词条 | Swings or Roundabouts |
释义 |
This article is about the film. It is not to be confused with Manfred Karga's play by the same name.{{Infobox film | name = Jacke wie Hose | image = Jacke wie Hose (film poster).jpg | image size = | caption = | director = Eduard Kubat | producer = Werner Dau | writer = Jan Koplowitz | narrator = | starring = Irene Korb, Günther Simon | music = Joachim Werzlau | cinematography = Fritz Lehmann | editing = Ruth Schreiber | studio = DEFA | distributor = Progress Film | released = 30 April 1953 | runtime = 87 minutes | country = East Germany | language = German | budget = | gross = | preceded by = | followed by = }} Jacke wie Hose (English-language title: Swings Or Roundabouts[1]) is an East German comedy film, directed by Eduard Kubat. It was released in 1953. PlotAfter a new government law forbids women to operate heavy machinery in steel factories, a group of female workers that is determined to lift the ban proposes a competition to their male counterparts: those who will produce the greatest quantity of steel will win. The men are certain that they will be victorious. One of them, Ernst Hollup, is angered by his wife's involvement with the other team, and he demands that she will resign and become a housewife. The women develop a wagon that carries the molten iron to the steel furnace and greatly simplifies their work. They win the competition, as well as the respect of the men. The government lifts the ban. Cast
ProductionThe film was planned after the East German public reacted negatively to the wave of highly ideological films released during the early 1950s. It was intended to present the ideas of socialism in a humorous fashion, and to provide entertainment for the audience.[2] ReceptionEast German film critic Leo Menter wrote that "Jacke wie Hose is a typical example for the films made in the peace-loving, Socialist countries... it is no gangster film, no opium for the masses; it is based on true life."[2] On the other hand, Rolf Behrends, another East German journalist, asked "why are the characters shown solely as functionaries in the factory? The film lacks any private, human side."[3] The West German Catholic Film Service regarded Jacke wie Hose as a "propagandistic... didactic, picture."[4] Author Andrea Rinke cited it as an early example for the expression of Feminist ideas in East German cinema, much before the subject became popular with DEFA filmmakers in the 1970.[5] References1. ^Jacke wie Hose on the DEFA Foundation website. 2. ^Presse-und Informationsamt, Bundesrepublik Deutschland. [https://books.google.com/books?ei=ah3ETdrXN4KCOtuavbUE&ct=result&id=cUDjAAAAMAAJ&dq=jacke+wie+hose+DEFA&q=jacke++hose+#search_anchor Bulletin des Presse- und Informationsamtes der Bundesregierung.] ISSN 0342-5754. Page 1230. 3. ^1 Heinz Kersten. Das Filmwesen in der sowjetischen Besatzungszone. Deutscher Bundes-Verlag (1954). ASIN B004CF9VL8. Page 37. 4. ^Katholische Filmkommission für Deutschland. [https://books.google.com/books?ei=ah3ETdrXN4KCOtuavbUE&ct=result&id=10RfAAAAMAAJ&dq=jacke+wie+hose+DEFA&q=jacke+hose+#search_anchor Film-Dienst, Volume 60, Issues 8-13]. Katholisches Institut für Medieninformationen (2007). Page 147. 5. ^Andrea Rinke. Images of Women in East German Cinema 1972-1982. Edwin Mellen Press (2006). {{ISBN|978-0-7734-5684-6}}. Page 103. External links
6 : 1953 films|East German films|German-language films|Feminist films|1950s comedy films|German black-and-white films |
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