| 词条 | Alain Louvier |
| 释义 |
BiographyBorn in Paris, Louvier studied from 1953 to 1967 at the {{ill|conservatoire à rayonnement régional de Boulogne-Billancourt|fr|3=conservatoire à rayonnement régional de Boulogne-Billancourt|lt=Boulogne-Billancourt Conservatory}} headed by Marcel Landowski, then from 1967 to 1970 at the Conservatoire de Paris with Henriette Puig-Roget, Olivier Messiaen, Tony Aubin, Robert Veyron-Lacroix, Norbert Dufourcq and Manuel Rosenthal. In 1968, he won the Prix de Rome for musical composition. He then headed the École Nationale de Musique of Boulogne-Billancourt. From 1986 to 1991, he was the director of the Conservatoire de Paris. From 1991 to 2009, he taught music analysis and orchestration at the CNSMDP (Conservatoire) in Paris. From 2009 until 2013, he was again director of the Boulogne-Billancourt Conservatory Louvier has composed pieces for piano, harpsichord, chamber music and orchestra. He is particularly known for his invention of a new piano technique (also used on organ and harpsichord) centered around the "Aggressors": the 10 fingers, 2 palms, 2 fists and 2 forearms, treated individually. He forged a precise gestural vocabulary, and an adapted graphic syntax, involving these different elements.[1] Works
References1. ^{{Harvsp|Castanet|2002|p=49|id=Castanet}} 2. ^{{Harvsp|Castanet|2002|p=123|id=Castanet}} 3. ^{{Harvsp|Castanet|2002|p=131|id=Castanet}} 4. ^{{Harvsp|Castanet|2002|p=160|id=Castanet}} Bibliography
External links
12 : 1945 births|Living people|Musicians from Paris|French male classical composers|20th-century French composers|21st-century French musicians|Prix de Rome for composition|Conservatoire de Paris alumni|Academics of the Conservatoire de Paris|Directors of the Conservatoire de Paris|20th-century male musicians|21st-century male musicians |
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