| 词条 | Amir Zaki (artist) |
| 释义 |
| name = Amir Zaki | image = | birth_name = | birth_date = 1974 | birth_place = Beaumont, California, United States | death_date = | death_place = | nationality = American | field = Photography, video | education = University of California, Los Angeles, University of California, Riverside | movement = | style = | spouse = | website = Amir Zaki | patrons = | influenced by = | influenced = | awards = }}Amir Zaki (born 1974, Beaumont, California) is an American artist based in Southern California, best known for hybridized photographs that explore the rhetoric of authenticity and documentary, often taking the architectural landscape of Southern California as a subject.[1][2][3] Solo exhibitions of his photographs and videos have been held in Los Angeles, New York, Seattle, Atlanta, Australia and China,[4] and he has been featured in group shows at the Whitney Museum of American Art, Orange County Museum of Art (California Biennial, 2006),[2] California Museum of Photography, and San Jose Museum of Art.[5] His work is held in public and private collections across the United States, including those of the New Museum and Whitney Museum in New York,[6][7] the Los Angeles County Museum of Art and Hammer Museum in California,[8] and the Henry Art Gallery (Seattle),[9] among many.[10] Zaki's art has been featured in the journals Artforum,[11] Flash Art,[12] Art in America,[13] ARTnews,[14] and New Art Examiner,[15] as well as in the Los Angeles Times,[16] The New York Times,[17] The New Yorker,[18] and Seattle Times,[19] among many publications. In a 2007 review, New York Times critic Martha Schwendener described Zaki as extending the Los Angeles street photography tradition of Ed Ruscha and others with "razor-sharp, formalist photographs that ripple with noirish undercurrents."[20] Zaki has two monographs, Eleven Minus One (2010)[21] and VLHV (2003),[22] and has been included in the photographic anthologies, Vitamin Ph (Phaidon Press, 2006),[3] Photography is Magic (Charlotte Cotton, Aperture, 2015)[23] and Both Sides of Sunset: Photographing Los Angeles (Metropolis, 2015).[24] He is Professor of Photography and Digital Technology in the Art Department at University of California, Riverside, where he has taught since 1999.[5] References1. ^Cameron, Dan. [https://books.google.com/books/about/California_Landscape_Into_Abstraction.html?id=uc_0nQEACAAJ&source=kp_book_description California Landscape into Abstraction], Newport Beach, CA: Orange County Museum of Art, p. 54–55. Retrieved March 6, 2019. 2. ^1 Tumlir, Jan. "Amir Zaki," in California Biennial 2006, Elizabeth Armstrong, Rita Gonzalez, and Karen Moss, Newport Beach, CA: Orange County Museum of Art, p.35–45, 168–171. 3. ^1 Sholis, Brian. "Amir Zaki," Vitamin Ph: New Perspectives in Photography, Anthology, London: Phaidon Press, p. 328–329. 4. ^Dalian Modern Museum. The First 'Belt and Road' International Ocean City Cultural Photo Week of Dalian, China, Dalian, China: Dalian Modern Museum, p. 84–85. 5. ^1 University of California, Riverside. [https://art.ucr.edu/people/faculty/amir-zaki/ Amir Zaki,] Faculty, Department of Art. Retrieved March 6, 2019. 6. ^New Museum. "New Additions to the Altoids Curiously Strong Collection", Exhibitions. Retrieved March 6, 2019. 7. ^Whitney Museum of American Art. [https://whitney.org/collection/works/25582 Amir Zaki, Untitled (OH_04)X, 2004], Collection. Retrieved March 6, 2019. 8. ^Los Angeles County Museum of Art. [https://collections.lacma.org/node/2237763 Amir Zaki], Collections. Retrieved March 6, 2019. 9. ^Henry Art Gallery. Amir Zaki, Untitled (Winter Pool 32) [from the Spring Through Winter series]. 2004. Retrieved March 6, 2019. 10. ^Coblentz, Cassandra. Forsaken Utopias: Photographs from the OCMA Permanent Collection, Catalogue, Santa Ana, CA: Orange County Museum of Art, p. 17–20. 11. ^Hainley, Bruce. "Amir Zaki at Roberts and Tilton," Artforum, November 2001, p. 151. 12. ^Campagnola, Sonia. "Focus on Los Angeles: Amir Zaki," Flash Art, January–February 2006. p. 75. 13. ^Dykstra, Jean. "Amir Zaki," Art in America, October 2010, p. 185. 14. ^Berwick, Carly. "Happenstance," ARTnews, April 2006, p. 146. 15. ^Cooper, Jacqueline. "Amir Zaki at Roberts and Tilton," New Art Examiner, September 2000, p. 61–62. 16. ^Pagel, David. "Look closer at nature’s many layers," Los Angeles Times, April 9, 2017, Calendar Section F2. 17. ^Glueck, Grace. "The New City: Sub/Urbia in Recent Photography," The New York Times, January 6, 2006, p. E34. 18. ^The New Yorker. "Amir Zaki," The New Yorker, June 5, 2000, p. 21. 19. ^Upchurch, Michael. "Artist’s ‘hybrid photography’ revels in essences, enigmas," The Seattle Times, November 11. 2016, W+, p. 23. 20. ^Schwendener, Martha. "Amir Zaki," The New York Times, October 26, 2007, Arts, p. B29. 21. ^Zaki, Amir. [https://www.barnesandnoble.com/w/eleven-minus-one-amir-zaki/1026426076 Eleven Minus One], Monograph, Los Angeles: LAXART and Eighth Veil, 2010. 22. ^Zaki, Amir. VLHV (Valley Lake Hollywood Village), Monograph, Los Angeles: Roberts and Tilton, and James Harris Gallery, 2003. 23. ^Cotton, Charlotte. [https://aperture.org/shop/photography-is-magic-3680 Photography is Magic], Aperture, 2015, p. 240–3. Retrieved March 6, 2019. 24. ^Brown, Jane and Marla Hamburg Kennedy (eds). [https://www.amazon.com/Both-Sides-Sunset-Photographing-Angeles/dp/1938922735 Both Sides of Sunset: Photographing Los Angeles], Anthology, New York: Metropolis Books, 2015, p. 141, 192, 222, 276. External links
7 : Living people|People from Beaumont, California|University of California, Riverside faculty|University of California, Los Angeles alumni|University of California, Riverside alumni|Artists from California|1974 births |
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