=no|q=Stephen Foster|n=no|v=no|species=no}}
16 : 1826 births|1864 deaths|19th-century American composers|Accidental deaths in New York (state)|American lyricists|American male composers|American male songwriters|Blackface minstrel songwriters|Burials at Allegheny Cemetery|Hall of Fame for Great Americans inductees|Musicians from Pittsburgh|Songwriters from Pennsylvania|Songwriters Hall of Fame inductees|Stephen Foster|Washington & Jefferson College alumni|19th-century male musicians |
随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。