词条 | Verse–chorus form |
释义 |
"Musically, most Civil War songs were cast in the verse–chorus patterns that had been popularized by Foster and widely imitated by his peers and successors, with their choruses set in four-part harmony."[3] Thus, while in both forms A is the verse and B is the chorus, in AABA the verse takes up most of the time and the chorus exists to contrast and lead back into the return of the verse, in verse–chorus form the chorus often takes much more time proportionally and the verse exists to lead into it. For example: ABABB(B) [approximates: "Be My Baby"], rather than thirty-two-bar form's AABA. The chorus often sharply contrasts the verse melodically, rhythmically, and harmonically, and assumes a higher level of dynamics and activity, often with added instrumentation. This is referred to as a "breakout chorus".[4] See: arrangement. Contrasting verse–chorus formSongs that use different music for the verse and chorus are in contrasting verse–chorus form. Examples include:
Simple verse–chorus formSongs that use the same harmony (chords) for the verse and chorus, such as the twelve bar blues, though the melody is different and the lyrics feature different verses and a repeated chorus, are in simple verse–chorus form. Examples include:
Simple verse formSongs which feature only a repeated verse are in simple verse form (verse–chorus form without the chorus). Examples include:
and with a contrasting bridge:
Both simple verse–chorus form and simple verse form are strophic forms. See also
Sources1. ^Michael Campbell & James Brody (2007), Rock and Roll: An Introduction, [https://books.google.co.uk/books?id=RK-JmVbv4OIC&pg=PA117 page 117] {{Musical form}}{{Parts of a song}}{{DEFAULTSORT:Verse-chorus form}}2. ^Covach, John. "Form in Rock Music: A Primer", p.71, in Stein, Deborah (2005). Engaging Music: Essays in Music Analysis. New York: Oxford University Press. {{ISBN|0-19-517010-5}}. 3. ^{{cite web|url=http://www.oxfordmusiconline.com/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002259148|title=Popular music - Grove Music|website=Oxfordmusiconline.com|accessdate=17 January 2019}} 4. ^Doll, Christopher. "Rockin' Out: Expressive Modulation in Verse–Chorus Form", Music Theory Online 17/3 (2011), § 2. 5. ^1 2 3 4 5 6 7 8 9 10 11 12 13 14 Covach (2005), p.71–72 1 : Song forms |
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