| 词条 | Valerio Rocco Orlando |
| 释义 |
| bgcolour = #6495ED | name = Valerio Rocco Orlando | image = Valerio Rocco Orlando, Promenades, 2012. Performance, MACRO, Rome.jpg | caption = Valerio Rocco Orlando, Promenades, 2012. Performance, MACRO, Rome. | birth_date = 1978 | birth_place = Milan, Italy | nationality = Italian | field = Multimedia art }} Valerio Rocco Orlando ({{IPA-it|vaˈlɛːrjo ˈrɔkko orˈlando}}) (born in 1978 in Milan, Italy) is an Italian artist and filmmaker. He studied dramaturgy at Università Cattolica del Sacro Cuore in Milan and film at Queen Mary University in London. His collaborations include working with French philosopher Jean-Luc Nancy, English composer Michael Nyman,[1] artists Gilbert & George, Ugo Rondinone and Liam Gillick, Italian jazz singer Amalia Grè, supermodel Eva Riccobono, actors Saleh Bakri, Alba Rohrwacher, and psychoanalyst Luigi Zoja. Valerio Rocco Orlando has exhibited widely and represented Italy at the 11th Havana Biennial[2] (2012). Recent solo institutional exhibitions include: The Reverse Grand Tour, Galleria Nazionale d'Arte Moderna e Contemporanea, Rome[3] (2013); The Sphere of the Between, Korea Foundation, Seoul[4] (2015); What Education for Mars?, Museo Marino Marini, Florence[5] (2015); Portami al Confine, MUSMA, Matera (2016); Valerio Rocco Orlando, Santiago Museum of Contemporary Art, Santiago (2017). Orlando's works have been featured in Artforum, ArtReview, Contemporary (magazine), Corriere della Sera, Domus (magazine), Flash Art, Frieze (magazine), Il manifesto, La Repubblica, L'Uomo Vogue, Modern Painters (magazine), The Korea Herald, Vogue Italia and W magazine. Artistic practiceSince 2002 Valerio Rocco Orlando has worked on a number of community-based projects, creating different cycles of installations focused on the relationship between individual and collective identity.[6] His first project (The Sentimental Glance, 2002-2007) is a seven-channel video installation built like a stratified Bildungsroman populated by the portraits of six young women on the threshold between childhood and adulthood, passion and loneliness, melancholy, maternity and androgyny. As art critic Caroline Corbetta has said, "Emotions and beauty are the weapons of Valerio Rocco Orlando’s utopia. The erudite aesthetic component of his works is not a sterile exercise in style but a necessary instrument (revolutionary?) of communication and participation. In his case, beauty is the name of a particular interaction between two beings, a ‘Self’ and an ‘Other’... Beauty and emotion imply an idea of movement: interior but also towards the 'Other'. Though he rapidly shifted from cinematography to art, in reality Valerio Rocco Orlando has continued to “do” cinema in the etymological sense of the term: indeed, kinema means movement. Entering the space sketched out by one of his video installations implies not only the movement of vision, but also of bodies and emotivity".[7] Dealing with themes such as the relationship between artists and society (The Reverse Grand Tour, 2012), the feelings of newer generations towards folklore (Bisiàc, 2007), the exchanges between a couple (Lover’s Discourse, 2010)[8] and within a school as an institution (What Education for Mars?, 2011-2013),[9] Orlando carries out a personal exploration of portraiture, using the activities of meeting and dialogue as tools. By defining art as a process of analysis and mutual knowledge, Valerio Rocco Orlando explores and tells everyday life stories, taken from personal and social context, recomposing them as the pieces of a mosaic within an image of the whole.[10] "In order to investigate a universal theme, Valerio Rocco Orlando thinks, builds, and weaves relationships with the other, in such a direct and essential way that the artist’s main medium become the encounter itself. Einfülhung, what German philosophers refer to as empathy, is both a prerequisite and a direct consequence of the methodology of Orlando. Conceiving the production as a long-term process based on trust and intimacy, the audience gets to feel the other, participating in his points of view and feelings, by mirroring and questioning their own experience. Only through this new exchange with the viewer the research is completed and the artwork can respond to its function of radical education".[11] Valerio Rocco Orlando's current project (Dialogue with the Unseen, 2016) is a spiritual pilgrimage and a political journey to the Holy Land.[12] Starting from a collaboration with Palestinian actor Saleh Bakri, this new film is a collection of encounters between individuals who are questioning their own relationships with God, Nature and Society.[13] Academics and conferencesValerio Rocco Orlando gave lectures and workshops in some of the most renowned faculties and institutions worldwide, among others: Accademia di Belle Arti di Roma, Rome; Accademia Carrara di Belle Arti di Bergamo, Bergamo; Accademia di Belle Arti, L'Aquila; Bezalel Academy of Arts and Design, Jerusalem; Bocconi University, Milan; Brera Academy, Milan; Dongduk Women's University, Seoul; Ewha Womans University, Seoul; Instituto Superior de Arte, Havana; International Studio & Curatorial Program (ISCP), New York City; Istituto Europeo di Design, Milan; IULM University of Milan, Milan; Kookmin University, Seoul; Korea Foundation, Seoul; MAXXI – National Museum of the 21st Century Arts, Rome; Musei Capitolini, Rome; Palazzo Strozzi, Florence; Parsons The New School for Design, New York City; Politecnico di Milano, Milan; The Valley School, Bangalore; Università Cattolica del Sacro Cuore, Milan. AwardsIn 2009 Valerio Rocco Orlando won the ISCP New York Prize[14] promoted by Parc/Seat/Gai. In 2011 he was awarded a Civitella Ranieri Foundation Visual Arts Fellowship[15] and in 2014 he received an International Artist Fellowship at the MMCA National Museum of Modern and Contemporary Art Korea.[16] In 2016 the artist won the VII VAF Foundation Art Prize and his work was acquired for the permanent collection of the Museum of Modern and Contemporary Art of Trento and Rovereto. Public collections
Bibliography
References1. ^Noè, Paola, 2008. http://www.artforum.com/picks/id=21493&view=print Artforum. 2. ^Gat, Orit, 2012. http://www.valerioroccoorlando.com/BIO_files/ModernPainters.pdf Modern Painters. 3. ^Paissan, Costanza, 2013. http://www.curamagazine.com/?p=8471 Cura. 4. ^Kim, Yeon, 2015. http://www.sciencetimes.co.kr/?p=133193&post_type=news&news-tag=발레리오-로코-오를란도 The Science Times. 5. ^Meneghel, Barbara, 2015. http://atpdiary.com/what-education-for-mars-valerio-rocco-orlando ATPdiary. 6. ^Tolve, Antonello, 2013. http://www.alfabeta2.it/2013/03/12/quale-educazione-per-marte Alfabeta. 7. ^Corbetta, Caroline, 2011. http://www.moussepublishing.com/working/products-page/product/valerio-rocco-orlando-endless Mousse. 8. ^Viola, Eugenio, 2010. http://www.valerioroccoorlando.com/BIO_files/FlashArt.pdf Flash Art. 9. ^Sartori, Chiara, 2011. http://www.arteecritica.it/archivio_AeC/67/articolo01.html ArteeCritica. 10. ^Voso, Daniela, 2013. http://doppiozero.com/materiali/ars/reverse-grand-tour Doppiozero. 11. ^Florian, Federico, 2015. http://www.klatmagazine.com/art/valerio-rocco-orlando-ritratti-in-movimento-interviews/15795 Klat. 12. ^Macrì, Teresa, 2014. http://ilmanifesto.info/un-pellegrinaggio-minato/ Il Manifesto. 13. ^Watson, Mike, 2014. http://artreview.com/opinion/november_2014_opinion_mike_watson ArtReview. 14. ^Bilbeisi, Yasmin, 2010. http://glassmag.users20.interdns.co.uk/forum/article.asp?tid=1393#title Glass Magazine. 15. ^Sorrentino, Luigia, 2011. http://poesia.blog.rainews.it/2011/07/22/valerio-rocco-orlando-intervista Rainews. 16. ^Marsala, Helga, 2014. http://www.artribune.com/2014/12/italiani-in-trasferta-seoul-valerio-rocco-orlando Artribune. External links
4 : 1978 births|Italian contemporary artists|Living people|People from Milan |
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