词条 | Draft:Gabor Follinus |
释义 |
In 1989, Follinus learned he was HIV positive, an experience he describes in a 2018 interview as transformative, propelling his continued engagement with art as a tool for social engagement.[5] His sculptural work often engages natural and found materials as well as folkloric references in a spare, minimalistic aesthetic, or as he describes it, "minimalism with soul".[6] References1. ^https://www.nytimes.com/1975/12/05/archives/an-emigre-waits-for-scholarly-job.html 2. ^[https://www.youtube.com/watch?time_continue=509&v=XuPftt2stBg] 3. ^Sandor Radnoti & Gabor Follinus (1977) The Early Aesthetics of Walter Benjamin, International Journal of Sociology, 7:1, 76-123, DOI: 10.1080/15579336.1977.11769660 4. ^Follinus, Gabor. "Thus Speaks the Devil: Crime and Punishment." Studia Slavica Academiae Scientiarum Hungaricae 37 (1991): 1-4. 5. ^[https://www.youtube.com/watch?time_continue=509&v=XuPftt2stBg] 6. ^[https://www.youtube.com/watch?time_continue=509&v=XuPftt2stBg] External links[https://www.youtube.com/watch?time_continue=509&v=XuPftt2stBg] |
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