| 词条 | Blues, Ballads and Beyond | ||||||||||||||
| 释义 |
| name = Blues, Ballads and Beyond: Influences Outside the Concert Hall | type = studio | artist = Mark Hetzler | cover = BLUES BALLADS.jpg | alt = | released = November 6, 2015 | recorded = 2012/2013, Mills Concert Hall, University of Wisconsin–Madison, Madison, Wisconsin 2011-2013 | venue = | studio = | genre = Classical, Chamber Music, New Music, instrumental, Jazz | length = 1:18:49 | label = Summit Records | producer = Mark Hetzler | prev_title = THEY SAID... | prev_year = 2014 | next_title = | next_year = | misc = cat. #, Summit Records DCD 668 }}Blues, Ballads and Beyond is the tenth classical/new music studio album from trombonist Mark Hetzler on the Summit Records label.[1] It was critically acclaimed by Classical Musical Sentinel, "He can shape, flex, caress, torture, stress, accent and animate notes on the fly and bring anything he plays to life. All the pieces on this new CD were well chosen to showcase his command of the instrument, and the range of styles he easily slips into is impressive"[2] Numerous prominent performing artists and composers are featured on the recording to include Michael Colgrass, Enrique Crespo, Daniel Schnyder, Robert Suderburg, John Stevens, and Jack Cooper. BackgroundBlues, Ballads and Beyond features jazz and commercially influenced music by contemporary classical composers. The list of composers for the recording is diverse and to include Michael Colgrass, Enrique Crespo, Daniel Schnyder, Robert Suderburg, John Stevens, and Jack Cooper. American Record Guide is quoted to say Mark Hetzler is “..one of the world’s great trombone players” and the recording helps to demonstrate his prowess on the instrument. Much like his past recordings with Summit Records, this recording has a wide range of musical influences and was completed in numerous recording sessions throughout 2011-2013. Track listing{{Tracklist| headline = | extra_column = | all_writing = noted | title1 = Mystic With A Credit Card | writer1 = Michael Colgrass | extra1 = | note1 = | length1 = 7:15 | title2 = Javier's Dialog | writer2 = Dennis Llinás | extra2 = | note2 = | length2 = 6:37 | title3 = Improvisation No. 1 | writer3 = Enrique Crespo | extra3 = | note3 = | length3 = 6:25 | title4 = Sonata for Trombone and Piano, Mov. I - Blues | writer4 = Daniel Schnyder | extra4 = | note4 = | length4 = 6:20 | title5 = Sonata for Trombone and Piano, Mov. II - An American Ballad | writer5 = | extra5 = | note5 = | length5 = 4:18 | title6 = Sonata for Trombone and Piano, Mov. III - Below Surface | writer6 = | extra6 = | note6 = | length6 = 1:39 | title7 = Night Set for Trombone and Piano: Mov I. Cry, Man | writer7 = Robert Suderburg | extra7 = | note7 = | length7 = 3:09 | title8 = Night Set for Trombone and Piano: Mov II. It's Been A Long, Long Time | writer8 = | extra8 = | note8 = | length8 = 6:46 | title9 = Night Set for Trombone and Piano: Mov III. Brother Devil | writer9 = | extra9 = | note9 = | length9 = 5:42 | title10 = Doolallynastics | writer10 = Brian Lynn | extra10 = | note10 = | length10 = 8:45 | title11 = Melancholy Mood | writer11 = John Stevens | extra11 = | note11 = | length11 = 7:38 | title12 = Sonata: Mov. I Mambo | writer12 = Jack Cooper | extra12 = | note12 = | length12 = 3:06 | title13 = Sonata: Mov. II Solo | writer13 = | extra13 = | note13 = | length13 = 4:48 | title14 = Sonata: Mov. III Naningo | writer14 = | extra14 = | note14 = | length14 = 6:23 }} Recording Sessions
PersonnelMusicians
Production
Reception{{Album ratings| rev1 = Classical Music Sentinel {{flagicon|Canada}} | rev1Score = Highly favorable[2] | rev2 = All About Jazz | rev2Score = {{Rating|4.5|5}}[3] #2 of Top 25 "Recommended" Album Reviews 2016[4] | rev3 = ITA Journal | rev3Score = Highly favorable[5] }}"Mind boggling is how well he plays the trombone...Unbelievable! Remarkable playing. What being a true musician is all about." Jean-Yves Duperron - Classical Music Sentinel[2] "Trombonist Mark Hetzler has assembled a collection of contemporary trombone compositions that brighten the light on this often ill-considered instrument on his Blues, Ballads, and Beyond: Influences Outside the Concert Hall."C. Michael Bailey - All About Jazz[3] "Listeners seeking excellent interpretations of the familiar works on this album with find it. Those seeking newer works with influences beyond the concert hall will be even better served by this album."Jeremy Kolwinska - ITA Journal[5] Release history
See also
References1. ^Blues, Ballads and Beyond, Summit Records 2. ^1 2 Duperron, Jean-Yves. Classical Music Sentinel. December 2015 3. ^1 All About Jazz, review by C. MICHAEL BAILEY, March 5, 2016 4. ^[https://www.allaboutjazz.com/top-25-recommended-album-reviews-2016-by-michael-ricci.php All About Jazz #2 of Top 25 "Recommended" Album Reviews: 2016] 5. ^1 Kolwinska, Jeremy. Review of Blues, Ballads and Beyond: Influences Outside the Concert Hall, ITA Journal, October 1, 2016, pp. 63-64 6. ^{{cite web|url=https://www.amazon.ca/dp/B015GSWR3S|title=Blues, Ballads and Beyond (2015)|publisher=Amazon.com (Canada)|deadurl=no}} 7. ^{{cite web|url=https://www.amazon.com/dp/B015GSWR3S|title=Blues, Ballads and Beyond|publisher=Amazon.com|deadurl=no}} 8. ^{{cite web|url=https://www.amazon.co.jp/dp/B018FIRM36|title=Blues, Ballads and Beyond (2015)|publisher=Amazon.com (Japan)}} 9. ^{{cite web|url=https://www.amazon.de/dp/B015GSWR3S|title=Blues, Ballads and Beyond (2015)|publisher=Amazon.com (German)|deadurl=no}} External links
2 : 2015 classical albums|Classical albums by American artists |
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