1. Education and Academic Career
     Publications and Awards  

2. Notable Bibliography

3. References

Education and Academic Career

She holds a B.A. in Fine Arts from the University of Guelph (1976-1980), a B.Arch from the University of Waterloo (1982-1989), an M.DeS from Harvard University (1994-1995), and a PhD from Harvard University (1995-2003). She has taught at design schools in Canada, the USA, and in Europe, most notably at the Harvard Graduate School of Design and University of Toronto.^[2]

Lobsinger’s creative practice includes text-based visual works and the production of environments for multi-disciplinary experiments between theory and praxis.

Publications and Awards

She has written extensively on the histories and theories of modern architecture and urbanism. Her research centers around issues of historiography, science, technology, and techniques of articulation. She has held fellowships and received awards from the Canadian Centre for Architecture, the Graham Foundation,^[3] the Social Science and Research Council, ACSA/JAE/AIA,^[4] the Canada Council for the Arts, the Toronto Arts Council, the Ontario Design Council, the Graduate School of Design, and the Graduate School of Arts and Sciences at Harvard University. She has published in Grey Room^[5], Daidalos,^[6] Journal of Architecture,^[7] Thresholds, Domus,^[8] Architecture+Ideas, and the Journal of the Society of Architectural Historians.^[9]

Notable Bibliography

• "Optimizing Freedom and Choice: Cedric Price’s Potteries Thinkbelt as Pre-history to Neoliberalization,” Neoliberalism: An Architectural History (University of Pittsburgh Press, forthcoming, 2019) ed. K. Cupers, C. Gabrielsson, H. Mattsson.

• “Words, Concepts, and Techniques, c. 1977,” Theory’s History, 196X-199X. Challenges in the Historiography of Architectural Knowledge, forthcoming 2019. “Teatro del Mondo: 1979-1980,” Companions to the History of Architecture, The Companion to the History of Modern Architecture, 4 Vol. Set, ed. H. Mallgrave (Hoboken N.J: Wiley-Blackwell, 2017), ch. 41.

• “Architectural History: The Turn from Culture to Media,” Field Notes, The Journal of the Society of Architecture Historians, v.75, n.2, (June 2016): 5-9. “Città, Periferia, Territorio,” “City, Periphery, Territory,” in Aldo Rossi, la storia di un libro. L’architettura della città dal 1966 ad oggi ed. F. De Maio, A. Ferlenga, P. Montini Zimolo (Padova: il Poligrafo casa editrice, 2015), pp. 71-79. Published in English and Italian. “The Fun Palace Project (1961-64)//2000,” excerpt from “Cybernetic Theory and the Architecture of Performance. Cedric Price’s Fun Palace,” (2000) published in the anthology Systems. Documents of Contemporary Art ed. Edward A. Shanken (London, Cambridge, MA: Whitechapel Gallery, MIT Press, 2015), pp. 92-93.^[10]

• Units of Measure,” Essay written for a broadsheet publication as part of Furnishing Positions, a commissioned project by Adrian Blackwell shown at the Blackwood Gallery, University of Toronto Mississauga, (15th Sept.–7th Dec. 2014). At http:/www.blackwoodgallery.ca/publications/index.html

• Immaterial Labour,” Labour, Work, Action. Transmission Annual (London: Artsword Press, 2013), pp. 137-141.

• The New Urban Scale in Italy – On Aldo Rossi’s L’architettura della città,” republished in The Rationalist Reader: Architecture and Rationalism in Western Europe 1920-1940/1960-1990 (London: Routledge, 2013), pp. 346-353.
• “Two Cambridges: Methods, Models, Systems, and Expertise,” A Second Modernism: MIT, Architecture and the ‘Techno-Social’ Moment, ed. Arindam Dutta. (Cambridge, MA: MIT Press, 2013), pp. 652-685.^[11]
• “Domestic Environments, Italian Neo-Avant-Garde Design and the Politics of Post-Materialism,” Atomic Dwelling. Anxiety, Domesticity and Postwar Architecture, ed. Robin Schuldenfrei (London: Routledge, 2012), pp. 186-206.^[12]
• “Antinomies of Realism: Postwar Italian Housing Projects,” Scapegoat v. 3 (2012): 36-39.
• “Ephemerality or Permanence: Cedric Price’s Inter-Action Centre,” Import-Export: Postwar Modernism in an Expanding World, 1945-1975, ed. Helene Lipstadt (New York: DOCOMOMO. Columbia University, 2009), pp. 429-435.
• “Experimental Architecture and Progressive Pedagogy: Scarborough College,” Architecture+Ideas (Winter 2009): 4-19. Co-written with Dr. Paolo Scrivano.
• "Technology and Phenomenological Critique in Italian Architectural Discourse: The Case of Superfici,” Architectural Periodicals in the 1960s and ‘70s (Montreal: Institut de Recherche en Histoire de l’Architecture, 2008), pp. 223-244.
• “The J.P. Robarts Library,” Concrete Toronto. A Guidebook to Concrete Architecture from the Fifties to the Seventies, ed. Michael McClelland and Graeme Stewart (Toronto: Coach House Press, 2007), pp. 164-174. “Program and Programming, Cedric Price’s Inter-Action Center, London 1977,” Werk, Bauen+Wohen (December 2007): 38 - 46.
• “Utopie architettoniche e la ‘nuova dimensione’. Torino negli anni sessanta,” Le Città Visibili, ed. Robert Lumley and John Foot (Milan: il Saggiatore, 2007), pp. 91-107.
• “The New Urban Scale in Italy: On Aldo Rossi’s L’architettura della città,” The Journal of Architectural Education, 1966: Forty Years After, v.59, n.3 (February 2006): 28-38.
• “Architectural Utopias and la nuova dimensione: Turin in the 1960s,” Italian Cityscapes. Culture and Urban Change in Contemporary Italy, ed. Robert Lumley and John Foot (Exeter: University of Exeter, 2004), pp. 77-89.
• “Urbatecture: Urbanistica opulenta,” Communication in Architecture. Proceedings from the Associated Collegiate Schools of Architecture National Meeting (February 2004), pp. 225-231. “Scompare un visionario appassionato di high-tech,” Cedric Price Obituary. Il Giornale dell’Architettura (Fall 2003): 6.
• “That Obscure Object Desire. Autobiography and Repetition in the Early Work of Aldo Rossi,” Grey Room 08 (Summer 2002): 38-61.^[13]
• “Architettura radicale (Casabella, 1968-1973),” Architettura spazio scritto, eds. P. Bonifazio and R. Palma (Turin: UTET, 2001), pp. 20-33.
• “Monstrous Fruit: The Excess of Italian Neo-Liberty,” Thresholds 23 (December 2001): 44-51.
• "Cedric Price: Architecture of the Performance,” Daidalos 74 (Winter 2000): 22-29.
• “Cybernetic Theory and the Architecture of Performance. Cedric Price’s Fun Palace,” Anxious Modernism. Experimentation in Postwar Architectural Culture, ed. Sarah Williams Goldhagen and Rejean Legault (Cambridge: MIT Press, 2000), pp. 98-118.^[14]

References

• Athena Tennousu
• Athena Tessera
• Athenaum
• Athena unterrichtet den Jungen im Waffengebrauch
• Athena with cross-strapped aegis
• Athena (wrestler)
• Athene (Cynuria)
• Athenee royal d'Auderghem
• Athenee Royal d'Auderghem
• Athenee Royal d’Auderghem
• Athenee royal Serge Creuz
• Athenee Royal Serge Creuz
• Athene (genus)
• Athene (owl)
• Athene Royal Serge Creuz
• Atheneum/Caitlyn Dlouhy
• Atheneum/Dlouhy
• Atheneum Publishing
• Athenian Band Cup by the Oakeshott Painter (MET 17.230.5)
• Athenian citizen
• Athenian coinage
• Athenian coinage decree
• Athenian court system
• Athenian democracy
• Athenian invasion of Sicily