| 词条 | Young Törless |
| 释义 |
| name = Young Törless | image = Young Torless poster.jpg | caption = | director = Volker Schlöndorff | producer = Franz Seitz | writer = Volker Schlöndorff Herbert Asmodi Robert Musil (novel) | starring = Mathieu Carrière Marian Seidowsky Bernd Tischer Fred Dietz | music = Hans Werner Henze | cinematography = Franz Rath | editing = Claus von Boro | distributor = Cine-International | released = {{film date|1966|5|20|df=yes}} | runtime = 87 minutes | country = West Germany / France | language = German | budget = }} Young Törless ({{lang-de|Der junge Törless}}) is a 1966 German film directed by Volker Schlöndorff, adapted from the autobiographical novel The Confusions of Young Törless by Robert Musil. It deals with the violent, sadistic and homoerotic tendencies of a group of boys at an Austrian military academy at the beginning of the 20th century. PlotThe story is set at the beginning of the 20th century. When Thomas Törless (Mathieu Carrière) arrives at the academy, he learns how Anselm von Basini (Marian Seidowsky) has been caught stealing by fellow student Reiting (Fred Dietz), and is obliged to become Reiting's "slave," bowing to Reiting's sadistic rituals. Törless follows their relationship with intellectual interest but without emotional involvement. Also partaking in these sessions is Beineberg (Bernd Tischer), with whom Törless visits Bozena (Barbara Steele), the local prostitute. Again, Törless is aloof and more intrigued than excited by the woman. He is however very eager to understand imaginary numbers, which are mentioned in his maths lesson. The maths teacher is unwilling or unable to explain what these are, stating that in life, emotion is what rules everything - even mathematics. After Basini is humiliated and suspended upside down in the school gym because of one of Reiting's intrigues, Törless realises intellectually that the other boys are simply cruel. He seems no more or less emotionally moved by this than by the revelation that he cannot understand imaginary numbers. He decides that he does not want to partake in cruelty, so decides to leave the academy. His teachers think that he is too "highly strung" for his own good, and do not want him to stay anyway - they are part of the system which can allow such terrible things to be done to the weak and vulnerable. At the end of the film Törless is dismissed from the school and leaves with his mother, smiling. Cast
MusicThe film's significance as a cultural artifact of German post-World War II introspection is enhanced by the fact that its haunting medieval-sounding score is written by Hans Werner Henze, the noted German modernist composer. Henze, who came of age during the war, was prominent enough in this introspection by virtue of his left-political activism in the arts to feel driven to expatriation from Germany. Hans Werner Henze later arranged a suite from the original score, which was entitled Fantasia for Strings. AwardsThe film won the FIPRESCI Prize at the 1966 Cannes Film Festival.[1] It was also selected as the German entry for the Best Foreign Language Film at the 39th Academy Awards, but was not accepted as a nominee.[2] See also
References1. ^{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/2813/year/1966.html |title=Festival de Cannes: Young Törless |accessdate=2009-03-07|work=festival-cannes.com}} 2. ^Margaret Herrick Library, Academy of Motion Picture Arts and Sciences External links
14 : 1966 films|1960s drama films|1960s LGBT-related films|German drama films|German LGBT-related films|West German films|German-language films|German black-and-white films|Films directed by Volker Schlöndorff|Films based on Austrian novels|Films set in Austria|Films set in the 1900s|Directorial debut films|Boarding school films |
| 随便看 |
|
开放百科全书收录14589846条英语、德语、日语等多语种百科知识，基本涵盖了大多数领域的百科知识，是一部内容自由、开放的电子版国际百科全书。