| 词条 | Transatlanticism | ||
| 释义 |
| name = Transatlanticism | type = studio | artist = Death Cab for Cutie | cover = Transatlanticism.jpg | alt = | released = October 7, 2003 | recorded = | venue = | studio = | genre = Indie rock | length = 44:11 | label = Barsuk | producer = Chris Walla | prev_title = The Photo Album | prev_year = 2001 | next_title = Studio X Sessions EP | next_year = 2004 | misc = {{Singles | name = Transatlanticism | type = studio | single1 = The New Year | single1date = 2003 | single2 = The Sound of Settling | single2date = December 26, 2003 | single3 = Title and Registration | single3date = 2004 }} }} Transatlanticism is the fourth studio album by indie rock band Death Cab for Cutie, released on October 7, 2003, by Barsuk Records.[1] The band's second concept album, Transatlanticism features a theme set around long-distance love. Three singles and accompanying music videos were released for the album: "The New Year", "The Sound of Settling", and "Title and Registration". The first two singles, "The New Year" and "The Sound of Settling", reached number 86 and 84, respectively, on the UK Singles Chart. Transatlanticism received acclaim from critics when it was released and has since been considered the band's greatest album. The album charted at number 97 on the Billboard 200, and has been certified gold by the Recording Industry Association of America (RIAA), for shipments of 500,000 copies in the United States. In 2013, Barsuk Records released Transatlanticism Demos, a collection of demo versions of songs from Transatlanticism to celebrate the tenth anniversary of the album's release. Background{{Listen|pos = left |filename = Death_Cab_for_Cutie_-_Transatlanticism.ogg |title = Death Cab for Cutie "Transatlanticism" |description = Sample from the song "Transatlanticism" |format = Ogg}} Similar to all previous Death Cab for Cutie releases, Transtlanticism was mostly written by lead vocalist and guitarist Ben Gibbard, with many of the songs co-written with other members of the band, particularly guitarist and producer Chris Walla. Prior to the album's release, Gibbard stated: "...unlike The Photo Album, I feel like this record is definitely more like a proper album. We’ve tried to construct it with transitions of songs going in and out of each other, and I think it's a little bit more expansive than the last record."[1] The album is the first to feature drummer Jason McGerr, who joined the band earlier in 2003, and features writing credits on the songs "The New Year", and "We Looked Like Giants".[2] Release and reception{{Album ratings| MC = 85/100[4] | rev1 = AllMusic | rev1Score = {{Rating|4.5|5}}[5] | rev2 = Alternative Press | rev2Score = 4/5[6] | rev3 = Blender | rev3Score = {{Rating|3|5}}[3] | rev4 = Chicago Sun-Times | rev4Score = {{Rating|3.5|4}}[4] | rev5 = Mojo | rev5Score = {{Rating|3|5}}[5] | rev6 = Pitchfork | rev6Score = 6.4/10[10] | rev7 = Rolling Stone | rev7Score = {{Rating|3.5|5}}[6] | rev8 = Slant Magazine | rev8Score = {{Rating|4|5}}[7] | rev9 = Spin | rev9Score = A−[13] | rev10 = Uncut | rev10Score = {{Rating|4|5}}[14] }} When Transatlanticism was released in 2003, it charted at number 97 on the Billboard 200. It reached sales of 135,000 copies in May 2004,[8] and by 2007, the record had sold 530,000 copies, which music journalist Greg Kot judged was "a massive hit by indie-rock standards".[9] On April 29, 2008, it was certified gold by the Recording Industry Association of America (RIAA).[10] The licensing of the album's songs as music on the mid-2000s television drama The O.C. helped Death Cab for Cutie garner greater popularity;[11] "A Lack of Color" was used on the show, and the band appeared as itself in an episode of the second season, performing "Title and Registration" and "The Sound of Settling" in the show's fictional music venue.[12] Transatlanticism was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 85, based on 21 reviews.[13] Uncut magazine hailed it as "a record of rare beauty and poise",[14] and Alternative Press deemed it "Death Cab's slowest and most mature recording" with "hidden bits of magic [that] reveal themselves brilliantly."[15] Andy Greenwald from Spin found the imagery of the lyrics strikingly vivid while praising Gibbard and Walla's musical direction.[16] Rob Theakston of AllMusic wrote that Transatlanticism is "such a decadently good listen from start to finish" because of the band's maturity as songwriters and musicians.[17] In The A.V. Club, Stephen Thompson said the record "surpasses Gibbard's other career highpoints", calling it "a lush, impeccably produced, musically adventurous, emotionally resonant examination of the way relationships are both strengthened and damaged by distance".[18] PopMatters critic Christine Klunk said it was a "nearly perfect pop record" whose straightforward melodies and honest narratives extolled the human condition.[19] William Morris from Pitchfork was more critical, lamenting what he felt were Gibbard's more generalized lyrics and less edge to the band's "usually acute divinations".[20] Stylus Magazine{{'}}s Colin McElligatt said despite his strong melodies, he had regressed as a lyricist and sounded more "asinine" than before.[21] In The Village Voice, Robert Christgau cited "We Looked Like Giants" as a "choice cut",[22] indicating "a good song on an album that isn't worth your time or money".[23]In 2011, Transatlanticism was named by NPR Music as one of the fifty most important recordings of the 2000s decade,[24] while Rolling Stone ranked it 57th on the magazine's decade-end list.[25] In 2013, Death Cab for Cutie re-released the album, marking its 10th year anniversary with a remaster available as vinyl or MP3 download, including demos for all the songs from the album.[26] In a retrospective piece that year, Entertainment Weekly{{'}}s Kyle Anderson called Transatlanticism a "classic indie-rock album",[27] while Pitchfork editor Ian Cohen wrote, "few records open themselves up to forge those kind of moments, to be a formative emotional and listening experience, pushing you to feel what you’re thinking (to flip a line from 'Lightness'), daring to be universal enough to allow you to see yourself in it."[28] Track listingAll lyrics written by Ben Gibbard. {{Track listing| title1 = The New Year | music1 = Ben Gibbard, Nick Harmer, Jason McGerr, Chris Walla | length1 = 4:06 | title2 = Lightness | music2 = Gibbard | length2 = 3:30 | title3 = Title and Registration | music3 = Gibbard, Walla | length3 = 3:39 | title4 = Expo '86 | music4 = Gibbard, Walla | length4 = 4:11 | title5 = The Sound of Settling | music5 = Gibbard | length5 = 2:12 | title6 = Tiny Vessels | music6 = Gibbard, Harmer | length6 = 4:21 | title7 = Transatlanticism | music7 = Gibbard, Walla | length7 = 7:55 | title8 = Passenger Seat | music8 = Gibbard | length8 = 3:41 | title9 = Death of an Interior Decorator | music9 = Gibbard | length9 = 2:56 | title10 = We Looked Like Giants | music10 = Gibbard, Harmer, McGerr, Walla | length10 = 5:32 | title11 = A Lack of Color | music11 = Gibbard | length11 = 3:35 }}{{Track listing | collapsed = yes | headline = 2013 reissue bonus vinyl LP/MP3 download[26] | title1 = The New Year (Demo) | music1 = Ben Gibbard, Nick Harmer, Jason McGerr, Chris Walla | length1 = 3:17 | title2 = Lightness (Demo) | music2 = Gibbard | length2 = 4:24 | title3 = Title and Registration (Demo) | music3 = Gibbard, Walla | length3 = 3:42 | title4 = Expo '86 (Demo) | music4 = Gibbard, Walla | length4 = 5:00 | title5 = The Sound of Settling (Demo) | music5 = Gibbard | length5 = 2:36 | title6 = Tiny Vessels (Demo) | music6 = Gibbard, Harmer | length6 = 4:55 | title7 = Transatlanticism (Demo) | music7 = Gibbard, Walla | length7 = 6:13 | title8 = Passenger Seat (Demo) | music8 = Gibbard | length8 = 3:19 | title9 = Death of An Interior Decorator (Demo) | music9 = Gibbard | length9 = 3:11 | title10 = We Looked Like Giants (Demo) | music10 = Gibbard, Harmer, McGerr, Walla | length10 = 3:52 | title11 = A Lack of Color (Demo) | music11 = Gibbard | length11 = 3:24 }} PersonnelDeath Cab for Cutie
Charts
Certifications{{Certification Table Top}}{{Certification Table Entry|region=Canada|artist=Death Cab For Cutie|title=Transatlanticism|award=Gold|type=album|digital=true|relyear=2006|certyear=2019|accessdate=March 21, 2019}}{{Certification Table Entry|region=United States|artist=Death Cab For Cutie|title=Transatlanticism|award=Gold|type=album|digital=true|relyear=2006|certyear=2008|accessdate=March 17, 2019}}{{Certification Table Bottom|nosales=true}}References1. ^{{cite web|last=Cooper|first=Merek|date=June 2003|url=http://www.discorder.ca/oldsite/features/03junedeathcab.html|title=Death Cab For Cutie|work=Discorder|accessdate=July 7, 2011|archiveurl=https://web.archive.org/web/20061027205148/http://www.discorder.ca/oldsite/features/03junedeathcab.html|archivedate=October 27, 2006}} 2. ^{{cite web|date=October 24, 2005|url=https://www.npr.org/2005/10/24/4963560/art-pop-from-seattles-death-cab-for-cutie|title=Art Pop from Seattle's Death Cab for Cutie|publisher=NPR|accessdate=July 9, 2013}} 3. ^{{cite journal|last=Johnston|first=Maura|authorlink=Maura Johnston|date=October 2003|url=http://blender.com/guide/reviews.aspx?id=1435|title=Death Cab for Cutie: Transatlanticism|journal=Blender|page=116|issue=20|accessdate=May 26, 2016|archiveurl=https://web.archive.org/web/20051122230618/http://blender.com/guide/reviews.aspx?id=1435|archivedate=November 22, 2005}} 4. ^{{cite news|last=DeRogatis|first=Jim|authorlink=Jim DeRogatis|date=October 5, 2003|url=https://www.highbeam.com/doc/1P2-1504869.html|archive-url=https://web.archive.org/web/20121103034444/http://www.highbeam.com/doc/1P2-1504869.html|dead-url=yes|archive-date=November 3, 2012|title=Death Cab For Cutie, 'Trans-Atlanticism' (Barsuk)|newspaper=Chicago Sun-Times|accessdate=December 15, 2016|subscription=yes}} 5. ^{{cite journal|title=Death Cab for Cutie: Transatlanticism|journal=Mojo|page=122|issue=121|date=December 2003}} 6. ^{{cite journal|last=Tsang|first=Teri|date=November 10, 2003|url=https://www.rollingstone.com/music/albumreviews/transatlanticism-20031110|title=Transatlanticism|journal=Rolling Stone|accessdate=June 5, 2013}} 7. ^{{cite web|last=Cinquemani|first=Sal|date=November 13, 2003|url=http://www.slantmagazine.com/music/review/death-cab-for-cutie-transatlanticism|title=Death Cab For Cutie: Transatlanticism|work=Slant Magazine|accessdate=June 5, 2013}} 8. ^{{cite news|last=Stout|first=Gene|date=May 7, 2004|url=http://www.seattlepi.com/ae/music/article/All-hail-Death-Cab-with-good-reason-1144266.php|title=All hail Death Cab, with good reason|newspaper=Seattle Post-Intelligencer|accessdate=July 9, 2013}} 9. ^{{cite book|last=Kot|first=Greg|authorlink=Greg Kot|chapter=Do Not Insult Death Cab|chapter-url=https://books.google.com/books?id=MqafHkC81h0C&pg=PT78|title=Ripped: How the Wired Generation Revolutionized Music|year=2010|publisher=Simon & Schuster|isbn=1416547312|accessdate=May 22, 2016}} 10. ^1 {{cite web|url=https://www.riaa.com/goldandplatinumdata.php?artist=%22Transatlanticism%22|title=Gold & Platinum Searchable Database: Transatlanticism|publisher=Recording Industry Association of America (RIAA)|accessdate=July 9, 2013}} 11. ^{{cite book|ref=harv|last=Larkin|first=Colin|authorlink=Colin Larkin (writer)|year=2011|chapter=Death Cab for Cutie|title=Encyclopedia of Popular Music|publisher=Omnibus Press|isbn=0857125958|edition=5th}} 12. ^{{cite web|last=Stern|first=Marlow|date=August 5, 2013|url=https://www.thedailybeast.com/bands-made-popular-by-the-oc-the-killers-death-cab-for-cutie-rooney-more|title=Bands Made Popular By 'The O.C.': The Killers, Death Cab for Cutie, Rooney, More|website=The Daily Beast|accessdate=October 5, 2018}} 13. ^1 {{cite web|url=http://www.metacritic.com/music/transatlanticism/death-cab-for-cutie|title=Reviews for Transatlanticism by Death Cab for Cutie|publisher=Metacritic|accessdate=July 9, 2013}} 14. ^1 {{cite journal|url=http://www.uncut.co.uk/death-cab-for-cutie/death-cab-for-cutie-transatlanticism-review|title=Death Cab For Cutie – Transatlanticism|journal=Uncut|page=107|issue=78|date=November 2003|accessdate=July 9, 2013}} 15. ^1 {{cite journal|title=Death Cab for Cutie: Transatlanticism|journal=Alternative Press|page=98|issue=184|date=November 2003}} 16. ^1 {{cite journal|last=Greenwald|first=Andy|url=https://books.google.com/books?id=JZ4ej5RmWFUC&pg=PA112|title=Death Cab for Cutie, 'Transatlanticism' (Barsuk)|journal=Spin|page=112|volume=19|issue=11|date=November 2003|accessdate=June 5, 2013}} 17. ^1 {{cite web|last=Theakston|first=Rob|url=http://www.allmusic.com/album/transatlanticism-mw0000319183|title=Transatlanticism – Death Cab for Cutie|publisher=AllMusic|accessdate=June 5, 2013}} 18. ^{{cite news|last=Thompson|first=Stephen|authorlink=Stephen Thompson (producer)|date=October 6, 2003|url=http://www.avclub.com/articles/death-cab-for-cutie-transatlanticism,11768/|title=Death Cab For Cutie: Transatlanticism|newspaper=The A.V. Club|location=Chicago|accessdate=June 5, 2013}} 19. ^{{cite web|last=Klunk|first=Christine|date=October 14, 2003|url=http://www.popmatters.com/pm/review/deathcabforcutie-transatlanticism/|title=Death Cab for Cutie: Transatlanticism|work=PopMatters|accessdate=July 9, 2013}} 20. ^1 {{cite web|last=Morris|first=William|date=October 7, 2003|url=http://pitchfork.com/reviews/albums/2232-transatlanticism/|title=Death Cab for Cutie: Transatlanticism|work=Pitchfork|accessdate=July 7, 2011}} 21. ^{{cite web|last=McElligatt|first=Colin|date=October 9, 2003|url=http://stylusmagazine.com/reviews/death-cab-for-cutie/transatlanticism.htm|title=Death Cab for Cutie – Transatlanticism – Review|work=Stylus Magazine|accessdate=July 9, 2013}} 22. ^{{cite news|last=Christgau|first=Robert|authorlink=Robert Christgau|date=January 13, 2004|url=http://www.robertchristgau.com/xg/cg/cgv104-04.php|title=Consumer Guide: MLK Fever|newspaper=The Village Voice|location=New York|accessdate=June 5, 2013}} 23. ^{{cite web|last=Christgau|first=Robert|url=http://www.robertchristgau.com/xg/bk-cg90/grades-90s.php|title=CG 90s: Key to Icons|publisher=Robert Christgau|year=2000|accessdate=June 5, 2013}} 24. ^{{cite web|last=Boilen|first=Bob|date=November 16, 2009|url=https://www.npr.org/blogs/allsongs/2009/11/the_decades_50_most_important.html|title=The Decade's 50 Most Important Recordings|publisher=NPR|accessdate=July 7, 2011}} 25. ^{{cite journal|date=July 18, 2011|url=https://www.rollingstone.com/music/lists/100-best-albums-of-the-2000s-20110718/death-cab-for-cutie-transatlanticism-20110714|title=100 Best Albums of the 2000s|journal=Rolling Stone|accessdate=May 26, 2016}} 26. ^1 {{cite web|last=Thompson|first=Stephen|date=October 20, 2013|url=https://www.npr.org/2013/10/20/236397034/first-listen-death-cab-for-cutie-transatlanticism-tenth-anniversary-edition|title=First Listen: Death Cab For Cutie, 'Transatlanticism (10th Anniversary Edition)'|publisher=NPR|accessdate=October 20, 2013}} 27. ^{{cite journal|last=Anderson|first=Kyle|date=October 7, 2013|url=http://www.ew.com/article/2013/10/07/death-cab-for-cutie-transatlanticism-10-year-anniversary|title=Death Cab For Cutie's 'Transatlanticism' turns 10 -- looking back at a classic indie-rock album|journal=Entertainment Weekly|accessdate=May 22, 2016}} 28. ^{{cite web|last=Cohen|first=Ian|date=November 6, 2013|url=http://pitchfork.com/reviews/albums/18656-death-cab-for-cutie-transatlanticism/|title=Death Cab for Cutie: Transatlanticism|work=Pitchfork|accessdate=May 21, 2016}} External links
3 : 2003 albums|Barsuk Records albums|Death Cab for Cutie albums |
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