| 词条 | Vincenzo Damini |
| 释义 |
Vincenzo Damini (before 1700 – c.1749) was an Italian artist, a pupil of Giovanni Antonio Pellegrini, who spent some time in England. LifeDamini was born in Venice towards the end of the 17th century.[1] He was a pupil of Giovanni Antonio Pellegrini, whom he accompanied to England in about 1720. His portrait of the London scenery painter John Devoto is known from a mezzotint after it, made by John Faber.[1] In the north transept of Lincoln Cathedral, he executed a wall painting of four bishops beneath Gothic canopies, replacing an older version of the same subject; his assistant while working on it was the English artist Giles Hussey.[2][3] Also in Lincoln, he painted a fresco of the Ascension in the chancel and apse of the church of St Peter-at-Arches. The church was demolished in the 1930s, but Damini's oil modello for the work survives.[4] Five decorative paintings inset into the plaster ceiling of a room designed by James Gibbs for a house in Henrietta Street, London, are attributed to Damini. The entire room, dating from around 1727-32 is preserved in the Victoria and Albert Museum.[5] He returned to Italy in 1730, accompanied by Giles Hussey, whom, according to Edward Edwards he abandoned in Bologna, making off with his belongings.[6] By 1737 he was in L'Aquila, in Abruzzo, where, in that year, he painted an altarpiece at the church of the monastery of San Giuliano.[7] There are three works by him in the collection of the Museo Nazionale d'Abruzzo: Il battesimo di Gesù (1740), San Tommaso d'Aquino incatena l'eresia (1739) and Carlo d'Angiò ai piedi della Vergine e San Tommaso d'Aquino (1741).[8] He died in L'Aquila in about 1749.[5] References1. ^{{cite web|publisher=National Portrait Gallery|url=http://www.npg.org.uk/collections/search/portrait/mw35791/John-Devoto|title=John Devoto by John Faber Jr, after Vincenzo Damini}} {{commons category}}{{Authority control}}{{DEFAULTSORT:Damini, Vincenzo}}2. ^{{cite book|last1=Sanderson|first1=Robert|title=Lincoln Cathedral; an exact copy of all the ancient monumental inscriptions|date=1851|publisher=Simkin & Marshall|location=London|page=52|url=https://books.google.co.uk/books?id=8QBeAAAAcAAJ&pg=PA52&dq}} 3. ^{{cite book|title=The Cathedral Church of Lincoln|first= A. F.|last= Kendrick|publisher=George Bell and Sons|location=London|year=1928|page=116}} 4. ^{{cite web|title=Vincenzo Damini (Venice late-17th Century-c. 1749 L'Aquila) The Ascension: a modello for the apse and cupola of St. Peter-at-Arches, Lincoln|publisher=Christies|url=http://www.christies.com/lotfinder/paintings/vincenzo-damini-the-ascension-a-modello-for-5193905-details.aspx|accessdate=5 November 2012}} Previously in the Parish Church of St Giles in Lincoln, the modello was sold at Christies in 2009 5. ^1 {{cite web|url=https://collections.vam.ac.uk/item/O11083/parlour-from-11-henrietta-street-room-gibbs-james/|title=Room-Parlour from 11 Henrietta Street|publisher=Victoria and Albert Museum}} 6. ^{{cite book |last1=Edwards |first1=Edward |authorlink1=Edward Edwards (painter) |title=Anecdotes of Painters who have Resided or been born in England|edition= |year=1808| chapter=Giles Hussey |publisher= |location=London |pages=150–1}} 7. ^{{cite web|url=http://www.archeoclublaquila.it/san-giuliano-la-storia.html|title=San Giuliano, la Storia|publisher=Archeoclub d’Italia - Sede L’Aquila|accessdate=}} 8. ^1 {{cite web|publisher=Museo Nazionale d'Abruzzo|title=Vincenzo Damini|url=http://www.museonazionaleabruzzo.beniculturali.it/index.php?it/74/autori/111/vincenzo-damini|accessdate=5 November 2012}} 7 : Year of birth unknown|Year of death unknown|18th-century Italian painters|Italian male painters|Venetian painters|Italian portrait painters|Year of birth uncertain |
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