| 词条 | Draft:Naomi Salaman |
| 释义 |
Salaman has written, made work on and/or curated exhibitions related to a wide range of topics including: the art school; pornography and censorship; image technologies; and social justice. Her art and writing have featured in projects such as What She Wants: Women Artists Look at Men (ed., Verso, 1994); Parenthesis (1998, self-published); Postcards on Photography: Photorealism and the Reproduction (exhibition and publication, Cambridge Darkroom, 1999, with Ronnie Simpson); Nothing is Hidden (exhibition, 2000, with Hermione Wiltshire), Changed Press Marks of the Private Case (2001)[1]; and Looking Back at the Life Room (2010)[2]. She has taught studio art and art theory courses in art and photography schools nationally, and has taught fine art at University of Brighton since 1998. She also co-runs a window exhibition space, SWEETSHOP[3], in Lewes, East Sussex. References1. ^{{Cite web|url=http://arts.brighton.ac.uk/staff/naomi-salaman/press-marks|title=Changed Press Marks of the Private Case-Naomi Salaman-Arts and culture|last=|first=|date=|website=arts.brighton.ac.uk|language=en-gb|archive-url=|archive-date=|dead-url=|access-date=2018-03-18}} 2. ^{{Cite web|url=http://www.ucl.ac.uk/news/news-articles/1005/10050601|title=Watch: Looking Back at the Life Room|website=www.ucl.ac.uk|language=en|access-date=2018-03-18}} 3. ^{{Cite web|url=https://en-gb.facebook.com/lansdownsweetshopwindows/|title=Lansdown Sweet Shop|website=en-gb.facebook.com|language=en|access-date=2018-03-18}} |
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