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词条 Susan Best
释义

  1. Awards

  2. Selected Books

  3. Selected Book Chapters

  4. References

  5. External links

{{Use dmy dates|date=November 2016}}{{Use Australian English|date=November 2016}}

Susan Best {{post-nominals|country=AUS|FAHA}} is an art historian with expertise in critical theory and modern and contemporary art. Best is a Professor at the [https://www.griffith.edu.au/visual-creative-arts/queensland-college-art/staff/susan-best Queensland College of Art], Griffith University.

Her book, Visualizing Feeling: Affect and the Feminine Avant-garde[1] focuses on four artists of the 1960s and 70s: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha.[2] It shows how their work transforms the avant-garde protocols of the period by introducing an affective dimension to late modern art.[2] According to Suzannah Biernoff Visualizing Feeling: Affect and the Feminine Avant-garde "should be compulsory reading for anyone interested in psychoanalytic approaches to art."[3] The project was funded by an Australian Research Council Discovery grant.

Awards

In 2017, Reparative Aesthetics: Witnessing in Contemporary Art Photography was the joint winner of the best book prize awarded by the Art Association of Australia and New Zealand, an organisation with over three hundred members.[4]

In 2017, she was elected to the Australian Academy of the Humanities.[5]

In 2012, her book Visualizing Feeling: Affect and the Feminine Avant-garde won the best book prize awarded by the Art Association of Australia and New Zealand.[6]

Selected Books

  • Best SM, 2016, Reparative Aesthetics: Witnessing in Contemporary Art Photography, Bloosmbury Academic, London.[7]
  • Best SM, 2011, Visualizing Feeling: Affect and the Feminine Avant-garde, I B Tauris, London.[8]
  • {{cite book|last1=Best|first1=Susan|title=Robyn Backen, Backspace: The Art of Communication: Works from 1990-2010|date=2011|publisher=Boccalatte Publishing|location=Sydney|isbn=9780980631227}}[9]

Selected Book Chapters

  • Best SM, 2014, 'Anne Ferran: Histories of Women and Other Blind Spots', in Anne Ferran: Shadow Land, Power Publications, Sydney.[10]
  • Best SM, 2014, 'Mineral Nature: Mikala Dwyer Rocks', in Mikala Dwyer: The Garden of Half-Life, University of Sydney, University Art Gallery, Sydney, pp. 12 – 19.[11]
  • Best SM, 2013, 'Lygia Clark, the Paris Years: The Body as Medium and Material', in Posman S; Reverseau A; Ayers D; Bru S; Hjartarson B (ed.), The Aesthetics of Matter. Modernism, the Avant-Garde, and Material Exchange, edn. 1st ed., Walter de Grutyer, Berlin, pp. 292 – 301.
  • Best SM, 2011, 'Rivane Neuenschwander and the Legacy of Tropicalia', in McNamara A (ed.), Sweat: The Subtropical Imaginary, edn. 1, IMA, Brisbane and Urban Modernities Research Group, QUT, Brisbane, pp. 28 – 43
  • Best SM, 2009, 'Relational Art, Identification and the Social Bond', in Gonçalves LR (ed.), The Institutionalization of Contemporary Art: Art criticism, museums, biennials and the art market., Museu de Arte Contemporânea, University of São Paulo, São Paulo, pp. 217 – 225.
  • Best SM, 2004, 'Joan Brassil', in The Grove Library of World Art, Oxford University Press, Oxford.
  • Best SM, 2004, 'Joan Grounds & Sherre DeLys Tickled Pink Laughter as Intitutional Critique', in Carlos I (ed.), Biennale of Sydney 2004 On Reason and Emotion, Biennale of Sydney, Sydney, pp. 98 – 99.
  • Best SM, 2001, 'You are on Aboriginal Land: Landscape after Land Rights', in Green C (ed.), Postcolonialism + Art Where Now?, Artspace Visual Art Centre, Sydney.
  • Best SM, 2001, 'Elemental Constructions:Women Artists and Sculpture in the Expanded Field', in Getczy A; Genocchio B (ed.), What Is Installation?, Power Publications, Sydney, pp. 185 – 205.

References

1. ^{{cite book|last1=Best|first1=Susan|title=Visualizing Feeling: Affect and the Feminine Avant-garde|publisher=I.B.Tauris|isbn=9781848858510}}
2. ^1 {{cite journal|last1=Moody|first1=Alys|title=Interview: Susan Best|journal=Das Super Paper|date=20 January 2014|issue=29|pages=26–29|url=http://media.dasplatforms.com/dasplatforms/media/pdf/5263_1.pdf|publisher=Das Platforms}}
3. ^{{cite journal|last1=Biernoff|first1=Suzannah|title=Beyond Zombie Art: Visualizing Feeling: Affect and the Feminine Avant-Garde|journal=Parallax|date=2013|volume=19|issue=4|pages=84–89}}
4. ^{{Cite web|url=http://aaanz.info/prizes/|title=AAANZ Prizes|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=}}
5. ^{{cite web|title=Welcoming our 23 newly elected Fellows|url=https://www.humanities.org.au/2017/11/20/welcoming-23-newly-elected-fellows/|website=Australian Academy of the Humanities Australian Academy of the Humanities|accessdate=18 May 2018}}
6. ^{{cite web|title=aaanz book/catalogue prizes - 2012 prizes|url=http://aaanz.info/prizes/1011-2/|website=Art Association of Australia and New Zealand|accessdate=26 October 2014}}
7. ^{{Cite book|url=https://www.worldcat.org/oclc/932577107|title=Reparative aesthetics : witnessing in contemporary art photography|last=Susan,|first=Best,|isbn=9781472529862|location=London|oclc=932577107}}
8. ^{{Cite book|url=https://www.worldcat.org/oclc/875735277|title=Visualizing feeling : affect and the feminine avant-garde|last=Susan,|first=Best,|isbn=9781780767093|location=London|oclc=875735277}}
9. ^{{Cite book|url=https://www.worldcat.org/oclc/768735811|title=Robyn Backen : backspace : the art of communication : works from 1990-2010|last=Susan.|first=Best,|date=2011|publisher=Boccalatte|isbn=9780980631227|location=Surry Hills, N.S.W.|oclc=768735811}}
10. ^{{Cite book|url=https://www.worldcat.org/oclc/891993714|title=Anne Ferran : Shadow Land.|last=Thierry,|first=De Duve,|publisher=Power Publications|others=Best, Susan,, Lawrence Wilson Art Gallery.|isbn=9781876793456|location=Sydney|oclc=891993714}}
11. ^{{Cite book|url=https://www.worldcat.org/oclc/889754376|title=Mikala Dwyer : the garden of half-life|last=Mikala,|first=Dwyer,|others=Parker, Luke., Best, Susan., University of Sydney. University Art Gallery,|isbn=9781742103372|location=The University Of Sydney, N.S.W|oclc=889754376}}

External links

  • Griffith University Experts https://experts.griffith.edu.au/academic/s.best
{{authority control}}{{DEFAULTSORT:Best, Susan}}

9 : Australian art historians|Living people|University of New South Wales faculty|Date of birth missing (living people)|Critical theorists|Women art historians|Fellows of the Australian Academy of the Humanities|Griffith University faculty|Year of birth missing (living people)
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