词条 | Androgyny in fashion |
释义 |
Throughout most of twentieth century Western history, social rules have restricted people's dress according to gender. Trousers were traditionally a male form of dress, frowned upon for women.[1] However, during the 1800s, female spies were introduced and Vivandières wore a certain uniform with a dress over trousers. Women activists during that time would also decide to wear trousers, for example Luisa Capetillo, a women's rights activist and the first woman in Puerto Rico to wear trousers in public.[2] In the 1900s, starting around World War I traditional gender roles blurred and fashion pioneers such as Paul Poiret and Coco Chanel introduced trousers to women's fashion. The "flapper style" for women of this era included trousers and a chic bob, which gave women an androgynous look.[3] Coco Chanel, who had a love for wearing trousers herself, created trouser designs for women such as beach pajamas and horse-riding attire.[1] During the 1930s, glamorous actresses such as Marlene Dietrich fascinated and shocked many with their strong desire to wear trousers and adopt the androgynous style. Dietrich is remembered as one of the first actresses to wear trousers in a premiere.[4] Throughout the 1960s and 1970s, the women's liberation movement is likely to have contributed to ideas and influenced fashion designers, such as Yves Saint Laurent.[5] Yves Saint Laurent designed the Le Smoking suit and first introduced in 1966, and Helmut Newton’s erotized androgynous photographs of it made Le Smoking iconic and classic.[6] The Le Smoking tuxedo was a controversial statement of femininity and has revolutionized trousers. Elvis Presley, however is considered to be the one who introduced the androgynous style in rock'n'roll and made it the standard template for rock'n'roll front-men since the 1950s.[7] His pretty face and use of eye makeup often made people think he was a rather "effeminate guy",[8] but Elvis Presley was considered as the prototype for the looks of rock'n'roll.[7] The Rolling Stones, says Mick Jagger became androgynous "straightaway unconsciously" because of him.[8]However, the upsurge of androgynous dressing for men really began after during the 1960s and 1970s. When the Rolling Stones played London's Hyde Park in 1969, Mick Jagger wore a white 'man's dress' designed by British designer Mr Fish.[9] Mr Fish, also known as Michael Fish, was the most fashionable shirt-maker in London, the inventor of 'the Kipper tie', and a principal taste-maker of 'the Peacock revolution' in men's fashion.[10] His creation for Mick Jagger was considered to be the epitome of the swinging 60s.[11] From then on, the androgynous style was being adopted by many celebrities. During the 1970s, Jimi Hendrix was wearing high heels and blouses quite often, and David Bowie presented his alter ego Ziggy Stardust, a character that was a symbol of sexual ambiguity when he launched the album 'The Rise and Fall of Ziggy Stardust and Spiders from Mars'.[12] This was when androgyny entered the mainstream in the 1970s and had a big influence in pop culture. Another significant influence during this time included John Travolta, one of the androgynous male heroes of the post-counter-culture disco era in the 1970s, who starred in Grease and Saturday Night Fever.[13] Continuing into the 1980s, the rise of avant-garde fashion designers like Yohji Yamamoto,[14] challenged the social constructs around gender. They reinvigorated androgyny in fashion, addressing gender issues. This was also reflected within pop culture icons during the 1980s, such as David Bowie and Annie Lennox.[15] Power dressing for women became even more prominent within the 1980s which was previously only something done by men in order to look structured and powerful. However, during the 1980s this began to take a turn as women were entering jobs with equal roles to the men. In the article “The Menswear Phenomenon” by Kathleen Beckett written for Vogue in 1984 the concept of power dressing is explored as women entered these jobs they had no choice but to tailor their wardrobes accordingly, eventually leading the ascension of power dressing as a popular style for women.[16] Women begin to find through fashion they can incite men to pay more attention to the seduction of their mental prowess rather, than the physical attraction of their appearance. This influence in the fashion world quickly makes its way to the world of film, with movies like "Working Girl" using power dressing women as their main subject matter. Androgynous fashion made its most powerful in the 1980s debut through the work of Yohji Yamamoto and Rei Kawakubo, who brought in a distinct Japanese style that adopted distinctively gender ambiguous theme. These two designers consider themselves to very much a part of the avant-garde, reinvigorating Japanism.[17] Following a more anti-fashion approach and deconstructing garments, in order to move away from the more mundane aspects of current Western fashion. This would end up leading a change in Western fashion in the 1980s that would lead on for more gender friendly garment construction. This is because designers like Yamamoto believe that the idea of androgyny should be celebrated, as it is an unbiased way for an individual to identify with one's self and that fashion is purely a catalyst for this. Also during the 1980s, Grace Jones's a famous singer and fashion model gender-thwarted appearance in the 1980s which startled the public, but her androgynous style of heavily derivative of power dressing and eccentric personality has inspired many, and has become an androgynous style icon for modern celebrities.[18] This was seen as controversial but from then on, there was a rise of unisex designers later in the 1990s and the androgynous style was widely adopted by many. In 2016, Louis Vuitton revealed that Jaden Smith would star in their womenswear campaign. Because of events like this, gender fluidity in fashion is being vigorously discussed in the media, with the concept being articulated by Lady Gaga, Ruby Rose, and in Tom Hooper's film The Danish Girl. Jaden Smith and other young individuals, such as Lily-Rose Depp, have inspired the movement with his appeal for clothes to be non-gender specific, meaning that men can wear skirts and women can wear boxer shorts if they so wish.[19] References1. ^1 {{Cite book|title=History of Twentieth Century Fashion|last=Ewing|first=E.|last2=Mackrell|first2=A.|publisher=Quite Specific Media Group Ltd|year=2002|isbn=|location=LA|pages=}} 2. ^{{Cite book|title=Luisa Capetillo, Pioneer Puerto Rican Feminist: With the collaboration of students from the Graduate Program in Translation, The University of Puerto Rico, Río Piedras, Spring 1991|last=Valle-Ferrer|first=Norma|date=1 June 2006|publisher=Peter Lang Publishing Inc.|isbn=9780820442853|language=English}} 3. ^{{Cite book|url=https://books.google.com/books?id=Qfl0AQAAQBAJ|title=A Social History of Late Ottoman Women: New Perspectives|last=Köksal|first=Duygu|last2=Falierou|first2=Anastasia|date=10 October 2013|publisher=BRILL|isbn=9789004255258|language=en}} 4. ^{{Cite web|url=https://www.barnebys.co.uk/blog/article/1293/|title=Harriet Fisher|website=The Queen of Androgyny – Marlene Dietrich – Blog|access-date=2016-05-22}} 5. ^{{Cite web|url=http://www.cnn.com/2015/07/21/opinions/kohn-seventies-sexual-revolution/index.html|title=The Seventies: The sex freakout|last=Commentator|first=Sally Kohn, CNN Political|website=CNN|access-date=2016-05-22}} 6. ^{{Cite web|url=https://sophmoet.wordpress.com/2014/05/01/352mc-27/|title=Androgyny and Feminism|last=Moet|first=Sophie|date=1 May 2014|website=Sophie Moet|access-date=2016-05-22}} 7. ^1 {{Cite web|url=http://observer.com/2016/01/elvis-never-gets-credit-for-one-of-his-greatest-gifts-to-rock-n-roll/|title=Elvis Never Gets Credit for One of His Greatest Gifts to Rock 'n Roll|date=8 January 2016|website=Observer|language=en-US|access-date=2016-05-23}} 8. ^1 {{Cite book|url=https://books.google.com/books?id=gbixZfCwpkcC|title=Lost Revolutions: The South in the 1950s|last=Daniel|first=Pete|date=1 January 2000|publisher=Univ of North Carolina Press|isbn=9780807848487|language=en}} 9. ^{{Cite web|url=http://www.bbc.com/culture/story/20150331-womens-clothes-for-men|title=His or hers: Will androgynous fashion catch on?|last=Baker|first=Lindsay|website=www.bbc.com|access-date=2016-05-22}} 10. ^{{cite news|url=https://www.theguardian.com/fashion/2016/mar/13/peacock-revolution-david-bowie-mick-jagger-mr-fish|title=Peacock revolution back with label that dressed Mick Jagger and David Bowie|last1=Elan|first1=Priya|date=13 March 2016|work=The Guardian|location=London}} 11. ^{{cite news|url=https://www.telegraph.co.uk/culture/music/10129974/Mick-Jaggers-white-dress-cast-him-as-a-romantic-hero.html|title=Mick Jagger's white dress cast him as a romantic hero|work=The Daily Telegraph|access-date=2016-05-22}} 12. ^{{Cite web|url=http://wsimag.com/fashion/91-androgyny-in-the-fashion-world|title=Androgyny in the fashion world|last=Lalovic|first=Itana|date=19 November 2013|website=Wall Street International|language=en-US|access-date=2016-05-22}} 13. ^{{Cite book|url=https://books.google.com/books?id=WDdtBc2LjKQC|title=Extra-Ordinary Men: White Heterosexual Masculinity and Contemporary Popular Cinema|last=Rehling|first=Nicola|date=21 June 2010|publisher=Lexington Books|isbn=9781461633426|language=en}} 14. ^{{Cite journal|title=Global Influences: Challenging Western Traditions|journal=London: Berg|volume=}} 15. ^{{cite news|url=https://www.theguardian.com/music/2010/oct/10/annie-lennox-eurythmics-christmas-cornucopia-universal-child|title=Annie Lennox: the interview|author=Andrew Anthony|date=10 October 2010|work=The Observer|accessdate=2 October 2012|location=London, UK}} 16. ^{{Cite journal|title=The Menswear Phenomenon.|journal=Vogue; Conde Nast|volume=}} 17. ^{{Cite journal|title=Global Influences: Challenging Western Traditions.|journal=London: Berg.|volume=}} 18. ^{{Cite web|url=http://www.highsnobiety.com/2015/05/14/androgynous-fashion-moments/|title=Androgynous Fashion Moments|date=14 May 2015|website=Highsnobiety|access-date=2016-05-23}} 19. ^{{Cite web|url=http://cubmagazine.co.uk/2016/02/gender-fluidity-in-the-fashion-industry/|title=Gender Fluidity in the Fashion Industry|date=8 February 2016|website=Cub Magazine|access-date=2017-02-19}} 2 : Androgyny|Fashion aesthetics |
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