词条 | Tomasz Szadek |
释义 |
Szadek's surviving music was all written for the male voices of his choir. It is in a style equivalent to the work of the late Franco-Flemish school. Of his writing Reese observes that he "shows talent for melodic line, but his polyphonic technique is unresourceful."[2] Much of his writing is homophonic. One of his two masses is based on a chanson by Thomas Crecquillon – Pis ne me peult venir, and is of the parody type. The other is also a parody mass, and based on a Christmas carol.[1] Works
References
Notes1. ^1 2 Zygmunt M. Szweykowski. "Tomasz Szadek." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/27286 (accessed December 19, 2011). {{Authority control}}{{DEFAULTSORT:Szadek, Tomasz}}2. ^1 {{cite book |title=Music in the Renaissance |last=Reese|first=Gustave |page=753 |year=1959 |publisher=W.W. Norton & Co. |isbn=0-393-09530-4 }} 3. ^Słownik muzyków dawnej Polski, A. Chybiński, Kraków 1948/49 5 : 1550 births|1612 deaths|Polish composers|Renaissance composers|Polish male classical composers |
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