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词条 Superior Court (TV series)
释义

  1. Format

  2. References

  3. External links

{{Infobox television
| show_name = Superior Court
| image =
| caption =
| show_name_2 =
| genre = dramatized court show/Reality legal programming[1][2]
| judges = William D. Burns Jr. (1986-87)
Jill Jakes and Louis Welsh (1987-88)
Raymond St. Jacques as Judge Clayton C. Thomas (1988-90)
| num_seasons = 4
| num_episodes = Approximately 760
| list_episodes =
| executive_producer = Stu Billett
| runtime = 22 minutes
| company = Stu Billett Productions
Ralph Edwards Productions
| distributor = Lorimar-Telepictures (1986-89)
Warner Bros. Television Distribution (1989-90)
| channel = Syndication
| first_aired = September 7, 1986
| last_aired = September 1990
}}

Superior Court is a dramatized court show that aired in syndication from 1986 to 1990, and featuring fictionalized re-enactments of actual court cases.

William D. Burns, Jr., a former municipal court commissioner for the city of Beverly Hills, presided for the first season. He was replaced for the second season by Jill Jakes, a former judge of that court, and Louis M. Welsh, a retired San Diego Superior Court judge. In the final two seasons, actor Raymond St. Jacques portrayed Judge Clayton C. Thomas.

Reruns were later aired on the USA Network during the early 1990s.

Format

Superior Court was one of a series of dramatized court shows that were created in the mid- to late-1980s, on the heels of two successful programs in the genre: Divorce Court and The People's Court. Of the two, Superior Court was more like Divorce Court, which involved recreations of actual proceedings.

On Superior Court, actors portrayed the attorneys, the plaintiff(s) (in civil proceedings where compensation was demanded), the defendant(s) (in both civil and criminal stories) and key witnesses. As the stories were set in a single urban area (the city was called Madison Heights), often attorneys, law enforcement officials and others became semi-regulars on the show.

Each episode followed a basic formula, as follows:

  • Each attorney giving opening statements.
  • Each side presenting their case. Often, one or two supporting witness would testify on behalf of the appropriate side, along with cross-examination.
  • Closing arguments.
  • The decision, either by the judge or (sometimes) the jury, followed by appropriate reactions by each side. A voice-over announcer then gave a postlogue, telling viewers what became of the principal figures in the case. If a social issue was addressed that played a major role in the trial, the postlogue also included what changed—or did not change—as a result of the trial's outcome.

Both criminal and civil proceedings were presented. Like Divorce Court, the writers of Superior Court tended to focus on "shock value" rather than routine cases (to maintain viewer interest).

  • A young murder defendant is accused of killing a romantic rival after being spurned by a young woman. The defendant, however, claims he saw the murder play out in a dream, with the actual perpetrator another man whom authorities are unable to locate.
  • An elderly farmer who was swindled out of $1 million by an unethical banker, who had attempted eminent domain on his property to develop low-cost housing.
  • A collegiate football star who, along with two teammates, are accused of raping a young woman during what was supposed to be a study date.
  • Neighbors who, frustrated with constant speeding in their residential neighborhood and perceived inaction by the city council, take matters into their own hands by creating a "speed bump," one that after a major accident cripples a young woman and kills her boyfriend.
  • A blue collar-worker, accused in the beating death of his wife, contends that his wife had been involved in a car accident, and the force from a bowling ball carried in the car, claimed to have been throw into the front seat of the car and into the back of the woman's head upon impact, was to blame.

Some episodes had one case, which lasted the entire show, while others had two. While most of the cases were serious, there was the occasional case—unusual or quirky by its circumstances, but could happen—that was played more for comedic value.

References

1. ^http://tarlton.law.utexas.edu/exhibits/mason_&_associates/documents/reality_series_by_title.pdf {{Webarchive|url=https://web.archive.org/web/20140116141958/http://tarlton.law.utexas.edu/exhibits/mason_%26_associates/documents/reality_series_by_title.pdf |date=2014-01-16 }}
2. ^https://books.google.com/books?id=Da6nJoa_9nQC&pg=PA151&dq=revival+Divorce+Court+People's+Court&hl=en&sa=X&ei=2Gy6UPbnMeiF2gWGkoCADA&ved=0CD0Q6AEwAQ#v=onepage&q=revival%20Divorce%20Court%20People's%20Court&f=false

External links

  • {{IMDb title|id=0233112|title=Superior Court}}
  • Ralph Edwards Productions website

9 : 1986 American television series debuts|1990 American television series endings|1980s American television series|1990s American television series|Dramatized court shows|First-run syndicated television programs in the United States|Television series by Ralph Edwards Productions|Television series by Warner Bros. Television|Television series featuring reenactments

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