| 词条 | William Gilmore Simms |
| 释义 |
| name = William Gilmore Simms | image = William Gilmore Simms - Brady-Handy.jpg | caption = William Gilmore Simms, circa 1860 | birth_date = {{birth-date|April 17, 1806}} | birth_place = Charleston, South Carolina, United States | death_date = {{death-date and age|June 11, 1870|April 17, 1806}} | death_place = Charleston, South Carolina, United States | occupation = Poet, novelist, historian | genre = | movement = | notableworks = | influences = | influenced = | signature = William Gilmore Simms signature.svg }}William Gilmore Simms (April 17, 1806 – June 11, 1870) was an American writer and politician from the American South. Literary scholars consider him a major force in antebellum Southern literature; in 1845 Edgar Allan Poe pronounced him the best novelist America had ever produced, and he also published poetry and nonfiction, as well as edited several journals.[1][2] Simms strongly supported slavery; in response to Uncle Tom's Cabin he wrote both negative reviews and a pro-slavery novel.[3] He also served in the South Carolina House of Representatives from 1844–1846.[4] Early and family lifeSimms was born on April 17, 1806,[5] in Charleston, South Carolina,[6] of Scots-Irish ancestors. His mother, Harriet Ann Augusta (née Singleton, 1784-1808) died during his infancy; his father William Gilmore (1762-1830) failed in business and joined Coffee's Indian fighters. The precocious Simms was raised by his grandmother, Mrs. Jacob Gates, who had lived through the American Revolutionary War and who told Simms stories about it.[7] In his teen years, Simms worked as a clerk in a drugstore and aspired to study medicine.[8] Simms began to study law when he was eighteen (circa 1824).[9] He would receive an honorary LLD from the University of Alabama in 1841.[10] He married Anna Malcolm Giles in 1826.[9] After her death, he married Chevillette Eliza Roach (pronounced "Roche"), with whom he had 3 sons and 10 daughters. He was admitted to the South Carolina bar in 1827; however, he soon abandoned this profession for literature.[7] Early writingsSimms first wrote poetry at the age of eight. In his 19th year, he produced a monody on General Charles Cotesworth Pinckney (Charleston, 1825). Two years later, in 1827, he published Lyrical and Other Poems and Early Lays. In 1828 he became a journalist as well as editor and part owner of the City Gazette, a position he held until 1832 when the publication failed.[6] Simms devoted his attention entirely to writing and in rapid succession published The Vision of Cortes, Cain, and Other Poems (1829); The Tricolor, or Three Days of Blood in Paris (1830); and his strongest long poem, Atalantis, a Tale of the Sea (1832). Atalantis established his fame as an author.[7] His novel Martin Faber, the Story of a Criminal, an expanded version of an earlier short story called "The Confessions of a Murderer", was published in 1833.[9] This gained Simms a national audience.[7] Editor and politicianSimms also edited several South Carolina newspapers, and in the 1840s and 1850s edited important southern journals, including the Magnolia,' the Southern and Western, and the proslavery Southern Quarterly Review.[11] During the nullification controversy prompted by South Carolina in 1832, Simms supported Union. In the 1840s he pushed for American freedom from British literary models and supported the intensely nationalistic Young America group. Based on the popularity of the novels described below, Simms became part of the Southern planter class. He came to firmly support slavery (a "fire-eater") which ultimately led to secession and creation of the Confederate States of America and the American Civil War. Elected to the South Carolina House of Representatives, Sims served from 1844–1846. However he lost election for lieutenant governor of Alabama by only one vote.[18] Novels about the SouthSimms wrote a number of popular books between 1830 and 1860, sometimes focusing on the pre-colonial and colonial periods of Southern history, and replete with local color. His first hit was The Yemassee (1835, about the Yemassee War of 1715 in the South Carolina low country). Simms also published eight novels set in South Carolina during the American Revolutionary War, beginning with The Partisan (1835), which was perhaps Simms's most-read novel,[6] and Katharine Walton (1851). Other South Carolina-related books included Mellichampe (1836), The Kinsmen (1841), Woodcraft (1854), The Forayers (1855), Eutaw (1856), and Joscelyn (1867). He later published ten novels dealing with the expansion into the frontier territory from Georgia to Louisiana, including Richard Hurdis; or, the Avenger of Blood. A Tale of Alabama (1838) and Border Beagles: A Tale of Mississippi (1840). He also wrote about the conflicts between Native Americans, Spaniards and French in Florida in the The Lily and the Totem, or, The Huguenots in Florida (1850); Vasconselos (1853; an account of DeSoto's expedition from the Native American viewpoint); and The Cassique of Kiawah (1859; about the Native American experience in South Carolina during the American Revolution and originally drafted when he was 18, although published after his later popularity). Some believe The Cassique of Kiawah to be Simms's finest novel.{{citation needed|date=January 2019}} At first, Southern readers, especially those in his home town of Charleston, did not support Simms's work, in part because he lacked an aristocratic background. Eventually, however, he was referred to as the Southern version of James Fenimore Cooper, and Charleston residents invited him into their prestigious St. Cecilia Society.[6] In 1845, Simms published The Wigwam and the Cabin (1845); a compilation of short stories, one of which describes a loyal slave. Edgar Allan Poe thought the collection "decidedly the most American of American books".[12] and declared Simms to be "immeasurably the greatest writer of fiction in America."[13] In 1852, Simms published As Good as A Comedy; Or, The Tennessean’s Story. It and "Paddy McGann" (1867) constitute his two full-length works of Southern humor; he also wrote "Sharp Snaffles" and "Bill Bauldy," two tall tales. He also wrote poetry and, in a letter to literary critic and poet Rufus Wilmot Griswold, Simms said that he was not interested in form as much as content, torn "between the desire to appear correct, and the greater desire to be original and true".[14] Nonfiction history and biographySimms' History of South Carolina (1842) served for several generations as the standard school textbook on the state's history. He also wrote The Social Principle: The True Source of National Permanence (1843) and several very popular biographies of Revolutionary War heroes Francis Marion, Nathanael Greene, and John Laurens, as well as John Smith and the Chevalier Bayard. Simms also wrote a history of Alabama, and was a popular lecturer on American history. He accumulated one of the largest collections of Revolutionary War manuscripts in the country. Most of this collection was lost when stragglers from Sherman's army burned his plantation home Woodlands near the Georgia border.[15] Pro-slavery writingsSimms is also remembered today for his strong support of slavery; he was part of a "sacred circle" of southern intellectuals including Edmund Ruffin, James Henry Hammond, Nathaniel Beverley Tucker, and George Frederick Holmes. Together they published numerous articles calling for moral reform of the South, including a stewardship role of masters in relation to slavery.[16] He strongly protested against Harriet Beecher Stowe's abolitionist novel Uncle Tom's Cabin, in response to which he wrote reviews and a book.[3] His Anti-Tom novel was The Sword and the Distaff. Even though The Sword and the Distaff was published only a few months after Stowe's novel, it contains several sections and discussions that are clearly debating Stowe's book and view of slavery. The novel focuses on the Revolutionary War and its aftermath through the lives of Captain Porgy and one of his slaves. Many of Simms's other writings took a similar pro-slavery viewpoint.[17] That book was among between twenty and thirty novels containing Anti-Tom elements published after Stowe's book in 1852. These novels tended to feature a benign white patriarchal master and pure wife, both of whom presided over childlike slaves in a benevolent extended-family-style plantation. Simms' novel was popular enough that it was reprinted in 1854 under the title Woodcraft.[18] American Civil War and final yearsDuring the American Civil War, Simms espoused the side of the Secessionists in a weekly newspaper. Only his eldest son, who shared his name, was old enough to serve in the Confederate army and because of the common name, his identification as a volunteer or conscript private is unclear. Stragglers from Sherman's army burnt and destroyed Simms' plantation home "Woodlands" near the South Carolina border, along with 10,000 books and Revolutionary era manuscripts,[19] although Sherman had explicitly told his troops not to harm Simms's home.{{citation needed|date=October 2017}} Other than for the backwoods novel "Paddy McGann" (1863), Simms published little after the Civil War began, despite his prewar bellicosity. He advised several southern politicians and made elaborate proposals for Confederate military defenses. During the war he wrote little of literary importance save the lively backwoods novel Paddy McGann (1863). His family impoverished by the war, Simms took on many writing and editing chores which ruined his health. He compiled an anthology of Southern war poems in 1866.[20] Death and legacySimms died of cancer at his home at 13 Society Street in Charleston on June 11, 1870. He is buried in Magnolia Cemetery.[6] A large bust of Simms is centrally located in Charleston's Battery Park. In 2016, the family had a ceremony honoring him in Hanahan, South Carolina. Posthumous reputationScholars at DocSouth note Simms's volume of work describes the historic and cultural diversity of the South, from the class hierarchy, sectional self-consciousness and agrarian economy of the Low Country; to the both violence and civilization of the Gulf South (which had both plantations and frontier); and the pioneering of the Appalachian Mountain South in his era.[21] David Aiken, a founding member of the pro-secessionist group [https://web.archive.org/web/20150324095156/http://sclos.org/Aiken.htm The League of the South], lamented that Simms was purged from the canon of American literature because of the "unpardonable sin Simms committed when he published an account of Columbia, South Carolina's destruction in which he dared to deny the North a righteous victory."[22] Simms asserted of the North's tactics in the Civil War, "whatever might have existed in virtue of their cause, is forfeit by the processes which they have taken for its maintenance."[23] Author and segregationist Donald Davidson claimed, "The neglect of Simms's stature is nothing less than a scandal when it results....in the disappearance of his books from the common market and therefore from the readers' bookshelf. This is literary murder".[24] Literary scholars and historians continue to recognize Simms as a major force in Antebellum literature and a leading intellectual. The University of South Carolina has digitized most of his works and papers, which have been digitized by the available as print on demand books.[25] During recent years, a "Simms Renascence" has included scholars such as James E. Kibler, Mary Ann Wimsatt, Sean Busick, Charles S. Watson, and John C. Guilds. Kibler may be currently the leading authority on Simms's poetry; Guilds produced the major biography of the prolific author; Busick has concentrated on Simms's work as a historian; Wimsatt has published "The Major Fiction of William Gilmore Simms" as well as an edited version of his short stories, titled "Tales of the South" (a writer for "The Virginia Quarterly Review" calls Wimsatt's introduction to the tales "magisterial"). Contributing to the renascence is a handsome journal titled "The Simms Review." Issued annually, it contains recent articles about the author.[2][16] List of works
See also
Footnotes1. ^Review by Edgar Allan Poe in Broadway Journal, September 20, 1845. 2. ^1 "Review of From Nationalism to Secessionism: The Changing Fiction of William Gilmore Simms by Charles S. Watson," reviewed by Richard J. Calhoun, South Atlantic Review 60.1 (1995), pp. 149-151. 3. ^1 "Woodcraft: Simms's First Answer to Uncle Tom's Cabin" by Joseph V. Ridgely, American Literature, Vol. 31, No. 4 (Jan., 1960), pp. 421-433; "Simms's Review of Uncle Tom's Cabin" by Charles S. Watson, American Literature, Vol. 48, No. 3 (Nov., 1976), pp. 365-368 4. ^https://docsouth.unc.edu/southlit/simms1/bio.html 5. ^Nelson, Randy F. The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc., 1981: 41. {{ISBN|0-86576-008-X}} 6. ^1 2 3 4 Ehrlich, Eugene and Gorton Carruth. The Oxford Illustrated Literary Guide to the United States. New York: Oxford University Press, 1982: 249. {{ISBN|0-19-503186-5}} 7. ^1 2 3 1911 Britannica. 8. ^Appleton's Cyclopedia Vol. 5, p. 533. 9. ^1 2 Hubbell, Jay B. The South in American Literature: 1607-1900. Durham, North Carolina: Duke University Press, 1954: 573. 10. ^http://www.encyclopediaofalabama.org/article/h-2973 11. ^https://docsouth.unc.edu/southlit/simms1/bio.html 12. ^Widmer, Edward L. Young America: Flowering of Democracy in New York City. New York: Oxford University Press, 1999: 108. {{ISBN|0-19-514062-1}} 13. ^Nelson, Randy F. The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc., 1981: 164. {{ISBN|0-86576-008-X}} 14. ^Parks, Edd Winfield. Ante-Bellum Southern Literary Critics. Athens, GA: University of Georgia Press, 1962: 114. 15. ^1 Busick, Sean R. A Sober Desire for History: William Gilmore Simms as Historian., 2005. {{ISBN|1-57003-565-2}}. 16. ^1 Drew Gilpin Faust, A Sacred Circle: The Dilemma of the Intellectual in the Old South, 1840-1860, University of Pennsylvania Press, 1977 17. ^"An Overview of Southern Literature by Genre" by Lucinda MacKethan, North Carolina State University, originally published in Southern Spaces, 2004, accessed Feb. 17, 2007. 18. ^"Caroline Lee Hentz's Long Journey" by Philip D. Beidler. Alabama Heritage, Number 75, Winter 2005. Accessed 2/7/2006. 19. ^[https://books.google.com/books?id=TuZMzXqtCIcC&pg=PA80#v=onepage&q&f=false Dowling, Linda, C. Charles Eliot Norton: The Art of Reform in Nineteenth-century America. New Hampshire, 2008:80-{{ISBN|1584656786}}] 20. ^Coulter, E. Merton. The South During Reconstruction, 1865–1877. Louisiana State University Press, 1947: 280. {{ISBN|0-8071-0008-0}} 21. ^https://docsouth.unc.edu/southlit/simms1/bio.html 22. ^Aiken, David. Introduction to A City Laid Waste: The Capture Sack and Destruction of the City of Columbia, Columbia, South Carolina: University of South Carolina Press, 2005: 41. {{ISBN|1-57003-596-2}} 23. ^Simms, William G. A City Laid Waste, p. 110 24. ^Mary C. Simms Oliphant, Alfred Taylor Odell, and T.C. Duncan Eaves, eds., The Letters of William Gilmore Simms, 6 vols. Columbia, South Carolina: University of South Carolina Press, 1952-1956, 1983: vol. I, xxxii 25. ^{{Cite web|url=http://simms.library.sc.edu/index.php|title=The Simms Initiatives - Main Page|website=simms.library.sc.edu|access-date=2018-06-12}} Further reading
External links{{wikisource author}}{{commons category}}
15 : 1806 births|1870 deaths|19th-century American novelists|American male novelists|19th-century American poets|American proslavery activists|Historians of the American Revolution|Historians of the Southern United States|South Carolina lawyers|Lawyers from Charleston, South Carolina|Writers from Charleston, South Carolina|American male poets|Writers of American Southern literature|19th-century American male writers|Novelists from South Carolina |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。