| 词条 | Concerto for Timpani and Orchestra |
| 释义 |
The concerto was extensively debated in the music journal Ballade in 2015 after it was attacked by atonal modernist composer Olav Anton Thommessen for not being atonal or modernist. The concerto was defended by the composer Ragnar Søderlind, who considered the concerto a good starting point for the debate about 21st century (classical) music, and argued that the atonal modernist movement has become "smug and controlling."[3][4][5][6][7][8] References1. ^A Paus' world premiere with Kartveit and Shostakovich's Fourth from Bergen, worldconcerthall.com {{concerto-stub}}2. ^På konsert: Bergen Filharmoniske Orkester, NRK 3. ^Olav Anton Thommessen, Annen-gangs er som regel annen-rangs, Ballade, 3.3.2015 4. ^ Alexander Zlatanos Ibsen, Tonal provokasjon, Minerva, 4. mars 2015 5. ^Marcus Paus, En 'riktig' stil?, Ballade, 3.3.2015 6. ^Torstein Aagaard-Nilsen, Alt er lov – heldigvis?, Ballade, 4.3.2015 7. ^Ragnar Søderlind, Varer modernismen evig?, Ballade, 18.3.2015 8. ^Arild Pedersen, Annengangs?, Ballade, 24.3.2015 4 : Compositions by Marcus Paus|2015 compositions|Compositions for timpani|Percussion concertos |
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