| 词条 | Wallie Herzer |
| 释义 |
|name = Wallie Herzer |image = |imagesize = |caption = |birth_name = Walter Henry Herzer |birth_date = {{birth date|1885|04|15}} |birth_place = San Francisco |death_date = {{death date and age|1961|10|15|1885|4|15}} |death_place = Redwood City, California |education = |alma_mater = |years_active = 1908–1942 |other_names = |occupation = Ragtime composer, songwriter, pianist |website = |spouse = Sylvia (née Scalmanini; 1885–1955) }} Wallie Herzer (né Walter Henry Herzer; 15 April 1885 San Francisco – 15 October 1961 Redwood City, California)[1][2] was an American composer of popular music, music publisher, and pianist.[3] Herzer flourished in music prior to and during World War I. The Columbia recording of his 1912 composition, "Everybody Two-Step" — performed by ragtime pianist Mike Bernard on December 2, 1912, in New York City — is the first recording of ragtime music.[3] It became a hit and coincided at the start of a renewed craze for ragtime and dance — fifteen years after William Krell's "Mississippi Rag" had been published, the first known published music with "rag" in the title.[5] Several other recordings of "Everybody Two-Step" became hits. Herzer composed three other hits — a 1913 piano rag, "Tickle the Ivories" – which also became hit as a vocal arrangement; a 1914 foxtrot song, "Get Over, Sal"; and a 1916 Hawaiian waltz song, "Aloha Land". Other compositions — including his 1908 piano ragtime two-step and barn dance, "The Rah-Rah Boy", and his 1913 rag turkey trot, "Let's Dance" — were internationally distributed. CareerOf the 13 compositions by Herzer in the United States copyright records, there are 8 extant musical scores in national, academic, civic, and private libraries. The piano rolls and recordings of 4 of those works far exceed the number of compositions. As of 2014, at least 2 of Herzer's works are included in the repertoire of ragtime artists today. Herzer published his music while working for insurance agencies in San Francisco. Beginning 1901, when he was 16, until about 1904, Herzer was a clerk for insurance agents Gutte & Frank (Isidor Gutte; 1833–1908; Julius Gutte; 1828–1900; and William Frank; 1839–19??). From 1904 to 1920, Herzer was an insurance adjustor and broker for Christensen & Goodwin (Charles H. Christensen; 1839–1921; & Benjamin Frank Goodwin; 1859–1945) at 241 Sansome Street[6] — the same address as his publishing company. From 1920 to 1924, he was the manager of the city department (in San Francisco) for Bentley & Waterman (Leroy Vernon Bentley; 1883–1932; & Clyde Waterman; 1868–1950).[6] In 1924, Herzer became the manager of the city department (in San Francisco) for Glens Falls Insurance Company, headquartered in Glens Falls, New York.[8][9] Music critic Winthrop Sargeant, in 1975, stated that the best ragtime came from outside New York and he cited Herzer & Brown, Wallie's first publishing company, as being among publishers of some of the best, earliest, and most imaginative rags.[10][11] The title from Herzer's 1914 composition, "Get Over, Sal", was a turn-of-the-19th-century African-American expression for a slow-drag dance step that was incorporated in a variation of the fox trot.[12][13][14] The expression had been published in an earlier song, "Music Hall Song", copyrighted 1879 — popularized by Jenny Hill, the 'Vital Spark': You may get over water-butts, You may get over fountains, But I'll take particular notice That you don't get over Sal.[15] A song rendition of "Everybody Two-Step", published in 1913, became a popular hit in vaudeville.[16] The solo piano and song versions of "Everybody Two-Step", his 1913 composition,[17] "Tickle The Ivories", and his 1916 composition, "Aloha Land", were hits.[18] Selected compositions{{ref begin|50em}}
Jerome H. Remick & Co. (Remick), publisher (1908 & 1911); {{OCLC|81894686|843076603}} Music Herzer, arranged by Eugene Brown Cover: caricature of a male college student smoking a pipe with bulldog; illustrated by L.S. Morgan (né Leland Stanford Morgan; 1886–1981)[19][20] (view) © November 18, 1908, Class C 194109, Herzer & Brown, San Francisco © Transferred to Jerome H. Remick & Co. ("Remick"), Detroit & New York, 1911 "Rah-rah boy", in that era, was a reference to a college male. The class of '09 is illustrated on his pipe and sweater. One of the colors, blue, the bulldog, and the scull and bones insignia — taken as a composite — fits a profile of a Yale student.
Herzer, publisher (1909); {{OCLC|60555517}} © August 2, 1909, 2nd copy August 7, 1909, Class E 213111, Wallie Herzer[22]
Remick, New York, Detroit, publisher (1911); {{OCLC|793326485|9968568}} Cover: caricature of a jolly minstrel or busker banjoist with one or two missing teeth, seated in morning dress: single-breasted black frock coat with notched red-trimmed lapels, red, white, and black-striped top collar, red-trimmed sleeves, lined with single white French-cuffs; white vest; black-and-white checkered bow-tie with matching black-and-white checkered trousers trimmed with white gaiters; gemstone centered on upper shirt- or vest-front below the bow tie; black cap-toe dress shoes with white-stitched welts, topped with red, white, and black striped spats that match the top collar; black top hat with red patterned hat band on ground, brim up, casting a shadow; red background, black lettering, white base — illustrated by L.S. Morgan, 1910 (view) (2nd view) Remick, New York, Detroit, publisher Cover: full-page, center, ornamental stemmed cocktail glass (pseudo early-art deco), illustration by Starmer?? (#5 view) Remick, publisher (1911); {{OCLC|10722614}} For dance orchestra Arranged by Ribe Danmark, pseudonym of J. Bodewalt Lampe, staff arranger for Remick[23] Remick, publisher (1912); {{OCLC|9677063}} Cover: portrait of Miss Nellie Beaumont is by Starmer; "As sung by Miss Nellie Beaumont in A Lucky Hoodoo", a musical review directed by Billy B. Van that toured nationwide between 1911 and 1912 (view) © June 30, 1910; 2 c. July 7, 1910, Class E (musical composition) 235359, Wallie Herzer, San Francisco[24] © June 10, 1910, Class E (musical composition) 235359; notice received January 4, 2011, recorded Vol. 1, pg. 85, Wallie Herzer, San Francisco[25] © Renewal 61361, January 10, 1938, Wallie Herzer, San Francisco[26]
Remick, publisher (1913) Solo piano version Cover: man playing piano, illustrated by Starmer (view) Remick, publisher (1912); {{OCLC|368072760|498722519}} Song version Music by Herzer, words by Earle C. Jones (1878–1913) Remick, publisher (1913); {{OCLC|34883547}} Music by Wallie Herzer; arranged by James C. McCabe (who sometimes used the pseudonym, Emmet Balfmoor); staff arranger for Remick[23] © January 25, 1913; 2nd copy January 27, 1913; Class E (musical composition) 304389, Remick, New York[28] © July 22, 1913; 2nd copy July 26, 1913, Class E (musical composition) 315301, Remick, New York[29] © Renewal 89003 July 26, 1940, Wallie Herzer, San Francisco & Sally Starr, Detroit[30]
Remick, publisher (1913); {{OCLC|47639727}} Cover: 5 couples dancing, yellow, blue, and black colors, illustrated by Starmer[31] (view) © December 29, 1913; 2nd copy January 2, 1914; Class E (musical composition) 328852, Remick, New York[32]
Remick, publisher (1914); {{OCLC|781321475}} Cover: black, orange and white colors – eleven couples dancing with a waiter carrying cocktails, illustrated by L.S. Morgan Charles N. Daniels, San Francisco, publisher (1914); {{OCLC|47810977}} Cover: black, orange, and white – eleven couples dancing with a waiter carrying cocktails, illustrated by L.S. Morgan (view) © December 5, 1914, 2nd copy December 12, 1914, Class E (musical composition) 354304[33] © Transferred to Charles N. Daniels 1914 © Renewal 111003, August 25, 1942, Wallie Herzer, San Francisco[34]
Wallie Herzer, publisher (1914); {{OCLC|778806566|42677999}} Cover: purple and white colors – man and woman (in pantomime dress) dancing, illustrated by L.S. Morgan © December 5, 1914, 2nd copy December 12, 1914, Class E (musical composition) 354303[35] © Renewal 111002 August 25, 1942, Wallie Herzer, San Francisco[36]
Miller Music, New York, publisher (©1916, ©1918); {{OCLC|779881675}} Words by W. Eager, music by Herzer Sherman, Clay & Co., San Francisco, publisher, (©1916, ©1918); {{OCLC|779881686}} Cover: illustrated by Wesley Raymond De Lappe (1887–1952) ([https://www.loc.gov/item/ihas.100006647/ view]) Sherman, Clay & Co., San Francisco, publisher, (©1916); {{OCLC|42683929}} Music by Herzer, arrangement by Julius Lee Burbeck (1870–1949) © December 26. 1916; 2nd copy January 2, 1917; Class E 396686, Sherman Clay & Co., San Francisco[37] © Renewal 131717, Sept. 11, 1944, by Herzer[38]
Piano score Book by Sue Conly Posner (Susan Conleigh; 1886–1976) , music by Herzer © 30 August 1917; Class E (musical composition) 407665, Wallie Herzer, San Francisco[39] © Renewal 134351; December 5, 1944, Wallie Herzer, San Francisco[40]
© February 11, 1938, Class E unpublished 160814, Wallie Herzer, San Francisco[41]
Unpublished © October 21, 1940, Class E (musical composition) unpublished 234680[42]
Wallie Herzer, publisher © February 24, 1942, Class E (musical composition) unpublished 286391, Wallie Herzer, San Francisco[43] © May 10, 1942, Class E (musical composition) published 104565, Wallie Herzer, San Francisco[44]
Walter Herzer, San Francisco Lyrics & Music by Herzer © November 19, 1942; Class E (musical composition) unpublished 315633, Walter Herzer, San Francisco[45]{{ref end}} Selected piano rollography{{ref begin|50em}}
Angelus 25963 (matrix) (65 note roll) Angelus 90912 (matrix) (1912) (audio) Connorized Music Co. 2173 (matrix) Connorized Music Co. 3829 (matrix) Full Scale 14923 (matrix) Kimball F-6263 (matrix) (m), Popular Song Hits #2 Kimball C-6164 (matrix) QRS 31027 (matrix) Rhythmodik B-5252 (matrix) Fred A. Schmitz Royal 4300 (matrix) Supertone 695418 (matrix) (65 note roll) Supertone 845418 (matrix) Universal 99845 (matrix) Universal 94505 (matrix) (m), "Rag Medley #11" US Music 65500 (matrix) (m), "States Medley #5" US Music 64518 (matrix) Virtuoso 81014 (matrix) Vocalstyle 1530 (matrix)
{{ref end}}Pianostyle 46198 (matrix) Selected discography{{ref begin|50em}}
Columbia A-1266 38467-1 (matrix) Reissues (i) Vintage Jazz Mart (Europe) VLP2 & (ii) Smithsonian Folkways RF24 Recorded in New York City December 2, 1912 ({{YouTube|y6t4u_71aQg|audio}})
Victor Records B-12779 (matrix) Recorded January 9, 1913 ([https://archive.org/embed/VictorMilitaryBand-EverybodyTwo-step audio])[47]
Billy Murray, vocalist Edison cylinder (1912) [https://www.youtube.com/watch?v=-_hoe0Ha2iM audio] on YouTube
Chrysanthemum Ragtime Band, Dancing on the Edge of the World, Stomp Off Records (1987); {{OCLC|19972811}} Recorded at Bay Records, Berkeley, California Re-released by Stomp Off Records, The Preserves, Vol. 1 (1992); {{OCLC|28012058}}
Johnny Maddox, Très moutarde: Johnny Maddox Plays Rags, Blues, Waltzes, and Ballads, Paragon Productions SG-102 (1977); {{OCLC|464114545}} Recorded in 1975 in Denver, Colorado Re-released by Crazy Otto Music, Sunflower Slow Drag (CD) (2005); {{OCLC|262685584}}
6229-A-4-10 (matrix); {{OCLC|79072004}} Waikiki Hawaiian Orchestra, with Helen Louise & Frank Ferera Edison 50635
G07326 (matrix); {{OCLC|56353527}} Frank Ferera & Anthony Franchini (Hawaiian guitars), George Hamilton Green (xylophone) Gennett 9000 Series 9076A {{ref end}}Recorded July 1920 AddressesPublishing Company
Social and professional affiliations
Wheelman (competitive bicyclist)[53]
Family
Wallie Herzer's father, Hugo Herzer, Sr. (1845–1921), was born and raised in Bavaria, Germany, and emigrated to the United States in 1865. His mother, Elizabeth (née Ulrich; 1855–1923) was born and raised in France, and emigrated to the United States in 1860. Hugo, Sr., among other things, was engaged in civic service for the City of San Francisco, namely as Deputy Tax Assessor from about 1891 to 1901, then City Cashier in 1902 of the License Department of the Tax Assessor, and in 1905, Expert Searcher, Tax Office of San Francisco.[56] Hugo, Sr., was also a member and officer of the Turners; and, also was a member of the German-American Republican Club of San Francisco, and the Grant and Wilson Club.
Wallie was the youngest of five siblings. One of his two brothers, Hugo G. Herzer, Jr. (1879–1921), was an operatic vocal instructor, first in Honolulu, in various capacities, including a position at the Honolulu School of Dramatic Art, from about 1902 to 1918. Hugo studied voice with Francis W. Stuart (1865–1939) at The King Conservatory of Music (Frank Louis King; 1854–1914) in San Jose in 1899.[57] Hugo was a pedagogical {{linktext|exponent}} of Francesco Lamperti. Hugo married Agnes Lovell Lyle (maiden; 1887–1951) on March 2, 1907, in Honolulu. Agnes was a soprano, pianist, and piano teacher. In 1918, they both resettled in San Francisco.[58] After the death of Hugo, Jr., in 1921, Agnes remarried Robert Montgomery Gehl (1888–1971).
Wallie married Sylvia (née Scalmanini; 1885–1955) in San Francisco on May 4, 1910.[59] Sylvia's father, Carlo Scalmanini (1820–1891), had been a California Forty-Niner, a major vineyard owner-winemaker, co-owner, with Baptiste Frapolli (Italian spelling, Battiste; 1821–1890), of the Swiss Republic Restaurant at 19 Long Wharf, and, with Frapolli, a wholesale and retail grocer.[60][61] Wallie and Sylvia had one child, a daughter — Harriett C. Herzer (1911–1999) who married Colin Arthur Moreton (1910–1991). ReferencesCatalog of Copyright Entries, Part 3 Musical Compositions, New Series, Library of Congress, Copyright OfficeOriginal copyrights1. ^1 [https://books.google.com/books?id=IT0hAQAAIAAJ&pg=PA809 Vol. {{space|2}}4, Part 1, July 1909, Nos. 26–30] (1909), pg. 809 3, Part 2, July–December 1908, Nos. 27–52] (1908), pg. 1114[1][2][3][4][5][6][7][8][9][10][11][12][13][14][15]2. ^1 [https://books.google.com/books?id=nVIcAQAAIAAJ&pg=PA1042 Vol. {{space|2}}5, May–October 1910, Nos. 18–43] (1910), pg. 1042 3. ^1 [https://books.google.com/books?id=eD8hAQAAIAAJ&pg=PA120 Vol. {{space|2}}6, Part 1, January 1911] (1911), pg. 120 4. ^1 [https://books.google.com/books?id=2kIhAQAAIAAJ&pg=PA109 Vol. {{space|2}}8, Part 1, First Half of 1913, Nos. 1–7] (1913), pg. 109 5. ^1 [https://books.google.com/books?id=2kIhAQAAIAAJ&pg=PA877 Vol. {{space|2}}8, Part 1, First Half of 1913, Nos. 1–7] (1913), pg. 877 6. ^1 [https://books.google.com/books?id=zkUhAQAAIAAJ&pg=PA18 Vol. {{space|2}}9, Part 1, First Half of 1914, Nos. 1–7] (1914), pg. 18 7. ^1 [https://books.google.com/books?id=s0YhAQAAIAAJ&pg=PA1518 Vol. {{space|2}}9, Part 2, Last Half of 1914, Nos. 8–13] (1914), pg. 1518 8. ^1 [https://books.google.com/books?id=s0YhAQAAIAAJ&pg=PA1529 Vol. {{space|2}}9, Part 2, Last Half of 1914, Nos. 8–13] (1914), pg. 1529 9. ^1 [https://books.google.com/books?id=MP43AQAAMAAJ&pg=PA2 Vol. 12, Part 1, First Half of 1917, Nos. 1–7] (1917), pg. 48 10. ^1 [https://books.google.com/books?id=nf43AQAAMAAJ&pg=PA856 Vol. 12, Part 2, Last Half of 1917, Nos. 8–13] (1917), pg. 856 11. ^1 [https://books.google.com/books?id=BVBjAAAAIAAJ&pg=PA106 Vol. 33, Part 1, First Half of 1938, Nos. 1–9] (1938), pg. 106 12. ^1 [https://books.google.com/books?id=mStjAAAAIAAJ&pg=PA1446 Vol. 35, Part 2, Last Half of 1940, Nos. 6–12] (1941), pg. 1446 13. ^1 [https://books.google.com/books?id=ojJjAAAAIAAJ&pg=PA242 Vol. 37, Part 1, First Half of 1942, Nos. 1–6] (1942), pg. 242 14. ^1 [https://books.google.com/books?id=ojJjAAAAIAAJ&pg=PA792 Vol. 37, Part 1, First Half of 1942, Nos. 1–6] (1942), pg. 792 15. ^1 [https://archive.org/stream/catalogofcopyri373lib/catalogofcopyri373lib_djvu.txt Vol. 37, Part 2, Last Half of 1942, No. 8] (1942), pg. 1762 16. ^1 [https://books.google.com/books?id=yj5jAAAAIAAJ&pg=PA1255 Vol. 39, Part 2, Last Half of 1944, Nos. 7–12,] (1944), pg. 1255 17. ^1 [https://books.google.com/books?id=BVBjAAAAIAAJ&pg=PA77 Vol. 33, Part 1, First Half of 1938, Nos. 1–9] (1938), pg. 77 18. ^1 [https://books.google.com/books?id=mStjAAAAIAAJ&pg=PA1080 Vol. 35, Part 2, Last Half of 1940, Nos. 6–12] (1941), pg. 1080 19. ^1 [https://archive.org/stream/catalogofcopyri373lib/catalogofcopyri373lib_djvu.txt Vol. 37, Part 2, Last Half of 1942, No. 8] (1942), pg. 101 20. ^1 [https://archive.org/stream/catalogofcopyri373lib/catalogofcopyri373lib_djvu.txt Vol. 37, Part 2, Last Half of 1942, No. 8] (1942), pg. 1412 21. ^1 [https://books.google.com/books?id=GBNhAAAAIAAJ&pg=PA133 Vol. 40, Part 1, For the Year 1945, Nos. 1–5] (1945), pg. 603 22. ^1 [https://books.google.com/books?id=IZAJAQAAMAAJ&q=%22wallie+herzer%22 Covers of Gold,] by Marion Short, Schiffer Publishing (1998), pg. 152; {{OCLC|37353795}} 23. ^1 2 "Walter Herzer of Menlo Park Dies Suddenly", (newspaper unknown) San Mateo County Obituary Collection, San Mateo County Genealogical Society, folder H, pg. 59 24. ^1 Jazz A-Z, by Peter Clayton & Peter Gammond, Enfield, Middlesex: Guinness Superlatives (1986), pps. 194–195 ("Ragtime"); {{OCLC|15353474}} 25. ^1 Variety Cavalcade: 1720–1969 — "1912: 'Everybody Two-Step'", 3rd ed., Julius Mattfeld (1893–1968), Prentice-Hall (1971), pg. 312; {{OCLC|138999}} 26. ^1 [https://books.google.com/books?id=GwmVWcTQiDgC&pg=PA186 Ragtime: A Musical and Cultural History,] by Edward A. Berlin, pg. 186; University of California Press (1980) {{OCLC|6567955}} 27. ^1 [https://books.google.com/books/about/Jazz_hot_and_hybrid.html?id=KigJAQAAMAAJ Jazz, Hot and Hybrid,] 3rd ed., Winthrop Sargeant, Da Capo Press (1975), pg. 142; {{OCLC|1056824}} 28. ^1 [https://books.google.com/books?id=MjBLAAAAYAAJ&pg=PA84 Advertisement: "Wallie Herzer,"] Boston: Jacobs' Orchestra Monthly, by Walter Jacobs, Volume 6, Issue 1, January 1915, pg. 84 29. ^1 "According to Mr. and Mrs. Vernon Castle", Washington Times, January 25, 1915 30. ^1 [https://books.google.com/books?id=OwQ4AQAAIAAJ&pg=PA162 Slang and Its Analogues, Past and Present,] (Vol. 2 of 7 — C. To Fizzle), by John S. Farmer & William Ernest Henley (eds.), pg. 162; {{OCLC|1312390}} 31. ^1 The Encyclopedic Discography of Victor Recordings, Ted Fagan & William R. Moran, Greenwood Press (1983 & 1986); {{OCLC|8533383|14069261}} 32. ^1 [https://books.google.com/books?id=XDs6AQAAMAAJ&pg=PA168 "Aviation School Fraud is Charged",] Aeronautics, Vol. 15, No. 1, July 15, 1914, pg. 120 33. ^1 [https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action%3Bjsessionid=032F2EAC25EF5EC4025326B9105ED8F5?itemId=2992&itemFileId=4220 Advertisement: "Wallie Herzer",] Metronome, pg. 11 34. ^1 2 3 [https://books.google.com/books?id=WNuwiKJPtnwC Ragtime: An Encyclopedia, Discography, and Sheetography,] by David A. Jasen, Taylor & Francis (2007); {{OCLC|71632235}} 35. ^1 [https://archive.org/stream/annalsofolympicc00olym/annalsofolympicc00olym_djvu.txt Annals of the Olympic Club, San Francisco, 1914] Theodore Bonnet (ed.), pg. 141 36. ^1 Crocker-Langley San Francisco City Directory 1924, R.L. Polk (1924), pg. 1528 37. ^1 Crocker-Langley San Francisco City Directory 1925, R.L. Polk (1925), pg. 920 38. ^1 Crocker-Langley San Francisco City Directory 1937, R.L. Polk (1937), pg. 646 39. ^1 2 [https://books.google.com/books?id=it4jAQAAIAAJ&pg=PA32 "Herzer Goes With Bently & Waterman",] The Adjuster, Vol. 60, No. 1, January 1920, pg. 32 40. ^1 [https://archive.org/stream/proceedingsofann1921fire/proceedingsofann1921fire_djvu.txt Forty-Fifth Annual Meeting of the Fire Underwriters' Association of the Pacific, San Francisco, February 8–9, 1921,] printed by the Association (1921) 41. ^1 [https://books.google.com/books?id=lXEPAQAAIAAJ&pg=PA384 Annual Cyclopedia of Insurance in the United States 1919,] Vol. 73, by G. Reid MacKay, R.B. Caverly (publisher), pg. 384 (1919) 42. ^1 "Fraudulent Bondsmen", San Francisco Bulletin, April 15, 1891 43. ^1 [https://books.google.com/books?id=4W_xi-oWbXUC&pg=PA59 Long Lost Blues: Popular Blues in America, 1850–1920] by Peter C. Muir, University of Illinois Press (2010), pps. 59 & 226; {{OCLC|317462431}} 44. ^1 [https://books.google.com/books?id=6szF5VprkHAC&pg=PA55 A Century of American Popular Music: 2000 Best-Loved and Remembered Songs (1899–1999),] by David A. Jasen, Routledge (2002), pg. 55; {{OCLC|47658890}} 45. ^1 [https://books.google.com/books?id=yycKAQAAMAAJ&q=%22wallie+herzer%22&dq=%22wallie+herzer%22&hl=en&sa=X&ei=oLVeU8eGA8vksASowILIDg&ved=0CC8Q6AEwATgK Hit songs, 1900-1955: American Popular Music of the Pre-Rock Era,] by Don Tyler, McFarland & Company (2007), pg. 410; {{OCLC|76961274}} 46. ^1 [https://books.google.com/books?id=K09ZuGrZNX4C&pg=PA116 A Life In Ragtime: A Biography of James Reese Europe,] by Reid Badger, Oxford University Press (1995), pg. 116; {{OCLC|29389796}} 47. ^1 2 "The Arranging of Popular Music", J. Bodewalt Lampe, The Music Trade Review, Vol. 59, No. 24, December 12, 1914, pps. 139 & 140; {{OCLC|20543448|809143527}} 48. ^1 [https://archive.org/stream/pacificcoastmusi3519sanf/pacificcoastmusi3519sanf_djvu.txt "Hugo Herzer Settles in San Francisco",] Pacific Coast Musical Review (San Francisco), Vol. 35, No. 3, October 26, 1918 49. ^1 "Marriage Licenses: Herzer-Scalmanini," San Francisco Call, May 5, 1910, pg. 4, col. 6 50. ^1 "Events in Society", San Jose Evening News, Vol. 36, No. 157, December 9, 1899, pg. 6 51. ^1 "Notice of Probate: Estate of Walter H. Herzer, Deceased", San Mateo Times, October 26, 1961, Page 16 52. ^1 "Fresh Eggs in California", by Henry B. Voigt, The American Menu (online blog) January 23, 2013 53. ^1 [https://books.google.com/books?id=Kc6oVTgN8I4C&pg=PA93 The Swiss in the United States,] by John Paul von Grueningen (1889–1982), Clearfield (1940), pps. 93 & 96; {{OCLC|3076034}} 54. ^1 Artists in California, 1786–1940, by Edan Milton Hughes, San Francisco, CA : Hughes Pub. Co. (1986); {{OCLC|13323489}} 55. ^1 [https://books.google.com/books?id=VOFLAAAAMAAJ Christopher Reynolds and His Descendants,] Stephen Frederick Tillman (1959), pg. 109; {{OCLC|5142810}} }}Copyright renewals{{reflist|group=lower-alpha||refs=[16][17][18][19][20][21] }}Inline citations{{reflist|30em|refs=[22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37][38][39][40][41][42][43][44][45][46][47][48][49][50][51][52][53][54][55] }}{{Authority control}}{{DEFAULTSORT:Herzer, Wallie}} 17 : 1885 births|1961 deaths|American music publishers (people)|American male composers|20th-century American composers|Songwriters from California|Composers from San Francisco|Composers for piano|People from San Francisco|People from Burlingame, California|People from Menlo Park, California|Ragtime composers|Ragtime pianists|American ragtime musicians|Male pianists|20th-century pianists|20th-century male musicians |
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