| 词条 | Carole Steyn |
| 释义 |
| name = Carole Steyn | birth_name = Carole Moss | birth_date = 1938 | birth_place = Manchester | death_date = | death_place = | nationality = British | field = Painting, sculpture, bas-relief and ceramics | training = {{unbulleted list |Académie Julian|Saint Martin's School of Art|Camden Arts Centre}} }}Carole Steyn (née Moss) (born 1938, in Manchester) is a British abstract and figurative painter, sculptor, pastellist and ceramicist who works with a wide range of materials and lives in London.[1] While studying in Paris Steyn's work was influenced by Post-Impressionism and Fauvism with her later work being influenced by Russian Constructivism.[2]{{TOC left}} BiographySteyn studied at the Académie Julian in Paris in 1953 and the Saint Martin's School of Art from 1954–56, then studied sculpture at the Camden Arts Centre in 1968.[3] Carole had a series of solo exhibitions at the Drian Galleries in London in the 1970s.[4][5] In 1973, 1974 and 1975 Steyn exhibited with the Free Painters and Sculptors at the Mall Galleries in London.[6] In 1974, 1975 and 1976 she exhibited with the Women's International Art Club at the Drian Galleries and Camden Arts Centre.[7] In 1988 Steyn featured in Out of the Doll's House, a BBC2 mini series of eight films, which explored the way women's lives have changed in the 20th century.[8] Carole also took part in the project Hanging Out - {{url|www.hangingout.org.uk}} - an exploration of youth culture both now and in the 1950s and 1960s. Commenting on her time at Saint Martin's School of Art during the 1950's Carole said 'We were called beatniks sometimes and adopted maybe some so-called Bohemian attitudes at St. Martins…'.[9] Early careerSteyn's early abstract relief work used organic materials such as eggs, nuts and seeds to create seabed effects which reflected her interest in the emotive power of the sea. Her Seabed collages captured the flow, colour and rhythm of the ocean floor.[10] In 1975 Steyn's solo exhibition at the Drian Galleries showed works using the medium of nylon bonded clay to produce rippling floriform shapes which conveyed the force of growth and the dynamic, swirling movements of water.[11] Carole exhibited multiple styles of sculpture and relief for her 1981 solo show at the Drian which celebrated themes centered around nature, life and death. The Fertility section used eggs and nuts as symbols of the life force and her Flow series was a development of her 1975 exhibition. The Bones series consisted of bones constructed into collage bas-reliefs and her Universal Trees of Life works celebrated the continuity of nature.[12] By her 1985 solo exhibition Steyn's collages and sculptures were smaller and more painterly, exhibited alongside nine large abstract oil paintings which hinted at the essence of light. Her accompanying manifesto included the following statements: 'living art is a struggle between formal perfection and creative emotion' and 'my only security is the knowledge that sometimes I may be able to make something beautiful'.[13] Solo Exhibitions
Group Exhibitions[17]
Galleries and museumsSteyn's work is held in the following collections, galleries and museums.
References1. ^{{cite book|author=David Buckman|publisher=Art Dictionaries Ltd|year=1998|title=The Dictionary of Artists in Britain Since 1945 |ISBN=0953260909}} 2. ^{{cite web|author=Oxford Art Online|url=http://oxfordindex.oup.com/view/10.1093/benz/9780199773787.article.B00175877|title=Benezit Dictionary of Artists|year=|accessdate=29 April 2017|work=}} 3. ^{{cite book|author=David Buckman|publisher=Art Dictionaries Ltd|year=1998|title=The Dictionary of Artists in Britain Since 1945 |ISBN=0953260909}} 4. ^{{cite web|author=Artist Biographies|url=http://www.artbiogs.co.uk/2/galleries/drian-galleries|title=Drian Galleries|year=|accessdate=29 April 2017|work=}} 5. ^{{cite book|author=Max Wykes-Joyce|publisher=K.Izumi Art Publications Ltd|year=1991|title=Drian Galleries (A Short History) |ISBN=0955518334}} 6. ^{{cite web|author=Gallery Catalogues, Carole Steyn|url=https://nal-vam.on.worldcat.org/search?databaseList=&queryString=carole+steyn#/oclc/1008581975|title=National Art Library, art catalogues archive|year=|accessdate=23 September 2018|work=}} 7. ^U Richmond (2016). Women's International Art Club (WIAC). Archives Hub. Accessed September 2016. 8. ^{{cite book|author=Angela Holdsworth|publisher=BBC Books|year=1988|title=Out of the Doll's House: The Story of Women in the Twentieth Century |ISBN=0563206314}} 9. ^{{cite web|author=Full Spectrum Productions (2012)|url=http://www.hangingout.org.uk/book_project.htm|title=Hanging Out Book Project. |year=|accessdate=30 August 2018|work=}} 10. ^The Financial Times, Saturday 12 June 1971. Retrieved 1 September 2018. 11. ^James Burr, 'Around the Galleries', Apollo Magazine, Vol C1, No.160, June 1975, p.480. Retrieved 2 February 2019. 12. ^{{cite book|author=Max Wykes-Joyce|publisher=K.Izumi Art Publications Ltd|year=1991|title=Drian Galleries (A Short History) |ISBN=0955518334}} 13. ^{{cite book|author=Max Wykes-Joyce|publisher=K.Izumi Art Publications Ltd|year=1991|title=Drian Galleries (A Short History) |ISBN=0955518334}} 14. ^{{cite book|author=Halima Nalecz|publisher=Drian Galleries|year=1986|title=Three Decades of Private Views at the Drian: 1957-1987}} 15. ^{{cite book|author=Halima Nalecz|publisher=Drian Galleries|year=1986|title=Three Decades of Private Views at the Drian: 1957-1987}} 16. ^Women's International Art Club. Artist Biographies: British and Irish Artists of the 20th Century. Accessed July 2016. 17. ^{{cite web|author=Gallery Catalogues, Carole Steyn|url=https://nal-vam.on.worldcat.org/search?databaseList=&queryString=carole+steyn#/oclc/1008581975|title=National Art Library, art catalogues archive|year=|accessdate=23 September 2018|work=}} 18. ^U Richmond (2016). Women's International Art Club (WIAC). Archives Hub. Accessed September 2016. Further reading
External links
11 : 20th-century English painters|Académie Julian|Alumni of Saint Martin's School of Art|Artists from Manchester|English women painters|1938 births|20th-century British women artists|Arts centres in London|Modern painters|Living people|21st-century British women artists |
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