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词条 Tropical Dandy
释义

  1. Track listing

  2. Album cover

  3. Personnel

  4. References

{{Infobox album
| name = Tropical Dandy
| type = Studio
| artist = Haruomi Hosono
| cover = Haruomi Hosono Tropical Dandy.jpg
| alt =
| released = {{Start date|1975|6|25}}
| recorded = Crown Studio
Akasaka, Minato, Tokyo
| venue =
| studio =
| genre = Jazz fusion, exotica
| length = 34:22
| label = PANAM, CROWN
| producer = Haruomi Hosono
| chronology = Haruomi Hosono
| prev_title = Hosono House
| prev_year = 1973
| next_title = Bon Voyage co.
| next_year = 1976
| misc = {{Singles
| name = Tropical Dandy
| type = Studio
| single1 = "Silk Road"/"Honey Moon"
| single1date = 1975
}}
}}Tropical Dandy is Haruomi Hosono's second solo album. This album continues the tropical style of Hosono House (which would continue later on with Bon Voyage co. and Paraiso) and also features performances from "Caramel Mama" (who had, by this point, changed their name to "Tin Pan Alley"). This album was re-issued as part of a box set with bonus tracks taken from Tin Pan Alley albums by Crown decades later.[1][2][3]{{Album ratings
| title =
| subtitle =
| rev1 = The Wire
| rev1Score = favorable[4]
| rev2 =
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| noprose = yes
}}

Track listing

{{Tracklist
|all_writing=Haruomi Hosono, except "Chattanooga Choo Choo", with music by Harry Warren, lyrics by Mack Gordon and lyrics translated by Hosono; "Hyōryūki", "Sanji no Komori Uta" & "“Yoimachigusa”'s Theme", written by Hosono with horns & strings arranged by Makoto Yano; "Choo Choo Gatagoto'75", written by Hosono, arranged by Tin Pan Alley with chorus arranged by Tatsuro Yamashita and "Yellow Magic Carnival", written by Hosono, arranged by Tin Pan Alley with strings arranged by Masataka Matsutoya
|title1=Chattanooga Choo Choo
|length1=2:49
|title2=Hurricane Dorothy
|length2=5:46
|title3=Silk Road
|note3={{Nihongo2|絹街道}} Kinukaidō
|length3=3:32
|title4=Tropical Night
|note4={{Nihongo2|熱帯夜}} Nettaiya
|length4=4:55
|title5=Peking Duck
|note5={{Nihongo2|北京DUCK}} Pekin Duck
|length5=2:36
|title6=Drifting Chronicle
|note6={{Nihongo2|漂流記}} Hyōryūki
|length6=3:08
|title7=Honey Moon
|length7=2:37
|title8=Three o'Clock Lullaby
|note8={{Nihongo2|三時の子守唄}} Sanji no Komori Uta
|length8=2:31
|title9=Three o'Clock Lullaby
|note9={{Nihongo2|三時の子守唄}} Sanji no Komori Uta) (instrumental
|length9=2:26
|title10=Drifting Chronicle
|note10={{Nihongo2|漂流記}} Hyōryūki) (instrumental
|length10=4:02
}}{{Tracklist
|collapsed=yes
|headline=Harry Hosono Crown Years 1974-1977 box set bonus tracks
|extra_column=Originally from
|title11=Choo Choo Gatagoto'75
|note11={{Nihongo2|CHOO CHOO ガタゴト'75}}
|extra11=Caramel Mama, 1975
|length11=3:17
|title12=Yellow Magic Carnival
|extra12=Caramel Mama, 1975
|length12=3:34
|title13=Rose and Beast
|note13={{Nihongo2|薔薇と野獣}} Bara to Yajū
|extra13=Tin Pan Alley 2, 1977
|length13=4:13
|title14=Ballad of Aya
|note14={{Nihongo2|アヤのバラード}} Aya no Barādo
|extra14=Caramel Mama, 1975
|length14=1:37
|title15=Theme of “Evening Primrose” Part 1〜Drifting Chronicle
|note15={{Nihongo2|“宵待草”のテーマ Part 1〜漂流記}} “Yoimachigusa” no Tēma Part 1〜Hyōryūki
|extra15=Yoimachigusa (soundtrack), 1975
|length15=4:09
|title16=Theme of “Evening Primrose” Part 2〜Drifting Chronicle
|note16={{Nihongo2|“宵待草”のテーマ Part 2〜漂流記}} “Yoimachigusa” no Tēma Part 2〜Hyōryūki
|extra16=Yoimachigusa (soundtrack), 1975
|length16=1:36
}}

Album cover

The album's cover is a parody of the sailor-themed packaging of Player's Navy Cut cigarettes, similar to the 1969 Procol Harum album, A Salty Dog. The quotation marks around Hosono's surname is in reference to the "medium" version of the cigarette. The cover also portrays a ship resembling the RMS Titanic, which Hosono's grandfather Masabumi infamously escaped the sinking of on her maiden voyage.

Personnel

  • Haruomi Hosono - Bass, Vocals, Mellotron, Marimba, Guitar (Acoustic & Electric), Clavinet, Cowbell, Whistle, Backing Vocals/Choir, Production, Liner notes
  • Masataka Matsutoya - Piano, Hammond organ, String Arrangements
  • Shigeru Suzuki - Electric Guitar, Backing Vocals/Choir
  • Tatsuo Hayashi - Drums, Percussion
  • Hiroki Komazawa - Pedal steel guitar
  • Hiroshi Satō - Piano, Clavinet
  • Ginji Itō - Electric Guitar
  • Motoya Hamaguchi - Percussion
  • Makoto Yano - Strings, Horn (Wind and Brass) & String Arrangements
  • Minako Yoshida - Duet Vocals, Backing Vocals/Choir
  • Makoto Kubota - Backing Vocals/Choir, Scat Vocals
  • Teruyuki Fukushima - Trumpet
  • Masayuki Kuniyoshi - Flute
  • Yōji Yamashita - Ukulele
  • Clare Francis - Voice
  • Kayo Ito, Taeko Ōnuki & Kōsetsu Minami - Backing Vocals/Choir
  • Kazuhiro Ichihashi - Backing Vocals/Choir, Assistant Engineering
  • Shincihi Furuzaki - Re-mixing
  • Yasuo Yagi - Cover and Back Tropical Artwork, Concept Art
  • Michiko Oshima - Liner Artwork
  • Takumi Uchida - Photography

References

1. ^{{cite web|last=Powell|first=Mike|title=Found Sound 2007|url=http://pitchfork.com/features/staff-lists/6768-found-sound-2007/|work=Pitchfork|accessdate=10 March 2014|date=1 January 2008|quote=Hosono deserves distinction for prefiguring stuff like Pizzicato Five and Momus and Stereo Total}}
2. ^{{cite news|last=Bell|first=Clive|title=Sayonara Cruel World|url=http://www.exacteditions.com/browse/435/493/35769/3/34/0/tropical%20dandy|accessdate=10 March 2014|newspaper=The Wire {{Subscription required}}|date=August 1997|pages=33–34|quote=It combines Martin Denny's already outdated 'Exotica' and fake orientalism with Dr John-style New Orleans piano.}}
3. ^{{cite book|last=Hosokawa|first=Shuhei|title=Widening the Horizon: Exoticism in Post-war Popular Music|date=1999|publisher=Indiana University Press|isbn=9781864620474|page=124|url=https://books.google.com/books?id=b_wT02I1SFYC&q=tropical+dandy#v=snippet&q=tropical%20dandy&f=false|editor=Philip Hayward|accessdate=11 March 2014|chapter=Haruomi Hosono and Japanese Self-Orientalism|quote=reminiscence of a childhood both overwhelmed and enlivened by Americanism}}
4. ^{{cite news|last=Baxter|first=Ed|title=Haruomi Hosono: Tropical Dandy|url=http://www.exacteditions.com/browse/435/493/35775/3/53/0/tropical%20dandy|accessdate=10 March 2014|newspaper=The Wire {{Subscription required}}|date=September 1995|pages=53–54|quote=Infectious, veering towards kitsch, it mixes louche cabaret music, rock and traditional instruments with (for its time) state of the art synths, judiciously employed choruses and string sections, and ersatz environmental sound...}}
{{Haruomi Hosono}}{{DEFAULTSORT:Tropical Dandy}}

2 : 1975 albums|Haruomi Hosono albums

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