词条 | Paul Shelving |
释义 |
His designs covered many styles. In The Immortal Hour he produced a mysterious forest in the symbolist style, with patterned tree trunks and a misty atmosphere. [4] For the 1923 production of Cymbeline, Shelving's modern setting and dress was one of the first of its kind.[4] His designs for The Tempest at Stratford in 1946 was "magical and fantastic with ranges of coloured crags. Shelving was a fine colourist who enjoyed blocking out broad masses in patterns." [4] References1. ^{{cite web|url=http://visualarts.britishcouncil.org/collection/artists/paul-shelving-1888|title=Paul Shelving, British Council − Visual Arts|work=British Council|accessdate=20 July 2015|deadurl=yes|archiveurl=https://web.archive.org/web/20150722091926/http://visualarts.britishcouncil.org/collection/artists/paul-shelving-1888|archivedate=22 July 2015|df=}} {{Authority control}}{{DEFAULTSORT:Shelving, Paul}}2. ^{{cite book|last=Gill|first=Maud|title=See the Players|year=1948|publisher=George Ronald|location=Birmingham|page=267|edition=Second}} 3. ^{{cite book|last=Cochrane|first=Claire|title=The Birmingham Rep: A City's Theatre 1962-2002|year=2003|publisher=Sir Barry Jackson Trust|location=Birmingham}} 4. ^1 2 {{cite book|last=Rosenfeld|first=Sybil|title=A Short History of Scene Design in Great Britain|year=1973|publisher=Blackwell|location=Oxford}} 3 : 1888 births|1968 deaths|Theatre designers |
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