| 词条 | Talaq (1938 film) |
| 释义 |
| name = Talaq (1938) | image = | image_size = | caption = | director = Sohrab Modi | producer = Minerva Movietone | writer = Anand Kumar Gajanan Jagirdar | narrator = | starring = Naseem Banu Prem Adib Gajanan Jagirdar Navin Yagnik | music = Mir Saheb Anand Kumar (lyrics) | cinematography = | editing = | distributor = | studio = Minerva Movietone | released = 1938 | runtime = 127 minutes | country = India | language = Hindi | budget = | gross = | preceded_by = | followed_by = | website = }}Talaq (Divorce) is a 1938 Urdu/Hindi social melodrama film directed by Sohrab Modi for Minerva Movietone. The story was written by Anand Kumar and Gajanan Jagirdar with dialogue and lyrics by Anand Kumar. Music was composed by Mir Saheb.[1] Following the debacle of his earlier films based on Shakesperian tragedies like Khoon Ka Khoon (1935) and Said-e-Havas, Modi shifted to making social contemporary dramas like Talaq, Jailor and Meetha Zahar (1938). The film had Naseem Banu in the lead role with Prem Adib, Gajanan Jagirdar, Navin Yagnik, Sheela, and Abu Baker as co-stars.[2] Roopa (Naseem Banu), a married woman, fights for better divorce laws, which she then employs to be free of her husband. However, things ultimately go against her when her second husband uses the same laws to divorce her. Plot OutlineRoopa (Naseem Banu) is married to a politician Niranjan (Navin Yagnik) whom she wants to divorce. Niranjan is not in favour of divorce. Helped by the editor Chhabilelal (Gajanan Jagirdar) of a magazine Aandhi, Roopa manages to get certain changes brought in the divorce law that allow her the separation from Niranjan. Niranjan helps a married woman, Shanta (Sheela) and falls in love with her. Due to his sentiments regarding divorce he is unable to marry her. Roopa marries Amarnath (Prem Adib) who then uses the same laws that she had strived to get implemented in order to divorce her. Cast
SubjectThe film deals with the social subject of divorce, which being rare in India at that time was also mainly a male prerogative.[3] Focusing on the "rights of women to divorce", Modi’s contemporary social films including Talaq were hugely successful.[4] References1. ^{{cite book|author1=Ashish Rajadhyaksha|author2=Paul Willemen|author3=Professor of Critical Studies Paul Willemen|title=Encyclopedia of Indian Cinema|url=https://books.google.com/books?id=SLkABAAAQBAJ&pg=PA276|accessdate=16 December 2014|date=10 July 2014|publisher=Routledge|isbn=978-1-135-94318-9|pages=276–}} 2. ^{{cite web|url=http://www.citwf.com/film341894.htm |title=Cast Talaq 1938|publisher=Alan Goble|accessdate=17 December 2014}} 3. ^{{cite book|author=Robert E. Emery|title=Cultural Sociology of Divorce: An Encyclopedia|url=https://books.google.com/books?id=ix9zAwAAQBAJ&pg=PA1199|accessdate=16 December 2014|date=21 February 2013|publisher=SAGE Publications|isbn=978-1-4522-7443-0|pages=1199–}} 4. ^{{cite web|url=http://www.indiaheritage.org/perform/cinema/history/modi.htm|title=Pioneers in Indian Cinema Sohrab Merwanji Modi|publisher=IndiaHeritage.org|accessdate=17 December 2014}} External links
6 : 1938 films|1930s Hindi-language films|Indian films|1930s drama films|Indian drama films|Films directed by Sohrab Modi |
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