| 词条 | Ukrainian Dorian scale |
| 释义 |
In music, the Romanian Minor scale or Ukrainian Dorian scale or altered Dorian scale[1] is a musical scale or mode, "similar to the dorian mode, but with a tritone and variable sixth and seventh degrees".[2] It is related to both the Freygish and Misheberak scales and is used in Jewish music, "predominant in klezmer bulgarish and doina (doyne)."[1] "When the Ukrainian Dorian scale functions in the synagogue, it is a mode known as the Mi sheberach (May He Who Blessed) or Av horachamim (Compassionate Father). Arab and Greek scholars give other names to the scale: Hijaz and Aulos, respectively."[2] "The pitches of the Mi Shebeyrekh [cantorial] mode correspond roughly to a Dorian mode with a raised fourth (for example, B, C{{music|sharp}}, D, E{{music|sharp}}, F{{music|sharp}}, G{{music|sharp}}, A); alternately, it could be described as a variant of the Lydian mode, deriving instead from the harmonic minor scale, rather than from the major scale. Beregovski calls this pitch collection 'Ukrainian Dorian'."[3] The Ukrainian Dorian scale is used particularly extensively within Julian Cochran's music including the Romanian Dances and Mazurkas.[4] It has also been used by George Gershwin.[5] Another example is the Bert Kaempfert tune "Sweet Maria".[6] Also called the Ukrainian minor scale, it is a combined typed of musical scale.{{citation needed|date=April 2010}} It figures prominently in Eastern European music, particularly Klezmer music, and melodies based on this scale have an exotic, romantic flavor for listeners accustomed to more typical Western scales. A Ukrainian minor scale in the key of C would proceed as follows: C D E{{music|flat}} F{{music|sharp}} G A B{{music|flat}}. A Ukrainian minor scale in the key of B would proceed as follows: B C{{music|sharp}} D E{{music|sharp}} F{{music|sharp}} G{{music|sharp}} A. Its step pattern is w - h - + - h - w - h - w, where w indicates a whole step, h indicates a half step, and + indicates an augmented second, which looks like a minor third on a keyboard but is notationally distinct. Chords that may be derived from the scale based on B are Bm, C#7, D, E#dim7, F#m, G#m7b5 and Aaug. This scale is obtainable from the harmonic minor scale by starting from the fourth of that scale. Said another way, the B Ukrainian minor scale is the fourth mode of the F# harmonic minor scale. Use in Jewish and Roman musicIn Jewish and Roman music[7] the altered Dorian scale may be called the Misheberak scale. It may also be called Av horachamin (Compassionate Father),[8] Mi Shebeyrekh, and Misheberach. See also
External links
Sources1. ^1 Idelsohn (1929). Jewish Music in Its Historical Development and Beregovski (Russian- and Yiddish-language articles) cited in Slobin, Mark (2002). American Klezmer, p.123,n.56. {{ISBN|978-0-520-22718-7}}. 2. ^Gottlieb, Jack (2004). Funny, it doesn't sound Jewish, p.221, n.65. {{ISBN|978-0-8444-1130-9}}. 3. ^Slobin (2002), p.23, n.6 and [17]. [sic]: On p.101 Slobin incorrectly describes raising the scale degree of the minor scale, though correctly lists G-A-B{{music|b}}-C{{music|#}}-D-E-F-G. 4. ^Melisa Burkitt (2011). Julian Cochran: Fünf Mazurken für Klavier, Calaméo. 5. ^1 Pollack, Howard (2006). George Gershwin: His Life and Work p.46. {{ISBN|978-0-520-24864-9}}. 6. ^Gottlieb (2004), p.135-36. 7. ^{{Cite book|url=https://www.worldcat.org/oclc/518214260|title=Play acoustic|date=2005|publisher=Backbeat|others=Hunter, Dave, 1962-|isbn=9780879308537|edition= 1st|location=San Francisco, CA|oclc=518214260}} 8. ^Gottlieb, Jack (2004). Funny, it doesn't sound Jewish, p.65. {{ISBN|978-0-8444-1130-9}}. Further reading
2 : Heptatonic scales|Musical scales |
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