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词条 The House of Mirth (1918 film)
释义

  1. Plot

  2. Cast

  3. Reception

  4. References

  5. External links


{{Infobox film
| name = The House of Mirth
| image = Advertisement for "The House of Mirth".jpg
| caption = Advertisement for the film
| director = Albert Capellani
| studio = Metro Pictures Corporation
| writer = Albert Capellani & June Mathis (screenplay)
| based on = {{based on|The House of Mirth|Edith Wharton}}
| starring = Katherine Harris Barrymore
Henry Kolker
Christine Mayo
| music =
| cinematography = Eugene Gaudio
| editing =
| distributor = Metro Pictures Corporation
| released = {{film date|1918|8|5}}
| runtime = 6 reels (1719.07 m)\\ 60/70 minutes
| country = United States
| language = Silent (English intertitles)
| budget =
| gross =
}}The House of Mirth is a 1918 American silent melodrama film directed by French film director Albert Capellani, starring Katherine Harris Barrymore as Lily Bart.[1] It is a cinema adaptation of Edith Wharton's 1905 novel The House of Mirth and the first-ever cinema adaptation of any of her work. Metro Pictures put many efforts into the film in order to turn the original novel into an "All-star cast" film to earn popularity, as Metro Pictures itself announced that the film was "one of the most important productions"[2] during 1918, and that the film contained "the strongest and the most distinguished cast ever selected for the screen"[3]. Initially, Emmy Wehlen starred in the role of Lily Bart in the film[4]. Later, she was replaced by Katherine Harris Barrymore. The film contributed to the huge success of Metro Pictures that year.[5] It is not known whether the film currently survives.[6]

Plot

Penniless socialite orphan Lily Bart is living with her wealthy aunt who insists that she take to herself a rich husband. Balking at this idea and remaining faithful to her impecunious sweetheart Lawrence Selden (Henry Kolker), Lily is desirous of maintaining her luxurious lifestyle: she accepts the financial "favors" of some married millionaires but refuses to surrender her virtue in return – until she discovers that her saintly Selden has been fooling around with another man's wife.

In the original novel, Lily Bart dies after taking poison to commit suicide; however, in the film, the ending remained open as Selden's cousin comes to rescue her after she poisoned herself, and the film ended here, without further explanation.[7]

Cast

  • Katherine Harris Barrymore as Lily Bart
  • Henry Kolker as Lawrence Selden
  • Christine Mayo as Bertha Trenor-Dorset
  • Joseph Kilgour as Augustus Trenor-Dorset
  • Edward Abeles as Simon Rosedale
  • W. D. Fisher as Ned Silverton
  • Lottie Briscoe as Gertie Farish
  • Pauline Welsh as Nettie Struthers
  • Maggie Western as Mrs. Haffen
  • Nellie Parker Spaulding as Mrs. Penniston
  • Sidney Bracy as Percy Gryce
  • Kempton Greene as Jeff Wade
  • Morgan Jones as Butler

Reception

The House of Mirth received much acclaim, especially for its characters and scene arrangement. Margaret I. MacDonald acclaimed in her review that the novel "makes an attractive basis for a screen production" and has been skillfully adapted by Director Albert Capellani and screenwriter June Mathis, with Katherine Harris Barrymore as the star, while the director "without unduly accentuating unpleasant situations ... has succeeded well in turning the finer points of the story to account, and Katherine Harris Barrymore has given a splendid portrayal of a character which, regardless of its human tendency to err. upholds the dignity of moral womanhood."[8]The Film Daily reviewed that the director Albert Capellani "is certainly deserving of much credit for the intelligent way he has handled this offering. Despite the unusual number of complications and the large cast involved, he has made the production understandable and interesting all the way, at the same time maintaining the suspense and giving us many good individual touches throughout. They had a great cast in this, and although the names may not be a real box office asset to theatres outside of New York, every role bore the unmistakable touch of an artist and Metro is justified in terming this an all-star cast. "[7]

Like many American films of the time, The House of Mirth was subject to restrictions and cuts by city and state film censorship boards. For example, the Chicago Board of Censors required cuts, in Reel 1, of the woman in silhouette behind veil, Reel 3, the intertitle "You know how you can repay me", Reel 4, the two intertitles "You're willing enough to take favors" etc. and "Now I want value received", and, Reel 6, the two intertitles "Now that society has accepted me, of course, I cannot marry you" and "If you only will be sensible".[9]

Some criticisms, nevertheless, still existed. The Motion Picture News[10] pointed that " The allegory at the beginning and the end of the picture showing an old man weighing virtue with gold, with a human skull on the table, is not very pleasant. It adds very little to the dramatic values and subtracts manyfold from the entertaining. Such scenes have no popular appeal." However, these criticisms were never able to devalue the film.

References

1. ^http://www.wsu.edu/~campbelld/wharton/marshalls.pdf Marshall, Scott. "Edith Wharton on Film and Television: A History and Filmography." Edith Wharton Review (1996): 15–25. Washington State University. 15 Jan. 2009
2. ^{{Cite news|url=https://archive.org/stream/motionpicturenew171unse#page/570/mode/2up|title=Metro Plans to Produce 'the House of Mirth'|last=|first=|date=January 26, 1918|work=Motion Picture News|access-date=February 14, 2019}}
3. ^{{Cite news|url=https://archive.org/stream/motionpicturenew172unse#page/2063/mode/2up|title=Metro Begins 'The House of Mirth'|last=|first=|date=April 6, 1918|work=Motion Picture News|access-date=February 14, 2019}}
4. ^{{Cite journal|last=|first=|date=February 2, 1918|title=Newslets For Use In Your Program|url=https://archive.org/stream/motography19elec#page/238/mode/2up|journal=Motograph|volume=19|pages=239|via=}}
5. ^{{Cite news|url=https://archive.org/stream/motionpicturenew18moti_7#page/3887/mode/2up|title=Ebbing Year is the Greatest for Metro|last=|first=|date=December 28, 1918|work=Motion Picture News|access-date=February 14, 2019}}
6. ^{{cite web|url=http://www.silentera.com/PSFL/data/H/HouseOfMirth1918.html|title=Silent Era : Progressive Silent Film List|website=www.silentera.com}}
7. ^{{Cite news|url=https://archive.org/stream/filmdailyvolume556newy#page/143/mode/2up|title=Complicated Romantic Tangle Cleverly Worked Out with Great Cast|last=|first=|date=August 10, 1918|work=The Film Daily|access-date=February 14, 2019}}
8. ^{{Cite journal|last=I. MacDonald|first=Margaret|date=August 24, 1918|title='The House of Mirth' - Metro Makes Pleasing Adaptation of Edith Wharton's Novel|url=https://archive.org/stream/movwor37chal#page/1154/mode/2up|journal=The Moving Picture World|volume=37|pages=1154|via=}}
9. ^{{cite journal |title=Official Cut-Outs by the Chicago Board of Censors |journal=Exhibitors Herald |volume=7 |issue=10 |page=36 |publisher=Exhibitors Herald Company |location=New York City |date=August 31, 1918 |url=https://archive.org/stream/exhibitorsherald07exhi#page/n537/mode/1up}}
10. ^{{Cite news|url=https://archive.org/stream/motionpicturenew18moti_5#page/1212/mode/2up|title='The House of Mirth' Katherine Harris Barrymore in Well Produced Drama|last=|first=|date=August 24, 1918|work=Motion Picture News|access-date=February 14, 2019}}

External links

  • {{IMDb title|0009205}}
  • {{Amg movie|95757}}
{{Edith Wharton}}{{DEFAULTSORT:House of Mirth}}

10 : 1918 films|American films|American silent feature films|Melodramas|Films directed by Albert Capellani|Films based on American novels|Films based on works by Edith Wharton|Metro Pictures films|1910s drama films|American black-and-white films

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