| 词条 | Bernhard Schobinger |
| 释义 |
| name = Bernhard Schobinger | birth_name = | birth_date = {{birth date|1946|01|18|df=y}} | birth_place = Zurich, Switzerland | death_date = | death_place = | spouse = Annelies Štrba | nationality = Swiss | field = Art jewelry | training = School of Applied Arts, Zurich | works = | patrons = | awards = Françoise van den Bosch Award 1998 Swiss Federal Design Award 2007 }} Bernhard Schobinger is a Swiss contemporary artist jeweler. Early life and educationBernhard Schobinger attended the School of Applied Arts in Zurich for two years, followed by Goldsmith's apprenticeship between 1963 and 1967. In 1968, he opened a workshop-gallery in Richterswil and started to produce his own work.[1] In the 80s he spent periods of time in London, New York and Berlin. Career and workThroughout his career as an art jeweler, Schobinger has blurred the lines between applied and fine arts.[2] His esthetic echoes Concrete art mainly under the influence of Max Bill, Punk culture of the 70s, Italian arte povera and Neo-Dada. Often playing with contrasts, Schobinger's single pieces are made of material which varies greatly from recycled objects and pieces inherited from his mother to precious metals and gemstones.[3][4] Broken glasses, scissors or rusty material are used in a provocative way, making jewelry a means for a narrative on material culture.[5] As the art historian Roger Fayet put it, "His works are based not on 'neither-nor' but rather on 'both... and', on juxtaposition and interpolation. What comes out of this is - despite all this use of rubbish - jewellery of extraordinary richness: rich in materials and forms, rich in qualities that are sensorily perceived and, most importantly, rich in meanings and wit".[6] Schobinger has been invited as a visiting lecturer in a number of Universities and Academies, including the Royal College of Art in London, Hiko Mizuno College of Jewelry in Tokyo, the Rhode Island School of Design. the Gerrit Rietveld Academy in Amsterdam, the Haute Ecole d'Arts Appliqués in Geneva. AwardsHis work was rewarded with a number of awards. Most recently, in 2007, he received the Swiss Federal Design Award. Others awards:
Public collections (selection)
External links
Bibliographical references
References1. ^Bernhard Schobinger – Annelies Strba. Text: Christoph Blase. Galerie Meile, Luzern 1993 {{ISBN|3-906134-01-6}} {{Authority control}}{{DEFAULTSORT:Schobinger, Bernhard}}2. ^Florian Hufnagl, Bernhard Schobinger: A Future-Orientated Jewellery Artist, in Roger Fayet and others, Bernhard Schobinger: Jewels Now!, Arnoldsche Art Publishers, Stuttgart 2003 {{ISBN|978-3-89790-183-4}} 3. ^Bijoux en jeux. Catalogue des collections du MUDAC et de la Confédération suisse. 2014, La Bibliothèque des Arts, {{ISBN|978-2-88244-027-3}} 4. ^Anne Dressen, Michèle Heuzé, Benjamin Lignel. Medusa. Bijoux et tabous. Paris Musées 2017, {{ISBN|9782759603473}} 5. ^https://artjewelryforum.org/exhibition-reviews/this-is-one-i-made-earlier Stephen Knott, "This is one I made earlier", Bernhard Schobinger’s Faux Slapdashes At The Manchester Art Gallery, in Art Jewelry Forum, 10/07/2014 6. ^Roger Fayet, Florian Hufnagl (eds.), Bernhard Schobinger, Jewels Now!, Arnoldsche, Stuttgart 2003, p. 8 5 : Living people|1946 births|Swiss artists|People from Zürich|Recipients of the Rakow Commission |
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