| 词条 | Vega Ancestral House | |||||||||
| 释义 |
| image = Vega Ancestral House.JPG | image_size = 250px | caption = Vega Ancestral House | location = Poblacion, Balingasag, Misamis Oriental, Northern Mindanao (Region X), Philippines | coordinates = {{coord|8.7433|124.7769|type:landmark|display=inline,title}} | completion_date = 1800s | architect = | website = Vega Ancestral House | map_type = Philippines | building_type = Heritage House | architectural_style = 1st Transition Bahay na Bato | building_name = Vega Ancestral House | leadership = | architecture_type = | groundbreaking = | specifications = | capacity = | length = | width = | material = "Molave", "Balayong" and "Tugas" (Visayan) | nrhp = | added = | refnum = | designated = }} The Vega Ancestral House is one of the 1st Transition Bahay na Bato inspired houses that has been standing through times and witnessed the different colonial periods of the Philippines in its 200 (estimated) years of existence. Sculpted wooden atlases are perhaps the most interesting feature of this house located in Poblacion, Balingasag, Misamis Oriental. Sculpted wooden atlases or, also known as, "Oti-ot" in Visayan language, provides support to the second floor protrusion of the house. This house is one important built structure in the locality that tourists usually come to visit.[1] In fact, notable personalities like Emilio Aguinaldo and Sergio Osmeña had visited this house. HistoryIn the 1800s, a young merchant from San Nicolas in Cebu by the name of Ignacio Juan Vega settled in Northern Mindanao at a small town, then named Galas, today Balingasag (Vega 1999, 11). It was through Vega that the Cebuano devotion to the Sto. Nino was introduced to the townsfolk of Balingasag. Aside from this cultural practice he imparted, he also left behind a heritage house that is considered these days as one of the important landmarks that can be found in Misamis Oriental.[2] The house also witnessed the political endeavor of its owners. The first town executive came from the Vega Clan in the person of Faustino Vega. He was known that time as presidente local, under the short-lived First Philippine Republic (1898-1903). Melquiades Vega, the son of Faustino Vega, served as the first presidente local under the American Regime (1903-1928). Though there are no existing documents that would trace back a specific period of time when this house was constructed, several attempts by heritage advocates to document this house and as well as bloggers and the local townsfolk unanimously say that this house was built in the 1800s. House featuresIt is noteworthy to mention that the house is designed with sculpted wooden men structures that act as support to the protruding second floor of the house. Unlike what other feature writers would say, there are only three (3) wooden men structures that exist, hence, out of the 4 corners of the house there is one corner where no wooden men structure can be seen. In other words, each corner of the house is not represented by an atlas as what other travel bloggers would state in their blogs and articles. There are also misconceptions regarding the 3 sculpted wooden structures of men. Others say that this is a paradigm of slavery while others would say that this is inspired by the atlas icon that symbolizes the man carrying the world. The true account on this, according to Dr. Antonio J. Montalvan II and with reference to the genealogy of the Vega Clan, is that the 3 sculptures represents the three (3) sons of Ignacio Juan Vega, namely Santos (married to Valentina Roa, Juana Valmores), Pedro (married to Benita Salvacion), and Gregorio. The house uses "molave" tree and "balayong" as primary material in building the house. It can also be observed that the house has large beams or pillars that act as support to the overall stability of the house structure. Each pillar is placed alongside the corners, in between the corners and along the center of the house. Its walls are designed like woven abaca or also knows in visayan as "Uway" (English: rattan) that is colored in yellow. The house still uses the traditional "Banggera" (English:Sink) which is used as window shelf for kitchen wares and utensils and tub for washing at present. Another notable feature of the house is its uppermost portion which still uses the classical cogon for the roof. It further classifies the house under the 1st Transition of Bahay na bato aside from its emerging stone works at the bottom part of the house. Another feature of the house can also be observed in its support beams that are decorated with the chambered nautilus motif.[2] One can somehow conclude that the owner of the house used the best quality of materials during its construction as it is evidenced by the house itself which has been withstanding the tests of time through centuries. Consequently, this heritage structure became one of the primary attractions to tourists and outsiders who come to visit the rich historical center (Poblacion) of Balingasag. TourismThe coffee table books and glossy calendars (the latest one being the 2006 Shell calendar ["Homes of our Heritage"] help in the provision of a constant stream of onlookers and curio watchers which somehow improve the local tourism statistics of the municipality. According to Ms. Nanette Vega, the local tourism wishes to acquire the house through legal processes so as to maintain and preserve the house and open it as a tourism hotspot. Unwillingly, Ms. Nanette and the Vega clan decline the proposal for sentimental reasons. While they admit that they find it hard to maintain the house especially the cost incurred for the maintenance, they prefer to take care of the house than lose ownership over the local tourism authority. However, the house is still open for walk-in tourists, and those who wish to have a documentation of the house may do so by appointment basis. One highlight of this house that adds more to its fame is its association with the late Maria Clara Vega Jimenez - mother of the famous television personality Inday Badiday and Philippine Daily Inquirer editor-in-chief Letty Jimenez Magsanoc. However, it is wrong to refer to it as the "Jimenez House" because the Jimenez was just one branch of the Vega Clan. It is locally known by its correct name, "Vega House".[3] Common misconception also regarding this house is its connection with the late and famous bygone child star Julie Vega because of her "Vega" stage surname which is in reality is Julie Pearl Apostol Postigo.[4] This widespread rumor among those who are not familiar enough with the house is still erroneously passed up to these present times. Present TimesAs of the present days, the first floor of the house is being utilized as a restaurant/carinderia. The store opens as early as 6:00 in the morning and closes at 7:00 in the evening. Part of the income from the store is used for the maintenance of the house. Neighboring Heritage HousesSee also
References{{Commons category|Vega Ancestral House}}1. ^{{cite web|title=Heritage Structures in Misamis Oriental|url=http://heritage.elizaga.net/structures/misor.htm|accessdate=May 18, 2014}} 2. ^1 {{cite web|last=Montalvan II|first=Antonio|title=Karaang Balay: Shifting Meanings in the Heritage Houses of Northern Mindanao" by Dr. Antonio J. Montalvan II. MINDAyawan Journal of Culture and Society|publisher=Capitol University}} 3. ^{{cite web|title=Heritage Structures in Misamis Oriental by Dr. Antonio J. Montalvan II.Heritage Conservation Advocates, Cagayan de Oro, Philippines.Published on January 10, 2006.|url=http://heritage.elizaga.net/structures/misor.htm|accessdate=May 18, 2014}} 4. ^{{Cite web |url=http://www.titikpilipino.com/artist/index.php?artistid=247&msgid=903&offset=825 |title=Talking about "Julie Vega" |access-date=2007-06-18 |archive-url=https://web.archive.org/web/20070929090649/http://www.titikpilipino.com/artist/index.php?artistid=247&msgid=903&offset=825 |archive-date=2007-09-29 |dead-url=yes |df= }} External links
2 : Heritage Houses in the Philippines|Buildings and structures in Misamis Oriental |
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