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词条 The Swinging Bridge
释义

  1. Major themes

  2. Plot summary

  3. Historical context

  4. References

{{other uses|The Swinging Bridge (disambiguation)}}{{Infobox book
| name = The Swinging Bridge
| image =
| caption =
| alt =
| author = Ramabai Espinet
| country = Canada
| language =
| published = 2003
| pages = 320
| media_type =
| isbn = 978-1-4434-2615-2
}}The Swinging Bridge is a novel by Ramabai Espinet, published in 2003 by Harper Collins Publishing. In 2004, the novel was short-listed for the Commonwealth Writers' Prize in the category of Best First Book (Caribbean and Canada Region).[1] Espinet's novel focuses on a multi-generational Indo-Trinidadian family living in Canada, touching on a number of themes and topics such as gender identity and matrilineal ties.[2]

Ramabai Espinet is an Indo-Trinidadian author born in San Fernando, Trinidad and Tobago, in 1948. Since she originally migrated to Canada in the 1970s, Espinet has divided her time between the Caribbean and Canada. Espinet received her Ph.D. from the University of the West Indies in St. Augustine, Trinidad and Tobago after graduating from York University in Toronto, Ontario. She is currently a professor at Seneca College. Some of her other notable works besides The Swinging Bridge include Beyond the Kalapani, The Princess of Spadina, and Ninja's Carnival.[3][4]

Major themes

The major themes of the novel are:

  • Silencing of history and its voices
  • Immigration
  • Cultural, gender, and sexual oppression[5][2]
  • Marginalization of Indo-Caribbean families[6]
  • Historical archive with primary sources
  • "Double Diaspora" — both the Indian diaspora in the Caribbean and the Indo-Caribbean diaspora in North America (IE: Canada)[7][8]
  • Music, songwriting[9]
  • Feminism[10][11][4][12]
  • Rape and sexual violence[12]

Plot summary

Mona, a Trinidadian living in Montreal, is a film researcher whose family left Trinidad for Canada in hopes of finding a better life. At the start of her story, Mona gets word from her sister, Babs, that their brother, Kello, is dying. Kello tells his family that he is dying of lymphoma, but later reveals that he is actually dying from AIDS. He reveals to his sisters that he is in a relationship with a man, but swears them to secrecy. As the oldest, Kello asks Mona to return to Trinidad after his death and buy the family land back. Mona is hesitant, but eventually learns that she was given this opportunity to discover more about her family history, their journey from India to Trinidad, and the hardships they had to face along the way.

Throughout the novel, Mona unveils the significance of the historical archive for the history of her family, women, and the greater Indo-Trinidadian culture over the course of several generations and migrations. She gives voice to the marginalized voices that were silenced by the past and even by her own people. Set in modern times, this novel interconnects the past to the present. As Mona discovers these hidden histories, she also comes to discover herself. The "Swinging Bridge" serves as a symbol of her life journey and the journey of her ancestors.

Historical context

  • Kala pani (Espinet 4, 89)[13][4][8]
  • "Coolie" (Espinet 58)
  • Caribbean (Trinidad and Tobago) Carnival (Espinet 69-70)
  • J'ouvert
  • Eric Williams[14][15]
  • Cécile Fatiman--Mambo priestess, influential in the beginnings of the Haitian Revolution[16]
  • Calypso Music
  • Chinese Immigration to the Caribbean[17][18]

References

1. ^*Savory, E. (2007). Interview with ramabai espinet. Wadabagei : A Journal of the Caribbean and its Diaspora, 10(2), 82-96. Retrieved from http://search.proquest.com/docview/200387891
2. ^1 Muneshwar, T. A. (2010). "(Her)stories written: The construction of identity through politics, culture and education in the novels of contemporary indo-guyanese women" (Order No. MR62293, York University (Canada)). ProQuest Dissertations and Theses, 155. Retrieved from http://search.proquest.com/docview/748832849
3. ^"Ramabai Espinet’s Web Presence", The Swinging Bridge.
4. ^1 2 Budhu, Reshma. "Ramabai Espinet: Section15.ca". Ramabai Espinet :: Section15.ca. Section15.ca, 9 December 1997. Web. 20 April 2014.
5. ^Robinson, E. (2007). "Variable identities": Locating indo-caribbean women's voices. (Order No. C829880, University of Essex (United Kingdom)). ProQuest Dissertations and Theses. Retrieved from http://search.proquest.com/docview/304734005
6. ^Solbiac, R. (2012). [https://etudescaribeennes.revues.org/5757 "Mémoire indienne dans The Swinging Bridge de Ramabai Espinet: la construction d'une identité indo-trinidadienne diasporique"]. Revue Etudes Caribéennes, no. ndo-c21.
7. ^Savory, E. (2007). Interview with Ramabai Espinet. Wadabagei: A Journal of the Caribbean and its Diaspora, 10(2), 82-96. Retrieved from http://search.proquest.com/docview/200387891
8. ^1 Diasporic (Dis)Locations: Indo-Caribbean Writers Negotiate the Kala Pani. Kingston: University of West Indies Press. 2004.
9. ^Hamilton, N. W. (2012). "Sound writing: Popular music in the contemporary Caribbean novel". (Order No. 3527921, Brandeis University). ProQuest Dissertations and Theses, 296. Retrieved from http://search.proquest.com/docview/1074792138
10. ^Muneshwar, Tanita A. "(Her)Stories Written: The Construction of Identity Through Politics, Culture and Education in the Novels of Contemporary Indo-Guyanese Women." Diss. York University (Canada), 2009. Print.
11. ^Mehta, B. "Engendering History: A Poetics of the Kala Pani in Ramabai Espinet's The Swinging Bridge." A Caribbean Journal of Criticism 10.3 (2006): 19-36. Print.
12. ^1 Espinet, "The Invisible Woman in West Indian Literature", World Literature Written in English 29.2 (1998), pp. 116–26. E-Reserves (Espinet, feminism)
13. ^Mehta, Brinda. "Engendering History: A Poetics of the Kala Pani in Ramabai Espinet's "The Swinging Bridge." Small Axe 21 (2006): 19+. Academic OneFile. Web. 15 April 2014.
14. ^Alex Graham, "Historical Context: Eric Williams, De Doctah, & Independence". The Swinging Bridge.
15. ^"Eric Williams", Encyclopædia Britannica. Encyclopædia Britannica Online, 2014. Web. 15 April 2014.
16. ^Dayan, Joan. Haiti, History, and the Gods. Berkeley: U of California, 1995. Print.
17. ^[https://blogs.ats.amherst.edu/blst-452-01-1314f-ymartin14/pastthe-counter-the-chinese-shop-in-context/ "Encountering Cultures: Beyond the Counter: The Chinese Shop in Context."]
18. ^Lee Loy, Anne-Marie, "The Chinese Shop as Nation Theatre in West Indian Fiction", Anthurium 5:1 (Spring 2007).
  • Mehta, Brinda. "Engendering History: A Poetics of the Kala Pani in Ramabai Espinet's "The Swinging Bridge." Small Axe 21 (2006): 19+. Academic OneFile. Web. 15 April 2014.
  • Ramraj, Victor J. "Caribbean-Canadian literature in English", The Oxford Companion to Canadian Literature, Oxford University Press, 1997. Oxford Reference. 2006. Date Accessed 15 Apr. 2014.
  • Savory, E. (2007). Interview with ramabai espinet. Wadabagei: A Journal of the Caribbean and its Diaspora, 10(2), 82-96. Retrieved from http://search.proquest.com/docview/200387891
  • Robinson, E. (2007). "Variable identities": Locating indo-caribbean women's voices (Order No. C829880, University of Essex (United Kingdom)). ProQuest Dissertations and Theses, Retrieved from http://search.proquest.com/docview/304734005
  • Palmer, C. A. (2006). Eric Williams & the making of the modern Caribbean. Chapel Hill: University of North Carolina Press.
  • Allahar, A. (2001). Caribbean Charisma: Reflections on leadership, legitimacy, and populist politics. Boulder: L. Rienner Publishers.
  • Mehta, B. J. (2004). Diasporic (dis)locations: Indo-Caribbean women writers negotiate the kala pani. Kingston, Jamaica: University of the West Indies Press.
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1 : 2003 Canadian novels
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