| 词条 | Draft:Christoph Cox |
| 释义 |
Christoph Cox is a philosopher, art critic, and curator whose work focuses on contemporary European philosophy, art theory, and aesthetics. He is the author of [https://www.press.uchicago.edu/ucp/books/book/chicago/S/bo27886631.html Sonic Flux: Sound, Art, and Metaphysics] (2018) and Nietzsche: Naturalism and Interpretation (1999), and editor of Realism Materialism Art (2015), and [https://www.bloomsbury.com/us/audio-culture-revised-edition-9781501318368 "Audio Culture: Readings in Modern Music"] (2017/2004). CareerCox was an undergraduate student at Brown University, where he studied philosophy and semiotics, graduating with a degree in Modern Culture & Media. After a year working at the Strand Bookstore in New York City, he enrolled at the University of California, Santa Cruz, where he received a Ph.D. in History of Consciousness with a dissertation on Friedrich Nietzsche. While a William Rainey Harper Fellow at The University of Chicago, Cox began working as an art and music critic, contributing essays to Artforum, The Wire (magazine), and other publications, and soon became editor-at-large at Cabinet Magazine, for which he wrote essays and curated a series of thematic CDs. Shortly after arriving at Hampshire College in 1998, Cox published Nietzsche: Naturalism and Interpretation and began collaborating with composer Daniel Warner on the anthology [https://www.bloomsbury.com/us/audio-culture-revised-edition-9781501318368 "Audio Culture: Readings in Modern Music"]. In 2007, Cox began an association with the Center for Curatorial Studies and Art in Contemporary Culture at Bard College, teaching courses on contemporary art, criticism, and curation, and serving on the Center's Graduate Committee. With Suhail Malik, who was then teaching at Center for Curatorial Studies and Art in Contemporary Culture and Jenny Jaskey, Cox edited Realism Materialism Art, an anthology of essays by artists, philosophers, and theorists examining the effects of speculative realism and "new materialist" philosophies on contemporary art and art theory. In 2018, Cox published [https://www.press.uchicago.edu/ucp/books/book/chicago/S/bo27886631.html Sonic Flux: Sound, Art, and Metaphysics], a philosophical exploration of sound art and experimental music. Through his work as an art critic, Cox was invited to curate several exhibitions, beginning with a show titled "Group Loop" (2005) at G Fine Art gallery in Washington, D.C. He went on to curate "Invisible Geographies" (2006), an exhibition of German sound art at The Kitchen, and "Every Sound You Can Imagine" (2008), an exhibition of experimental musical scores at the Contemporary Arts Museum Houston and New Langton Arts in San Francisco. In 2011, Cox curated the "Brick + Mortar International International Video Art Festival" in vacant and public spaces throughout the town of Greenfield, Massachusetts. Cox has also curated exhibitions at The Artist's Institute (New York City) and elsewhere. |
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