| 词条 | Yasumasa Morimura |
| 释义 |
Morimura borrows images from historical artists (ranging from Édouard Manet to Rembrandt to Cindy Sherman), and inserts his own face and body into them.[1][2] He even disguises himself as the principal subjects that appear in the artworks he appropriated, many of which goes against his racial, ethnic, and gender boundaries as an Asian male because most of the artworks he appropriates have Western subjects, particularly female subjects.[3] These include Mona Lisa, Frida Kahlo's self-portraits, and the characters in Velázquez's Las Meninas (1956).[4] He also inserted himself into some of the Western male subjects, and the majority of those works mostly deal with race and ethnicity. Through the use of disguises, he overturns the effects of the male gaze, gender, race, ethnicity, and cultural standards, challenging the traditional methods of portraiture that he alters the original Western artworks by incorporating details related to Japanese culture.[5] For example, in one of his works, Portrait (Futago), he changes the floral shawl from the original artwork, Olympia by Manet, with a kimono decorated with cranes.[5] Because traditional portraits were mostly Western dominated, Morimura's combination of crossing multiple boundaries at a marginalized position became a major focus through his performance of photographic works.[6] Among others, his exhibitions have been shown at the Museum of Contemporary Art, Chicago (1992), the Cartier Foundation for Contemporary Art in Jouy-en-Josas, France (1993), the Hara Art Museum in Tokyo (1994), the Guggenheim Museum (1994), the Yokohama Museum of Art in Yokohama, Japan (1996), Museum of Contemporary Art San Diego (2006), and the Art Gallery of New South Wales in Sydney (2007). He has also created a series of hybrid self-portraits modeled after the art of Frida Kahlo. He was nominated for the Hugo Boss Prize in 1996. The Carnegie Museum of Art (Pittsburgh), the Honolulu Museum of Art, the J. Paul Getty Museum (Los Angeles), Museum of Contemporary Art, Chicago, the Museum of Contemporary Art, Los Angeles, the San Francisco Museum of Modern Art, and the Whitney Museum of American Art (New York) are among the public collections holding work by Morimura.[7] Among other galleries, he is represented by Luhring Augustine Gallery in New York City.[2] References1. ^Harumi Befu and Sylvie Guichard-Anguis, Globalizing Japan: Ethnography of the Japanese Presence in Asia, Europe and America, Routledge, 2003, p142. {{ISBN|0-415-24412-9}} 2. ^1 {{cite news|url=https://www.nytimes.com/2015/01/16/arts/design/yasumasa-morimura.html|title=Yasumasa Morimura|publisher=New York Times|last=Rosenberg|first=Karen|date=Jan 15, 2015}} 3. ^{{Cite journal|last=Yoon|first=Joonsung|date=|title=SEEING HIS OWN ABSENCE: Culture and Gender in Yasumasa Morimura's Photographic Self-Portraits|journal=Journal of Visual Art Practice|language=en|volume=1|issue=3|pages=168–169|doi=10.1386/jvap.1.3.162|via=}} 4. ^{{Cite web|url=https://ocula.com/artists/yasumasa-morimura/|title=Yasumasa Morimura {{!}} Artworks, Exhibitions, Profile & Content|date=2019-03-05|website=ocula.com|language=en|access-date=2019-03-05}} 5. ^1 {{Cite journal|last=Michiko|first=Kasahara|last2=Fritsch|first2=Lena|date=|title=Morimura Yasumasa—Portrait (Futago)|journal=Art in Translation|language=en|volume=4|issue=4|pages=503–504|doi=10.2752/175613112x13445019280934|via=}} 6. ^{{Cite journal|last=BRANDES|first=KERSTIN|date=2003|title=Morimura/Duchamp: Image Recycling and Parody|jstor=43263713|journal=Paragraph|volume=26|issue=1/2|pages=56–57}} 7. ^Luhring Augustine Gallery External links
6 : 1951 births|Living people|Japanese photographers|Kyoto City University of Arts alumni|People from Osaka|Japanese contemporary artists |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。