| 词条 | Park Naehyeon |
| 释义 |
|img= |caption= |hangul=박내현 |hanja={{linktext|朴|崍|賢}} |rr=Bak Nae-hyeon |mr=Pak Nae-hyŏn |hangulho=우향(Scent of Rain) |hanjaho={{linktext|雨|鄕}} |rrho=U-hyang |mrho=U-hyang }}Park Naehyun (1920–1976) was a female painter born in the city of Jinnampo in South Korea's South Pyongan Province. Graduating from Gyeongseong high school in 1937, she entered the Tokyo women's arts school in 1941.[1] BiographyPark married a famed artist, Kim Ki-chang, in 1946 and had dozens of couple exhibitions and private showcases. Her pieces mainly intended to traditionally express meanings in oriental materials, with a view to collaborating western-style canvas partition. This method resulted in sensual hues and fabulous pattern. She is said to become a pioneer, rejecting prejudices against women and challenging her own paintings with passion.[2] Her youngest daughter, who is a nun in South Korea, said in an interview that she had spent her life as a good mother, as well as a passionate painter and wife.[3] She was said to have influenced her husband during her life.[4] On her way to lecture{{Where|date=March 2018}}, she returned due to health problems. However, she failed to recover and died at her residence in Seongbuk District, Seoul. WorksShe made her debut by being accepted to the Chosen Art exhibition of the Governor-General of Korea in 1943. Later, she was awarded the first prize given by the President of the Republic of Korea and grand prize in the National Art exhibition of Korea, gaining her wider attention. She participated in domestic art exhibitions until the early 1960s and then flew to São Paulo Biennale as an official South Korean delegate.[5] After finishing her work, she visited several nations in Latin America, including Mexico, then studied tapestry and printmaking in New York City.[6] Briefly, her works can be separated into 4 time periods. The first (1940s) concentrated on Japanese paintings and figure paintings. The second (1950s) challenged her own work with traditional materials of oriental painting in a western-drawing manner; her pieces at this time produced half-abstract paintings by interpreting cubism and partition of the canvas in an analytic method. The third phase (1960s) began experimenting abstractionism, and the fourth period (1970s) made use of printmaking skills in creative drawing.[7] Notes
References1. ^Park Naehyun DB media {{Authority control}}{{DEFAULTSORT:Park, Naehyeon}}2. ^Park Raebu, 《한국의 명화》, p.109, 1993 3. ^운보의 수녀딸 김영 2008-02-10 4. ^운보 김기창 화백 미수 기념 특별전 Hankook Ilbo2002-02-23 5. ^그림의 추억- 부부화가 USHankook Ilbo 2008-10-11 6. ^Explanation on her work - "Abstract" 7. ^Park Raebu, 《한국의 명화》, p.109, 1993 8 : 1920 births|1976 deaths|South Korean painters|People from Nampo|South Korean women|20th-century Korean painters|South Korean women artists|20th-century women artists |
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