| 词条 | Synthetism | |||||||
| 释义 |
Synthetism is a term used by post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism, and later to Symbolism.[1] The term is derived from the French verb synthétiser (to synthesize or to combine so as to form a new, complex product). Paul Gauguin, Émile Bernard, Louis Anquetin, and others pioneered the style during the late 1880s and early 1890s. Synthetist artists aimed to synthesize three features:
In 1890, Maurice Denis summarized the goals for synthetism as, It is well to remember that a picture before being a battle horse, a nude woman, or some anecdote, is essentially a flat surface covered with colours assembled in a certain order. The term was first used in 1877 to distinguish between scientific and naturalistic impressionism, and in 1889 when Gauguin and Emile Schuffenecker organized an Exposition de peintures du groupe impressioniste et synthétiste in the Café Volpini at the Exposition Universelle in Paris. The confusing title has been mistakenly associated with impressionism. Synthetism emphasized two-dimensional flat patterns, thus differing from impressionist art and theory. Synthetist paintings
GalleryReferences1. ^{{cite book|title=Modern Art, 1851-1929: Capitalism and Representation|first=Richard R.|last= Brettell|publisher= Oxford University Press|year=1999|isbn=019284220X}} {{Post-Impressionism}}{{Westernart}}2. ^Charles Laval Retrieved April 6, 2011 2 : Post-Impressionism|Symbolism (arts) |
|||||||
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。