“Sunrise: A Song of Two Humans”的意思、由来-开放百科全书

Murnau chose to use the then new Fox Movietone sound-on-film system, making Sunrise one of the first feature films with a synchronized musical score and sound effects soundtrack. The film incorporated Charles Gounod's 1872 composition Funeral March of a Marionette, which was later used as the theme for the television series Alfred Hitchcock Presents (1955–65). Frédéric Chopin's A minor prelude also features prominently in orchestral arrangement.

The 2007 update of the American Film Institute's list of the 100 greatest American films ranked it number 82,^[6] and the British Film Institute's 2012 Sight & Sound critics' poll named it the fifth-best film in the history of motion pictures, while directors named it 22nd.^[7]

Although the original 35mm negative of the original American version of Sunrise was destroyed in the 1937 Fox vault fire, a new negative was created from a surviving print.^[8]

Plot

A vacationing Woman from the City (Margaret Livingston) lingers in a lakeside town for weeks. After dark, she goes to a farmhouse where the Man (George O'Brien) and the Wife (Janet Gaynor) live with their child. She whistles from the fence outside. The Man is torn, but finally departs, leaving his wife with the memories of better times when they were deeply in love.

The man and woman meet in the moonlight and kiss passionately. She wants him to sell his farm—which has not done well recently—to join her in the city. When she suggests that he solve the problem of his wife by drowning her, he throttles her violently, but even that dissolves in a passionate embrace. The Woman gathers bundles of reeds so that when the boat is overturned, the Man can stay afloat.

The Wife suspects nothing when her husband suggests going on an outing, but when they set off across the lake, she soon grows suspicious. He prepares to throw her overboard, but when she pleads for his mercy, he realizes he cannot do it. He rows frantically for shore, and when the boat reaches land, the Wife flees.

She boards a trolley, and he follows, begging her not to be afraid of him. The trolley brings them to the city. Her fear and disappointment are overwhelming. He plies her with flowers and cakes and finally she stops crying and accepts his gifts. Emerging back on the street, they are touched to see a bride enter a church for her processional, and follow her inside to watch the wedding. The Man breaks down and asks her to forgive him. After a tearful reconciliation, they continue their adventure in the city, having their photograph taken together and visiting a funfair. As darkness falls, they board the trolley for home.

Soon they are drifting back across the lake under the moonlight. A sudden storm causes their boat to begin sinking. The Man remembers the two bundles of reeds he placed in the boat earlier and ties the bundles around the Wife. The boat capsizes, and the Man awakes on a rocky shore. He gathers the townspeople to search the lake, but all they find is a broken bundle of reeds floating in the water.

Convinced the Wife has drowned, the grief-stricken Man stumbles home. The Woman From the City goes to his house, assuming their plan has succeeded. The Man begins to choke her. Then the Maid calls to him that his wife is alive, so he releases the Woman and runs to the Wife, who survived by clinging to one last bundle of reeds.

The Man kneels by the Wife's bed as she slowly opens her eyes. The Man and the Wife kiss, while the Woman From the City's carriage rolls down the hill toward the lake, and the film dissolves to the sunrise.

Cast

Style

Sunrise was made by F. W. Murnau, a German director who was one of the leading figures in German Expressionism, a style that uses distorted art design for symbolic effect. Murnau was invited by William Fox to make an Expressionist film in Hollywood.

The resulting film features enormous stylized sets that create an exaggerated and fairy-tale world; the city street set alone reportedly cost over US$200,000 to build and was re-used in many subsequent Fox productions including John Ford's Four Sons (1928).^[9] Much of the exterior shooting was done at Lake Arrowhead, California.

Full of cinematic innovations, the groundbreaking cinematography (by Charles Rosher and Karl Struss) features particularly praised tracking shots. Titles appear sparingly, with long sequences of pure action and the bulk of the story told in Murnau's signature style. The extensive use of forced perspective is striking, particularly in a shot of the City with normal-sized people and sets in the foreground and smaller figures in the background by much smaller sets.

The characters go unnamed, lending them a universality conducive to symbolism.^[10] Veit Harlan compared his German remake Die Reise nach Tilsit (1939), pointing to the symbolism and soft focus of Sunrise he claimed that it was a poem, whereas his realistic Die Reise nach Tilsit was a film.^[11]

Reception

Mordaunt Hall of The New York Times hailed Sunrise as "A Film Masterpiece".^[1] A reviewer for TIME, however, called its story "meagre" while writing that the film overall "manages to remain picturesquely soporific for a long evening."^[2] Sunrise is now widely considered by film critics and historians to be one of the greatest films ever made.

Awards and nominations

DVD and Blu-ray releases

20th Century Fox originally released Sunrise on DVD in Region 1, but only as a special limited edition available only by mailing in proofs-of-purchase for other DVD titles in their "20th Century Fox Studio Classics" line, or as part of the box set Studio Classics: The 'Best Picture' Collection. The DVD includes commentary, a copy of the film's trailer, details about Murnau's lost film Four Devils, outtakes, and many more features.

In late 2008, Fox released the "Murnau, Borzage and Fox Box Set" in some markets. Both Movietone and European silent versions of Sunrise are included. A documentary of the three individuals is also part of the collection.

In January 2014, the film was released in the US on a Blu-ray/DVD combo pack by 20th Century Fox.

References

1. ^¹[https://movies.nytimes.com/movie/review?res=9B00EFD71139E233A25757C2A96F9C946695D6CF "The Screen"], Mordaunt Hall, The New York Times, September 24, 1927.
2. ^¹"New Pictures: Oct. 3, 1927", Time, October 3, 1927
3. ^{{cite web|url=https://www.nytimes.com/1984/09/15/obituaries/janet-gaynor-is-dead-at-77-first-best-actress-winner.html|title=Janet Gaynor Is Dead At 77; First 'Best Actress' Winner|last=Bird|first=David|date=September 15, 1984|publisher=nytimes.com|accessdate=March 30, 2015}}
4. ^Eagan, Daniel. America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. New York: Continuum, 2010, p. 131–133.
5. ^{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=sunrise&filmmaker=&category=All&collection=All|website=Academy Film Archive}}
6. ^{{cite web|url=http://connect.afi.com/site/DocServer/100Movies.pdf?docID=301 |title=100 Years...100 Movies |accessdate=2009-09-18 |work=American Film Institute }}
7. ^{{cite web|url=http://explore.bfi.org.uk/sightandsoundpolls/2012/critics/|title=Critics’ top 100|author=|date=|work=bfi.org.uk|accessdate=10 March 2016}}
8. ^"Silent Is Golden", DVD Journal. Retrieved 2009-9-16
9. ^Gallagher, Tag John Ford: The Man and his Films (University of California Press, 1986), p.55
10. ^Molly Haskell, The Treatment of Women in the Movies p. 46 {{ISBN|0-03-007606-4}}
11. ^Cinzia Romani, Tainted Goddesses: Female Film Stars of the Third Reich p86 {{ISBN|0-9627613-1-1}}
12. ^{{cite web |url=https://movies.nytimes.com/movie/47698/Sunrise/details |title=NY Times: Sunrise: A Song of Two Humans |accessdate=2008-12-07|work=NY Times}}
13. ^https://www.imdb.com/title/tt0018455/awards
14. ^Sunrise at the Masters of Cinema catalogue
15. ^{{cite web |last=Galloway |first=Chris |title=Sunrise [Blu-ray] (1927) |url=http://www.criterionforum.org/DVD-review/sunrise-blu-ray/the-masters-of-cinema-series/639 |publisher=CriterionForum.org |date=February 26, 2010}}

External links