| 词条 | Anabacoa |
| 释义 |
| name = Anabacoa | cover = | alt = | type = single | artist = Beny Moré & Pérez Prado | album = | B-side = Batiri RCA | released = 1949 | format = Shellac 10" | recorded = 1949 | studio = | venue = | genre = Guaracha-mambo | length = {{Duration|m=3|s=3}} | label = RCA Victor | writer = Juanchín Ramírez | producer = | prev_title = Qué te pasa José | prev_year = 1949 | next_title = Mi chiquita | next_year = 1950 }}"Anabacoa" is a guaracha composed by Puerto Rican trumpeter Juanchín Ramírez which has become a Latin music standard. Its most famous recording was made in Mexico in 1949 by Beny Moré backed by Pérez Prado and his orchestra.[1][2] Recorded as a mambo, Moré's recording became a hit throughout Latin America. It was followed by the version made by Arsenio Rodríguez and his conjunto in 1950, which further cemented the piece as a standard of the Cuban music repertoire.[3][4] Arsenio's rendition, although labeled as a guaracha, was driven by a guaguancó pattern on the tumbadora.[3] In the 1970s, "Anabacoa" became the signature song of the Grupo Folklórico y Experimental Nuevayorkino, a New York-based descarga ensemble originally known as Conjunto Anabacoa.[5][6][7] It was founded by Jerry González and his brother Andy in 1974.[5] Like Arsenio's version, their rendition is also "a guaguancó based on a two-measure montuno pattern that is unchanging throughout the entire piece".[8] In the 1990s, Sierra Maestra recorded another descarga rendition of the song for their album Tíbiri tábara, which included other "familiar songs of the Cuban repertoire".[9][10] References1. ^{{cite book |title=Wildman of Rhythm: The Life & Music of Benny Moré |last=Radanovich |first=John |page=57 |publisher=University Press of Florida |location=Gainesville, FL |year=2009 |isbn=0-8130-3393-4}} 2. ^{{cite web|last1=Díaz Ayala|first1=Cristóbal|title=Benny Moré|url=http://latinpop.fiu.edu/SECCION04Mpt2.pdf|website=Encyclopedic Discography of Cuban Music 1925-1960|publisher=Florida International University Libraries|accessdate=October 30, 2017|date=Fall 2013}} 3. ^1 {{cite book|last1=García|first1=David|title=Arsenio Rodríguez and the Transnational Flows of Latin Popular Music|date=2006|publisher=Temple University Press|location=Philadelphia, PA|page=175|url=https://books.google.co.uk/books?id=4e5GF9NwHucC}} 4. ^{{cite web|last1=Díaz Ayala|first1=Cristóbal|title=Arsenio Rodríguez|url=http://latinpop.fiu.edu/SECCION05R.pdf|website=Encyclopedic Discography of Cuban Music 1925-1960|publisher=Florida International University Libraries|accessdate=October 30, 2017|date=Fall 2013}} 5. ^1 {{cite book|last1=Figueroa|first1=Frank M.|title=Encyclopedia of Latin American music in New York|date=1994|publisher=Pillar Publications|location=St. Petersburg, FL|pages=103, 105}} 6. ^{{cite book|last1=Rondón|first1=César Miguel|title=The Book of Salsa|date=2008|publisher=University of North Carolina Press|location=Chapel Hill, NC|page=242|url=https://books.google.co.uk/books?id=b_CGQONWrhcC}} 7. ^{{cite web|last1=Rondón|first1=César Miguel|title=Anabacoa|url=http://www.cesarmiguelrondon.com/musica/micros-de-la-salsa/anabacoa/|accessdate=October 30, 2017|language=Spanish|date=October 21, 2014}} 8. ^{{cite book|last1=Gerard|first1=Charley|title=Music from Cuba: Mongo Santamaria, Chocolate Armenteros, and Cuban Musicians in the United States|date=2001|publisher=Praeger Publishers|location=Westport, CT|url=https://books.google.co.uk/books?id=cZH22u6_p50C|page=117}} 9. ^{{cite journal|title=Sierra Maestra - Tíbiri tábara|journal=Jazz Times|date=1998|volume=28|issue=6-10}} 10. ^{{cite journal|title=Sierra Maestra - Tíbiri tábara|journal=The Beat|date=1998|volume=17|page=88}} 5 : 1949 songs|Guaracha|Mambo|Pérez Prado songs|RCA Victor singles |
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