| 词条 | Tara Erraught |
| 释义 |
She is noted for her work with Bavarian State Opera, for which she has been given a {{Lang|la|{{Interlanguage link multi|Pro meritis scientiae et litterarum|de}}}} award.[3] Her international stature has continued to grow since she stepped in on five-days' notice, learning the role of Romeo in Bellini's I Capuleti e i Montecchi at the Bayerische Staatsoper in 2011. Her performance won worldwide acclaim.{{Citation needed|date=June 2017}} In the seasons since, Erraught has sung a world premiere, made her US opera debut, numerous role debuts, and successfully toured North America twice. CareerErraught has performed a wide variety of operatic roles including an acclaimed American opera debut with the Washington National Opera as Angelina in La Cenerentola; role debuts as Carlotta in Strauss's Die Schweigsame Frau, Christa in Janáček's The Makropulos Affair, Despina (having previously sung the role of Dorabella) in Mozart's Così fan tutte, Prince Orlovsky in Die Fledermaus, Cherubino in Le nozze di Figaro, as well as singing Hänsel in Hänsel und Gretel with the Bayerische Staatsoper; Rosina in Rossini's The Barber of Seville. She created the role of Kitty{{Citation needed|date=June 2017}} in the world premiere of Iain Bell's A Harlot's Progress at the Theater an der Wien. In September 2017, she made her Metropolitan Opera debut singing the role of Nicklausse in Les contes d'Hoffmann and sang the role of Hänsel there later that season. As OctavianShe was the subject of controversial reviews when she sang the role of Octavian in a production by Richard Jones of Der Rosenkavalier at Glyndebourne in 2014. Critics including Andrew Clark (in the Financial Times),[3] Rupert Christiansen (in The Daily Telegraph),[4][5] and Richard Morrison (in The Times)[6] felt her physique and costume made her an implausible young male lover in this breeches role. It was noted that the reviews (described as "vicious" in the Irish Independent)[3] came from male critics.[7] Morrison later apologised by saying, "Several musicians I count as close friends tell me that what I wrote would have upset greatly the promising young singer who took the role of Octavian. I regret that."[7] Several other critics, performers, and members of the public supported Erraught.[8] HonoursTara Erraught has received several honours and awards. In 2013 the Bavarian government bestowed upon her the prestigious Pro meritis scientiae et litterarum in recognition for outstanding contribution to the arts. Erraught is only the fifth musician, and the youngest recipient, to be honoured with the annual award since its inception in 2000. In March 2010 Ms. Erraught was the recipient of Dublin's National Concert Hall's Rising Star Award. Other honours include first prize in the Jakub Pustina International Singing Competition in the Czech Republic, along with the Zdar nad Sazavou Audience Prize in 2008. In that same year she was awarded both the Houston Grand Opera Prize and the Washington National Opera Prize at the International Hans Gabor Belvedere Singing Competition in Vienna. In 2007 Ms. Erraught won the Dermott Troy Award for the Best Irish Singer. References1. ^"Exclusive interview with mezzo Tara Erraught", T. Knudsen, operafocus.com 2. ^Student Successes, Royal Irish Academy of Music 3. ^"Der Rosenkavalier, Glyndebourne, East Sussex, UK – review by Andrew Clark, Financial Times, 19 May 2014 4. ^[https://www.telegraph.co.uk/culture/music/classicalconcertreviews/10839018/Glyndebourne-2014-Der-Rosenkavalier-review.html "Glyndebourne 2014: Der Rosenkavalier, review"] by Rupert Christiansen, The Daily Telegraph, 18 May 2014 5. ^[https://www.telegraph.co.uk/culture/music/opera/10844053/Rosenkavalier-row-I-stand-by-every-word.html "Rosenkavalier row: 'I stand by every word'"] by Rupert Christiansen, The Daily Telegraph, 21 May 2014 6. ^"Der Rosenkavalier at Glyndebourne by Richard Morrison, The Times, 19 May 2014 7. ^1 {{cite web | url=http://www.dailymail.co.uk/news/article-2636308/Dame-Kiri-Te-Kanawa-supports-rising-opera-star-dubbed-dumpy-unsightly-male-critics.html | title='Don't listen to them': Dame Kiri Te Kanawa supports rising opera star dubbed 'dumpy' 'unsightly' and 'a chubby bundle of puppy fat' by male critics | work=Daily Mail | date=22 May 2014 | accessdate=11 February 2015 | author=Richard Spillett}} 8. ^1 2 {{cite web | url=https://www.independent.ie/entertainment/music/the-fab-lady-sings-30864862.html | title=The fab lady sings | work=Irish Independent | date=December 2014 | accessdate=11 February 2015 | author=Donal Lynch}} External links
12 : 1986 births|21st-century Irish people|Singers from Dublin (city)|Living people|Alumni of the Royal Irish Academy of Music|Irish expatriates in Germany|Irish opera singers|Irish mezzo-sopranos|Operatic mezzo-sopranos|21st-century Irish singers|21st-century opera singers|21st-century women singers |
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