“Subarnesvara Siva Temple”的意思、由来-开放百科全书

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Subarnesvara Siva Temple

释义

Name
Ownership
Age
Property Type
Property use
Significance
Physical description
Architectural features
Raha niche & Parsva devatas
Decorative features
State of preservation
Condition description
Grade (A/B/C)
Threats to the property
See also
References
Further reading

{{Use dmy dates|date=May 2018}}{{Use Indian English|date=May 2018}}{{Infobox Hindu temple
| name = Subarnesvara Siva temple
| image =
| map_type = India Orissa
| map_caption = Location in Orissa
| coordinates = {{coord|20|14|27|N|85|50|12|E|type:landmark_region:IN|display=inline,title}}
| country = India
| state = Orissa
| district =
| locale = Bhubaneswar
| elevation_m = 22
| deity = lord lingaraja
| festivals=
| architecture = Kalingan Style (Kalinga Architecture)
| temple_quantity =
| monument_quantity=
| inscriptions =
}}

Subarnesvara Siva temple is situated on the left bank of Lingaraja west canal, which can be approached through Kotitirthesvara lane leading from Parasuramesvar temple to Bindu sagar. It stands opposite to Nagesvara across the Lingaraja west canal at a distance of 10.35 metres. The temple is facing towards east. The enshrined deity is a Siva lingam within a circular yoni pitha in the sanctum measuring 2.35 square metres, which is 1.20 metres below the chandrasila of the door.

Name

The temple is so named because of its association with the goldsmiths in close vicinity.

Ownership

i) Single/ Multiple - Single

ii) Public/ Private- Private

iii) Any other (specify): —

iv) Name: Saroj Kumar Mishra

v) Address: Mishra Sahi, Old town, Bhubaneswar.

Age

i)Precise date: 10th century AD.

ii) Approximate date: Somavamsi rule

iii) Source of Information: Architectural features and scheme of decoration including the building materials bears strong resemblance with the 10th century temples of Bhubaneswar.

Property Type

i) Precinct/ Building/ Structure/Landscape/Site/Tank-Buildings

ii) Subtype: Temple

iii) Typology: Rekha deul

Property use

i) Abandoned/ in use: In use

ii) Present use: Living temple

iii) Past use: Worshiped

Significance

i) Historic significance: The local tradition attributed the temple to the Kesharis

who are otherwise known as Somavamsis.

ii) Cultural significance: Various rituals performed are Sivaratri, Sankranti, and

Chaturdasi.

Physical description

i) Surrounding: The temple is surrounded by the approaching road on

the east, Lingaraja west canal and paddy fields in south, Nagesvara temple across the canal

in the west and residential buildings in north.

ii) Orientation: The temple is

facing towards east.

Architectural features

The temple stands over a low pista measuring 6.90 metres in length, 6.30 metres in width and 0.23 metres in height. On plan, the temple is pancharatha with a square vimana

and a frontal porch extending towards east. The vimana measures 5.45 square metres and the frontal porch 0.50 metres. On elevation, the temple is in rekha order measuring 11.58 metres in height from khura to kalasa with usual bada, gandi and mastaka. The bada measuring 3.48 metres in height has five vertical divisions namely pabhaga with four mouldings (0.92 metres), talajangha (0.86 metres), bandhana of single moulding (0.20 metres), upara jangha (0.75 metres) and the baranda with four mouldings (0.75 metres). The gandi above the baranda measuring 6.10 metres in height is distinguished by a central raha and a pair of anuratha and kanika pagas on either side of the raha, which is a curvilinear spire, and devoid of ornamentation. The mastaka as usual in Orissan temples has components like beki, amlaka, khapuri and kalasa that measures 2.00 metres in height.

Raha niche & Parsva devatas

The parsvadevata niches located on the raha paga of

the talajangha on three sides of north, west and south measures 1.00 metres in height, 0.53

metres in width and 0.38 metres in depth are empty and devoid of ornamentation

Decorative features

The base of the gandi is decorated with a series of miniature

rekha deul as angasikharas on the pagas arranged in descending order from raha to the

kanika paga. The baranda moudings above the raha niche are relieved by chaitya motifs.

Both the upara and tala jangha are decorated with a series of pilaster motifs in relief udyota

simha finds place on the raha paga of the eastern wall

doorjamb, except the dvarapala niches at the base the doorjamb are

of recent additions made of plain sand stones. The doorjambs measure 2.20 metres in height

and 1.60 metres in width. The dvarapala niches house Saivite dvarapalas holding trident in

their left hand along with river goddess standing on their respective mounts. Yamuna in the

right niche is provided with a parasol held by a diminutive female attendant. While the niches

are crowned by stylized chaitya motifs at the top, beneath are figures of gaja kranta

Lintel- The architrave above the doorjambs measuring 1.80 metres.

is carved with navagrahas, each housed in a niche. They are all seated in padmasana except

Rahu and Ketu. The grahas are flanked by two atlantid ganas on both ends of the architrave.

State of preservation

i) Good/Fair/ Showing Signs of Deterioration/Advanced: Cracks are noticed in the

ceiling of the sanctum through which water percolates into the cella.

Condition description

i) Signs of distress: Cracks on the roof and outer wall of the temple.

ii) Structural problem: —-

iii) Repair & maintenance Repaired under X & XI Finance Commission Award

Grade (A/B/C)

i) Architecture: B

ii) Historic: B

iii) Associational: C

iv) Social/Cultural: C

Threats to the property

Conservation problem and remedies: Since the sanctum (cella) is 1.20 metres below the

present ground level, there is seepage of water from the adjoining west canal during rainy

season. When the canal overflows such underground water stagnates inside the cellar that is

weakening the foundation of the temple.

Detached and loose sculptures: There is a Sahasra Lingam in the south-eastern corner

of the temple. The other fragments are an amlaka, octagonal Lingam and ornamental block

of stone with the image of a female presently worshipped as goddess Tarini