| 词条 | Yasunao Tone |
| 释义 |
OverviewYasunao Tone is known mostly for his musical work, much of which relies on unconventional techniques. Tone began manipulating compact disks to achieve uniquely mangled sounds in the early 1980s.[2] For his 1997 album, Solo for Wounded CD, he damaged audio CDs and used the information that a CD player was able to extract from those discs to create new pieces. Tone's CD-player-based works employ a process of "de-controlling" the device's playback so that it randomly selects fragments from a set of sound materials. Tone has stated that the error-correction functionality of modern CD players has made it hard to continue to use this technique and, for this reason, he continues to use older equipment.[2] For his collaboration with Florian Hecker, Palimpsest, he converted Japanese Man'yōshū poems to sound.[3]Always active in the United States with avant-garde music artists, he has been awarded a CAPS Grant in multi-media, a 2004 Foundation for Contemporary Arts Grants to Artists Award, a New York State Council on the Arts commission grant for flutist Barbara Held, a National Endowment for the Arts grant for collaborative work with Blondell Cummings and Senga Nengdi, and a New York Foundation for the Arts Fellowship in performance/emerging forms. {{Citation needed|date=May 2008}} Selected discography
See also
Bibliography
References1. ^Yasunao Tone Bio at Lovely Music http://www.lovely.com/bios/tone.html 2. ^1 {{cite book | last = Cox | first = Christoph |author2=Daniel Warner | title = Audio Culture: Readings in Modern Music | publisher = Continuum International Publishing Group | year = 2006 | pages = 341–347 | isbn = 0-8264-1614-4}} 3. ^Cisneros, R. Jiménez. (2009) BLACKOUT. Representation, transformation and de-control in the sound work of Yasunao Tone. Quaderns d'Àudio, Ràdio Web MACBA. Barcelona. External links
6 : 1935 births|Living people|Fluxus|Japanese artists|Japanese jazz composers|Sound artists |
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