| 词条 | Rebonds (Xenakis) | ||||||||||||||||
| 释义 |
| name = Rebonds | image = XenakisMDaniel crop.jpg | border = | caption = Iannis Xenakis c. 1970 | title_English = | native_name = | native_name_lang = | full_title = | full_title_English = | other_name = | subtitle = | composer = Iannis Xenakis | form = | key = | catalogue = | ISWC = | year = | period = Contemporary music | genre = | style = | text = | libretto = | language = | translation = | based_on = | composed = 1987-1989 | dedication = Silvio Gualda | performed = | published = | publisher = | occasion = | duration = 12 minutes | movements = | scoring = Percussion | solo = | vocal = | instrumental = | premiere_date = | premiere_location = | premiere_conductor = | premiere_performers = | first_recording = | misc = }} Rebonds is a composition for solo percussion by Greek composer Iannis Xenakis. It was composed between 1987 and 1989 and, together with Psappha, is one of the two compositions for solo percussion by Xenakis. CompositionRebonds was written for percussionist {{Interlanguage link multi|Sylvio Gualda|fr}}, for whom Xenakis had also dedicated other chamber compositions, such as Komboï.[1] It was later published by Éditions Salabert, in an edition revised by Patrick Butin.[1]Some could argue{{Weasel inline|date=April 2017}} that Xenakis composed this piece to revolutionize the idea of a solo percussion piece. Many different elements of this piece, such as the ideas of indeterminancy, and the fact that the piece sounds as if more than one person is playing, creates a new sound for solo percussionists. StructureThe composition is in two autonomous movements, named A and B. The first movement uses only skins, with two bongos, three tom-toms, and two bass drums. The second movement, however, uses two bongos, one tumba, one tom-tom, one bass drum, and a set of five wood blocks or wooden slats. According to Xenakis, the order of the composition is not fixed: either first A, then B, or vice versa, but both movements should be performed attacca.[2] ReceptionRebonds has been very well received by critics and musicians. Jacques Longchamp called it an "immense abstract ritual, a suite of movements and of hammerings without any folkloristic "contamination", pure music full of marvellously efflorescent rhythms, going beyond drama and tempest. A new masterpiece".[3]Notable recordingsThe following is a list of notable performances of this composition:
References1. ^{{cite book|last1=Xenakis|first1=Iannis|title=Rebonds, for solo percussion|publisher=Editions Salabert|location=Paris|accessdate=20 October 2014}} {{Iannis Xenakis}}2. ^1 {{cite web|last1=Harley|first1=James|title=Iannis Xenakis Rebonds, for solo percussion|url=http://www.allmusic.com/composition/rebonds-for-solo-percussion-mc0002397068|publisher=Rovi Corporation|accessdate=20 October 2014}} 3. ^{{cite book|last1=Solomos|first1=Makis|authorlink =Makis Solomos |title=" Psappha, Rebonds, Okho " - Notice du CD Iannis Xenakis, Psappha, Rebonds a et b, Okho (P. Carneiro, M. Rich, J. Gibson percussions)|date=2004|publisher=Zig Zag Territoires|page=3|url=https://hal.archives-ouvertes.fr/file/index/docid/770214/filename/Psappha_Rebonds_Okho.pdf|accessdate=21 October 2014}} 4. ^{{cite web|title=Hans-Kristian Kjos Sørensen Open: Percussion (CD - BIS #1219)|url=http://www.allmusic.com/album/release/open-percussion-mr0002051383|publisher=Rovi Corporation|accessdate=21 October 2014}} 5. ^{{cite web|title=Pedro Carneiro Iannis Xenakis: Psappha; Rebonds A & B; Okho pour trois djembés [DualDisc] (CD - Zig Zag Territoires #ZZT040901)|url=http://www.allmusic.com/album/release/iannis-xenakis-psappha-rebonds-a-amp-b-okho-pour-trois-djemb%C3%A9s-dualdisc-mr0002699216|publisher=Rovi corporation|accessdate=21 October 2014}} 6. ^{{cite web|title=Steven Schick Iannis Xenakis: Percussion Works (CD - Mode Records #171)|url=http://www.allmusic.com/album/release/iannis-xenakis-percussion-works-mr0002709492|publisher=Rovi Corporation|accessdate=21 October 2014}} 3 : Compositions by Iannis Xenakis|1989 compositions|Percussion music |
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