“Thread Routes”的意思、由来-开放百科全书

Divided into six chapters, Thread Routes takes place in six different cultural zones around the world. The artist considers her approach to this film as a 'visual poem' and a 'visual anthropology', in that it juxtaposes and presents structural similarities in performative elements of textile culture with the structures in nature, architecture, agriculture and gender relationships in different cultures.^[1]^[2] These non-descriptive and unnarrative documentary films were conceived after being inspired in Bruges, Belgium, in 2002, by the performative elements of traditional lace making, and the city's architectural structure.

The first chapter, completed in 2010, explores Peruvian weaving culture, and its tight alignment with its landscapes and historic archeological structures. This piece journeys throughout the country, from the Sacred Valley around Cusco and Machu Picchu to the Taquila Island villages, forming a non-linear timeline of the connection between people and their geographical environment.^[3]^[4]

Chapter II, which finished filming in the summer of 2011, focused on European lace making actions such as bobbin lace-making from Bruges (Belgium), Lepoglava and Pag (Croatia); industrial lace-making in Calais (France); needle point lace-making by nuns in a monastery in Hvar (Croatia) who use threads from dry aloe leaves; and traditional needlepoint on the small island of Burano (Italy). These scenes are set against representative European architecture such as the Duomo in Milan; the Eiffel Tower in Paris; and the Sedlec Ossuary in Kutna Hora (Czech Republic), which is decorated by human bones and skulls. Local vegetation and flowers overlap with scenes from La Alhambra in Granada (Spain) which, in its detailed and complex decorative Islamic architectural forms, conveys a spatial sensibility and a spiritual dimension that is mirrored in lace-making. The bold, masculine, and power-oriented monumental architectural forms are revealed as similar acts to the delicate, feminine, and ephemeral textile making.

The third chapter (2012) journeys to India and studies the traditions of dyeing, sewing, weaving, embroidery, tattoo and woodblock printing; juxtaposing them with the archeological structures and temporary housing structures of the nomadic communities in Gujara, as well as the Step Well and the Sun Temple in Ahmedabad.

Most recently, Kimsooja filmed Chapter IV in China, where she encountered the specific weaving, dyeing and garment culture of the Miao minority in the Guizhou, Hainan and Yunnan provinces. These are depicted alongside elaborate silver adornment and paper making, as well as the ancient local housing structures in Fujian, the rice terraces of Yunnan and the landscapes of Guizhou and Hainan.^[5]

Currently in preproduction phase, Thread Routes - Chapter V will explore native American textile culture.

The first three chapters were presented at Guggenheim Bilbao between March and July 2015.^[6]

References

1. ^{{cite web |url=http://www.heartmus.dk/kimsooja-3472.aspx |title=Archived copy |accessdate=2015-07-27 |deadurl=yes |archiveurl=https://web.archive.org/web/20150226023659/http://www.heartmus.dk/kimsooja-3472.aspx |archivedate=26 February 2015 |df=dmy-all }}
2. ^http://www.biaci.org/en/kim-sooja/
3. ^http://broadstrokes.org/2014/09/09/artist-spotlight-kimsoojas-threads-of-culture-and-landscape/
4. ^Mello, Laeticia, "The Pilgrimage of Our Own existence"- Arte Al Limite, Published by Arte Al Limite ltd. March 2012, pp 30-38
5. ^http://guggenheim-bilbao.es/en/exhibitions/kimsooja-thread-routes/
6. ^http://guggenheim-bilbao.es/en/exhibitions/kimsooja-thread-routes/

References

External links