| 词条 | Woman in the Dunes |
| 释义 |
| name = Woman in the Dunes | image = Woman in the Dunes poster.jpg | alt = | caption = Japanese theatrical poster | film name = | director = Hiroshi Teshigahara | producers = {{plainlist|*Kiichi Ichikawa
| writer = | screenplay = Kōbō Abe{{sfn|Galbraith IV|2008|p=208}} | based on = {{based on|The Woman in the Dunes|Kōbō Abe}} | starring = {{plainlist|*Eiji Okada
| music = Toru Takemitsu{{sfn|Galbraith IV|2008|p=208}} | cinematography = Hiroshi Segawa{{sfn|Galbraith IV|2008|p=208}} | editing = Fusako Shuzui{{sfn|Galbraith IV|2008|p=208}} | studio = Teshigahara Production{{sfn|Galbraith IV|2008|p=208}} | distributor = Toho | released = {{film date|1964|2|15|Japan}} | runtime = 146 minutes{{sfn|Galbraith IV|2008|p=208}} | country = Japan{{sfn|Galbraith IV|2008|p=208}} | language = Japanese | budget = | gross = }}{{nihongo|Woman in the Dunes or Woman of the Dunes|砂の女|Suna no Onna|"Sand woman"}} is a 1964 Japanese New Wave film directed by Hiroshi Teshigahara and starring Eiji Okada and Kyōko Kishida. It received positive critical reviews and was nominated for two Academy Awards. The screenplay for the film was adapted by Kōbō Abe from his 1962 novel.{{sfn|Galbraith IV|2008|p=208}} PlotA schoolteacher, Niki Junpei (Eiji Okada), goes on an expedition to collect insects that inhabit sand dunes. When he misses the last bus home, the villagers suggest that he stay the night. They guide him down a rope ladder to a house in a sand quarry, to stay with a young widow (Kyōko Kishida), a meek and simple woman whose husband and daughter were killed in a sandstorm and who now lives alone. She is employed by the villagers to dig sand for sale to be used in concrete and to save the house from burial in the advancing sand. When Junpei tries to leave the next morning, he finds the ladder removed and cannot climb the sand since it keeps collapsing. The villagers expect him to become the woman's husband and to assist her in digging sand. Junpei becomes the widow's lover, but he still yearns to leave. One morning, using an improvised grappling hook, he escapes from the sand dune and runs away, with the villagers soon giving chase. Junpei is unfamiliar with the geography of the area and becomes trapped in quicksand. The villagers free him and return him to the house. Eventually, Junpei resigns himself to his situation. He requests time to watch the nearby sea, and the villagers offer to grant it if he has sex with the woman while they watch, but she fends him off. Through his persistent effort to trap a crow as a messenger, he discovers a way to draw water from the damp sand at night and becomes absorbed in the task of perfecting the technique. When it is discovered that the woman is pregnant, the villagers take her to a doctor and forget to remove the rope ladder before they leave. Junpei has a chance to escape, but he chooses to stay so that he may teach the technique to the other villagers, to encourage a later escape. The film's final shot is of a police report, which states that Junpei has been missing for seven years. Cast
ReleaseThe roadshow version of Woman in the Dunes was released in Japan on February 15, 1964 where it was distributed by Toho.{{sfn|Galbraith IV|2008|p=208}} The general release for Woman in the Dunes in Japan was April 18, 1964; the film was cut to 127 minutes.{{sfn|Galbraith IV|2008|p=210}} The film was released in the United States by Pathe Contemporary Films with English subtitles on September 17, 1964.{{sfn|Galbraith IV|2008|p=208}} The film ran at 127 minutes.{{sfn|Galbraith IV|2008|p=208}} The Criterion Collection released a DVD box set collecting Woman in the Dunes in its original length along with Teshigahara's Pitfall and The Face of Another in 2007. This release is now out of print.[1] In August 2016, Criterion released the film as a stand-alone Blu-ray with a brand new high definition transfer.[2]Critical receptionThe film has a rating of 100% review aggregator site Rotten Tomatoes, based on 27 critical reviews with an average rating of 8.7 out of 10.[3] It was one of the ten best films chosen by Russian filmmaker Andrei Tarkovsky.[4] Roger Ebert inducted Woman in the Dunes into his Great Movies list in 1998. Viewing the work as a retelling of the Sisyphus myth, he wrote, "There has never been sand photography like this (no, not even in "Lawrence of Arabia"), and by anchoring the story so firmly in this tangible physical reality, the cinematographer, Hiroshi Segawa, helps the director pull off the difficult feat of telling a parable as if it is really happening."[5] Strictly Film School describes it as "a spare and haunting allegory for human existence".[6] According to Max Tessier, the main theme of the film is the desire to escape from society.[7]The film's composer, Toru Takemitsu, was praised. Nathaniel Thompson wrote, "[Takemitsu's] often jarring, experimental music here is almost a character unto itself, insinuating itself into the fabric of the celluloid as imperceptibly as the sand."[8] Ebert also stated that the score "doesn't underline the action but mocks it, with high, plaintive notes, harsh, like a metallic wind."[5] AwardsThe film won the Special Jury Prize at the 1964 Cannes Film Festival[9] and, somewhat unusually for an avant-garde film, was nominated for the Best Foreign Language Film Oscar in the same year (losing to Yesterday, Today and Tomorrow).[10] In 1965, Teshigahara was nominated for the Best Director Oscar (losing to Robert Wise for The Sound of Music). In 1967, the film won the Grand Prix of the Belgian Film Critics Association. See also
References1. ^{{cite web|title=Three Films by Hiroshi Teshigahara|url=https://www.criterion.com/boxsets/458-three-films-by-hiroshi-teshigahara|website=Criterion|publisher=The Criterion Collection|accessdate=13 August 2016}} 2. ^{{cite web|title=Woman in the Dunes|url=https://www.criterion.com/films/826-woman-in-the-dunes|website=Criterion|publisher=The Criterion Collection|accessdate=13 August 2016}} 3. ^{{cite web|url=http://www.rottentomatoes.com/m/woman_in_the_dunes/|title=Suna no Onna (Woman in the Dunes) (1964)|work=Flixster|publisher=Rotten Tomatoes|accessdate=16 December 2015}} 4. ^{{Cite web|url=http://people.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Tarkovsky-TopTen.html|title=[ Nostalghia.com {{!}} The Topics :: Tarkovsky's Choice (1972) ]|website=people.ucalgary.ca|access-date=2016-05-15}} 5. ^1 {{cite web|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19980201/REVIEWS08/401010314/1023 |title=Woman in the Dunes (1964)|first=Roger|last=Ebert|authorlink=Roger Ebert|accessdate=28 January 2013|date=February 1, 1998|publisher=Chicago Sun Times}} 6. ^{{cite web|title=Suna no Onna, 1964 [Woman in the Dunes]|url=http://www.filmref.com/directors/dirpages/teshigahara.html#dunes|accessdate=28 January 2013|author=Acquarello|archive-url=https://web.archive.org/web/20130121135521/http://www.filmref.com/directors/dirpages/teshigahara.html#dunes#dunes|archive-date=2013-01-21|dead-url=yes|df=}} 7. ^[https://books.google.com/books?id=AvilNLC9pFYC&printsec=frontcover Rethinking Japan: Literature, Visual Arts & Linguistics] (1991). Psychology Press. p. 60. 8. ^Thompson, Nathaniel. "Woman in the Dunes". tcm.com. Retrieved 28 January 2013. 9. ^{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/3062/year/1964.html |title=Festival de Cannes: Woman in the Dunes |accessdate=2009-02-28|work=festival-cannes.com|archiveurl=https://web.archive.org/web/20110822120337/http://www.festival-cannes.com/en/archives/ficheFilm/id/3062/year/1964.html|archivedate=22 August 2011|deadurl=yes}} 10. ^{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1965 |title=The 37th Academy Awards (1965) Nominees and Winners |accessdate=2011-11-05|work=oscars.org}} Sources{{Refbegin}}
External links
|title = Awards |list ={{Cannes Film Festival Jury Prize}}{{Blue Ribbon Award for Best Film}}{{Kinema Junpo Award for Best Film}}{{Mainichi Film Award for Best Film}} }}{{DEFAULTSORT:Woman In The Dunes}} 11 : 1964 films|1960s drama films|1960s Japanese films|Best Film Kinema Junpo Award winners|Films directed by Hiroshi Teshigahara|Films set on beaches|Japanese black-and-white films|Japanese films|Japanese drama films|Japanese-language films|Films scored by Toru Takemitsu |
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